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Title: Targeting the TAKS OpenEnded Response


1
Targeting the TAKS Open-Ended Response
  • Hitting the Mark in the ELA Classroom

TCTELA 41st Annual Conference January 20, 2006
2
Welcome!
Diane Peterson
Education Specialist, Secondary Language Arts
dpeterson_at_esc4.net 713.744.6829
3
Writing Responses for the TAKS Open-Ended Items
Examine open-ended item student responses to
identify the qualities and components of a
successful response. Participants will analyze
the TAKS Reading Rubrics and discuss the
resultant best practices in the ELA classroom.
4
Plans
  • Successful responseswhat should be included?

2. Content scoringwhat skills does the
open-ended item assess?
3. Best practiceswhat should I see in the ELA
classroom?
5
Assessment
Improved Student Achievement
Instruction
Curriculum
English, 2000
6
Successful Responses
  • What should be included?

7
What Is the OER?
OER Open-Ended Response
The TAKS open-ended items are three short answer
questions that require the student to write a
multi-sentence response. These items are based
upon the triplet found in the Reading/ELA
section of TAKS assessments for grades 9-11 Exit.

8
What Is the Triplet?
1st Part a published literary work, either a
short story or an excerpt from a novel
9
What Is the Triplet?
2nd Part a published expository
(informational, nonfiction) passage, either an
article from a newspaper or magazine, an excerpt
from a memoir, a journal entry, essay, editorial,
or an excerpt from a biography or autobiography
10
What Is the Triplet?
  • 3rd Part
  • a visual media selection reflecting a web page,
    advertisement, or poster which enables students
    to make visual connections to the other two
    passages

11
What Is the Triplet?
1st part (literary)
2nd part (expository)
3rd part (visual media)
a thematically-linked triplet!
12
What Parts Are Needed for a Successful Response?
  • TWO-PARTER Students must offer a reasonable
    idea and pull textual evidence that validates
    that idea.
  • THREE-PARTER Change questions call for two
    pieces of evidence.
  • FOUR-PARTER Cross-over responses must include
    analysis from each piece and evidence from each
    piece.

13
Crafting a Response
1. Provide a clear answer to the question.
2. Provide multiple pieces of support directly
from the passage. Direct quotations (usually
partial), paraphrases (authors words in student
writers own words), or synopses (specific
summary) are acceptable. All sentences should
connect to each other and it should be clear why
the evidence given is significant to the answer.
3. Connect the answer to the support. This is
not done with a separate sentence but should be
clear from the idea and choice of evidence.
4. Craft the answer into a coherent, logical
progression of ideas and evidence that answers
the question fully and proves the statement.
14
Why Use OER Items?
  • TAKS open-ended items are short answer questions
    such as those typically asked of English/Language
    Arts students in class.
  • They are linked to TAKS Objectives 2 and 3 and
    the corresponding foundational TEKS (10B).
  • This provides a clear connection between the TAKS
    assessment and classroom instruction.

15
Content Scoring
  • What skills does the
  • open-ended item assess?

16
Content Scoring
  • Items are part of the reading portion of the TAKS
    and are content scored.
  • Responses must include a reasonable idea
    (analysis) and textual support (evidence).
  • Writing skills are not assessed here. Only
    clarity is mentioned in the rubrics.
  • These responses are judged conceptually, not
    contextually.

17
What Skill is Tested (TEKS)?
  • (10) Reading/literary response. The student
    expresses and supports responses to various
    types of texts. The student is expected to
  • (B) use elements of text to defend, clarify,
    and negotiate responses and interpretations.

18
Types of Items
Objective 2 The student will apply knowledge of
literary elements to understand culturally
diverse written texts. The first open-ended
item is based on the literary selection.  
19
Types of Items
 Objective 3 The student will demonstrate the
ability to analyze and critically evaluate
culturally diverse written texts and visual
representations. The second item is based on
the expository selection.
20
Types of Items
 Objective 3 The student will demonstrate the
ability to analyze and critically evaluate
culturally diverse written texts and visual
representations. The third item is based on
both selections.
21
What Are Rubrics?
  • Powerful instructional tools that clarify
    expectations
  • Explicitly worded descriptions for each score
    point

Teaching is targeted. Student performance is
focused.
22
Three Rubrics
  • There is a specific rubric for each open-ended
    item.
  • Examine each rubric (literary,
    expository, and crossover) for similarities and
    differences of each score point.

23
Students as Self-Assessors
  • Students who are taught to use criteria know
    when they are doing well, without waiting for
    outside confirmation, and when things go wrong,
    they know what to do about it.

Spandel, 2001
24
0 Insufficient
  • Too general or vague to determine whether it is
    reasonable
  • OR
  • Incorrect interpretation not based on text
  • OR
  • Plot summary

25
1Partially Sufficient
  • Analysis only
  • OR
  • Evidence only
  • OR
  • Analysis-Evidence connection unclear or vague

26
2Sufficient
  • Analysis and relevant evidence present
  • Analysis-Evidence connection clear and specific

27
3Exemplary
  • Particularly thoughtful or insightful analysis
    and/or evidence
  • Analysis-Evidence connection shows depth of
    understanding

28
Using Student Responses
  • Read the passage, annotate, discuss.

2. View the Open-Ended Item.
3. View the appropriate rubric.
4. Answer the item with a partner, save
responses.
5. View the components of a successful answer.
6. View the samples and discuss their scoring.
7. Evaluate responses in light of samples.
29
Best Practices
  • What should I see in the ELA classroom?

