Frida Kahlo. Self-Portrait with Cropped Hair, 1940

1
Georgia O'Keeffe, Jack-in-the-Pulpit No. IV, 1930

• Frida Kahlo. Self-Portrait with Cropped Hair, 1940

2
Catalogue Cover and Participants

• Catalogue cover and participants
• Womanhouse 1971

3
Kitchen

• Kitchen

4
Kitchen
5
Kitchen breasts
6
Kitchen breasts
7
Bride
8
Linen closet

• Linen Closet

9
Lipstick Bathroom

• Lipstick Bathroom

10
Menstruation bathroom

• Menstruation
• Bathroom

11
Nightmare Bathroom

• Nightmare Bathroom

12
Dollhouse

• Dollhouse

13
MS Paul Gauguin and Me 75 MS Mary Cassatt and Me
76

• Miriam Schapiro, Collaboration Mary Cassatt and
  Me 1976

14
MS She Sweeps with Many Colored Brooms 76
Connections 76

• Miriam Schapiro, She Weeps with Many Colored
  Brooms, 1976

15
Lynda Benglis, advertisement in Artforum, 1974
16
Betty Grable Lynda Benglis
17
Lynda Benglis, Arforum Nov 74
18
JC Dinner Party

• Judy Chicago
• Dinner Party
• 1973-79

19
Dinner Party Goddesses

• Goddesses

20
Dinner Party Wolfe OKeefe

• Virginia Woolf and Georgia OKeefe

21
Dinner Party Fertile Goddess
22
Dinner Party Fertile Goddess
23
(No Transcript)
24
Dinner Party Eleanor Aquitaine
25
Dinner Party Eleanor Aquitaine
26
Dinner Party Mary Wollstonecraft

• Mary Wollstonecraft

27
Dinner Party Emily Dickinson study
28
Dinner Party Virginia Woolf
29
Dinner Party Virginia Woolf
30

• Carolee Schneemann, Interior Scroll, 1975

31

• Carolee Schneemann, Interior Scroll, 1975

32

• Carolee Schneemann, 36 Transformative acts for
  camera, 1963

33

• Carolee Schneemann, 36 Transformative acts for
  camera, 1963
• Interior Scroll 1975
• Performance.
• Performed in East Hampton,NY and at the Telluride
  Film Festival, Colorado. Schneemann
  ritualistically stood naked on a table, painted
  her body with mud until she slowly exracted a
  paper scroll from her vagina while reading from
  it.
• "I thought of the vagina in many ways--
  physically, conceptually as a sculptural form,
  an architectural referent, the sources of sacred
  knowledge, ecstasy, birth passage,
  transformation. I saw the vagina as a translucent
  chamber of which the serpent was an outward
  model enlivened by it's passage from the visible
  to the invisible, a spiraled coil ringed with the
  shape of desire and generative mysteries,
  attributes of both female and male sexual power.
  This source of interior knowledge would be
  symbolized as the primary index unifying spirit
  and flesh in Goddess worship." -CS

34

• Carolee Schneemann, Judson Church, NYC. Group
  performance raw fish, chickens, sausages, wet
  paint, plastic, rope,
• shredded scrap paper

35

• Meat Joy has the character of an erotic rite
  excessive, indulgent, a celebration of flesh as
  material raw fish, chickens, sausages, wet
  paint, transparent plastic, rope brushes, paper
  scrap. It's propulsion is toward the ecstatic--
  shifting and turning between tenderness,
  wilderness, precision, abandon qualities which
  could at any moment be sensual, comic, joyous,
  repellent."

36

• Hannah Wilke, SOS Starification Object Series,
  1974

37
HW Teasal Cushion
Hannah Wilke, SOS Starification Object Series,
1974
38
HW SOS
39
HW SOS performance
40
HW SOS installation
41
HW My Country Tis of Thee 76
Hannah Wilke, My Country tis of thee, 1975
42
HW Lincoln Memorial Florida Keys
43
HW My Country Tis of Thee 76
44
HW Through Looking Glass
Hannah Wilke, Through the Looking Glass
45
HW Iobject
46
HW Ponder-r-rose
47
AM Glass
48
AM Death of Chicken
Ana Mendieta, Death of Chicken, 1972
49
AM Rape Performance 73 AM People Looking at
Blood 73
Ana Mendieta, Rape Performance, 1973
50
AM Tree of Life
Ana Mendieta, Tree of Life, 1973
51
AM Silueta 77 fire AM Silhueta 78 pigment
Ana Mendieta, Silueta, 1977
52
AM Silueta 78 clover AM Silueta 79 mud