30
Research Confirms
  • All students benefit from a strong reading and
    writing connection.
  • When students respond through writing to what
    they have read, writing and reading improve.
  • Written responses require higher-order thinking
    and critical-thinking skills.

31
Thoughtful Literacy
  • Remembering
  • ?
  • Understanding
  • ______________________________________
  • Recitation of Texts
  • ?
  • Consideration and Discussion of Texts

Alllington, 2001
32
Thoughtful Literacy
  • We should construct lessons that help make the
    comprehension processes visible.
  • Students need demonstrations of effective
    strategy use.

Alllington, 2001
33
assessing progress
assessing progress
teacher
guided
independent
teacher
guided
independent
systematic,
systematic,
and
and
modeling
practice
practice
modeling
practice
practice
explicit
explicit
adjusting
adjusting
instruction
instruction
instruction
instruction
Gradual Release Model
  • explicit, systematic instruction
  • model and demonstrate strategies
  • guided practice
  • independent practice
  • monitor and assess student progress

34
Teaching the OER
  • Finding Evidence
  • Citing Evidence
  • using quotes, paraphrase, and synopsis
  • learning when to use each type of evidence
  • Connecting evidence to analysis (or answer)
  • Rememberthis is not a connection to real
    world or a new idea!
  • Comparing works of literature (or art)

35
Teaching the OER
  • Students need multiple, frequent opportunities to
    practice the skills involved in successfully
    responding to an open-ended item.
  • Teachers must model the skills involved and
    provide opportunities for guided practice before
    independent practice or assessment.
  • Since multiple skills are involved, teachers must
    focus on the discrete skills as well as the big
    picture.

36
What About the Writing Process?
  • Since multiple skills are involved, teachers must
    focus on the discrete skills as well as the big
    picture.
  • Analyzing texts to find an answer
  • (close reading, annotating, graphic organizers,
    discussion, questioning)
  • Forming a coherent answer

37
What About the Writing Process?
  • (1) Writing/purposes. The student writes in a
    variety of forms, including business, personal,
    literary, and persuasive texts, for various
    audiences and purposes. The student is expected
    to
  • (B) write in a voice and style appropriate to
    audience and purpose and
  • (C) organize ideas in writing to ensure
    coherence, logical progression, and support
    for ideas.

38
What About the Writing Process?
  • Writing/writing processes. The student uses
    recursive writing processes when appropriate.
  • The student is expected to
  • (B) develop drafts by organizing and
    reorganizing content and by refining style
    to suit occasion, audience, and purpose and
  • (C) proofread writing for appropriateness of
    organization, content, style, and
    conventions.

39
What About the Writing Process?
  • Even though the open-ended item is part of the
    reading assessment, the writing process still
    applies as the students craft their responses.
  • 1. Prewriting the parts
  • 2. Rough draft in test booklet
  • 3. Final copy in the lined boxes

40
Close Reading
  • CLOSE READING is a careful application of a
    microscope or binoculars to a text, enabling
    the reader to go beyond literal meaning and
    experience the authors craft.
  • ANNOTATING is the backbone of close reading.

41
What is Annotating?
  • A writing-to-learn strategy
  • For use while reading or rereading
  • Helps readers reach a deeper level of
    engagement
  • Promotes active reading
  • Dialogue with the text (Probst)
  • A visible record of the thoughts that emerge
    while making sense of the reading

42
Teaching the OER
  • Ask students to identify the ways readers think
    about text while reading, such as
  • Making predictions
  • Asking questions
  • Stating opinions
  • Analyzing the authors craft
  • Making connections
  • Reflecting on the content
  • Reflecting on their own reading process

43
Annotation Bookmark
  • BEFORE READING
  • Examine the front and back covers (books)
  • Read the title and any subtitles
  • Examine the illustrations
  • Examine the print (bold, italics, etc.)
  • Examine the way the text is set up (book, short
    story, diary, dialogue, article, etc.)
  • As you examine and read these, write questions,
    and make predictions and/or connections near
    these parts of the text.

44
Annotation Bookmark
  • DURING READING
  • Mark in the text
  • Characters (who)
  • When (setting)
  • Where (setting)
  • Vocabulary
  • _______ Important information

45
Annotation Bookmark
  • DURING READING
  • Write in the margins
  • Summarize
  • Make predictions
  • Formulate opinions
  • Make connections
  • Ask questions
  • Analyze the authors craft
  • Write reflections/reactions/comments
  • Look for patterns/repetitions

46
Annotation Bookmark
  • AFTER READING
  • Reread annotationsdraw conclusions
  • Reread introduction and conclusiontry to figure
    out something new
  • Examine patterns/repetitionsdetermine possible
    meanings
  • Determine what the title might mean
  •  
  • Use the After Reading strategies to write
  • a notebook entry.

47
How to Teach Annotating
  • Use short story that can be read in one period
  • Make each student a copy of story
  • Make a transparency of each page
  • Give students Annotating Bookmarks
  • Make a transparency of Bookmark
  • Create a coding system with different marks for
    surface meaning and deep-meaning ideas

48
Annotation Lesson
  • Read first page to students while they read
    along.
  • Have students mark text using coding system.
  • Stop at end of page.
  • Allow students to go back and add marks.
  • Ask students to share what they have marked.
  • Make the same marks on the transparency.
  • Ask for comments and write in margin.

49
Annotation Methods
  • Photocopy the document.
  • Use a dialectical journal.
  • Use index cards.
  • Use Post-it notes or flags.
  • Use highlighter tape.

50
Research-Based Questioning Strategies
51
Creating Questions
Use question stems to create questions for
literary pieces you are reading in
class. Literary Stems What was one conflict ____
faced in _____? In ____ how does ____
connect to _____?  How does _____ change from the
beginning to the end of ___?  What is the major
conflict _____ faces in _____? 
52
Creating Questions
Literary Stems In ______, what does ____ learn
from his/her experience with ____? In _____,
why does ____ ____? (character)
(action)  
53
Creating Questions
Expository Stems In _____, has ____ fulfilled
his/her dream? In _____, how have the authors
experiences shaped his/her attitude toward
others? How does the authors attitude toward
_____ change over the course of _____?
54
Creating Questions
Expository Stems Why is _____ a good title for
this selection? Why are memories of _____
important to _____? In ____, who do you think
is more successful, ____ or ____?
55
Creating Questions
Crossover Stems How does the idea of taking a
risk apply to both ___ and ___? How do the
parents in ___ and ____ attempt to share
their cultural heritage with their
children? Which of the siblings from ____ and
____ would you like to have as a
brother/sister?  
56
Creating Questions
Crossover Stems How is the concept of __
important in both ___ and __? How is the idea
of ____important in both ___ and ___? What
is one characteristic shared by (____) and
(____). char. from
lit. passage char. from exp. Passage How is
___ an important theme in both ___ and ___?
57
Text-Based Responses
58
Types of Evidence
  • DIRECT QUOTATION
  • What?
  • verbatim words, phrases, or parts of sentences
    from the text
  • When?
  • authors exact words are necessary and will add
    depth, precision, or reliability to the response

59
Types of Evidence
  • PARAPHRASE
  • What?
  • restatement of authors words preserving the
    main ideas and key details
  • When?
  • ideas could be clarified or original word choice
    is irrelevant

60
Types of Evidence
  • SPECIFIC SYNOPSIS
  • What?
  • a focused choice of linked portions not a plot
    summary
  • When?
  • several portions are needed to serve as textual
    evidence

61
www.readingbenchmarks.org
62
Pairing Works
Use paired works in class frequently. Genres/Form
s to consider in pairing works Films/Movies Te
levision Shows Songs Poems Research
Findings Magazine Articles Artwork Web
Pages
63
Pairing Works
The Catcher in the Rye ? Acquainted with the
Night by J.D. Salinger by Robert
Frost Novel Poem Example Connection The city
as a lonely, uncomfortable place
64
Pairing Works
To Kill a Mockingbird ? Radio by Harper Lee By
Mike Rich Novel Film Example Connection Men
attempting to effect a change in racial tolerance
65
Pairing Works
Romeo and Juliet ? Teen Love Hurts Falling
In Love Makes Teens Prone to Depression
and Alcohol Abuse by William Shakespeare
by Malcolm Ritter Novel News Article Example
Connection The negative effects of teenagers
falling in love
66
Pairing Works
The Gettysburg Address ? Frederick
Douglass by Abraham Lincoln by Robert
Hayden Speech Poem Example Connection
Leaving legacies beyond physical monuments
67
Resources
  • Allington, Richard L. What Really Matters for
    Struggling Readers Designing Research-Based
    Programs. New York Longman, 2001.
  • Berthoff, Ann E. Dialectical Notebooks and the
    Audit of Meaning. The Journal Book. Ed. Toby
    Fulwieler. Portsmouth Boynton/Cook, 1987.
    11-18.
  • English, Fenwick W. Deciding What to Teach and
    Test Developing, Aligning, and Auditing the
    Curriculum. Thousand Oaks, CA Corwin Press,
    Inc., 2000.
  • Porter-ODonnell. Beyond the Yellow
    Highlighter. English Journal 93.5 (2004)
    82-89.
  • Probst, Robert E. Dialogue with a Text.
    English Journal 77.1 (1988) 32-38.
  • Spandel, Vicki. Creating Writers Through 6-Trait
    Writing Assessment and Instruction. New York
    Addison Wesley Longman, 2001.

68
Thank you!
If you design or observe teaching strategies that
really work for the OER, please let me
know! Diane Peterson 713-744-6829 dpeterson_at_esc
4.net
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