Title: You Could Be A Music Producer Music History and How it Relates to You
1You Could Be A Music ProducerMusic History and
How it Relates to You!
2Introduction
- You have been hired at a major record production
company. Congratulations! Your first job as a
production assistant is to help compile a
classical CD. Though it may not be your favorite
type of music, this has the potential to create
much revenue for company, thus ensuring your
position within the company. After research and
development, you must present your proposal to
the record company executive (Mrs. Sowerby). The
best CD will be evaluated and chosen as the
companys pick.
TASK PROCESS 1 PROCESS 2 PROCESS
3 EVALUATION CONCLUSION TEACHER PAGE
3Task Description
- Your task is to research the 4 major musical
periods Baroque, Classical, Romantic and 20th
Century. While accessing different web sites,
you will use the musical period guiding questions
to take notes on each of the different eras. You
will be paying attention to the musical styles,
composers and specific compositions. After
choosing 2 composers from each era, your team
will be picking 1 piece from each composer to be
put on the groups CD. Each of the 2 pieces much
be of different styles, for example, slow
(largo), fast (allegro), soft (piano), forte
(loud). Each team will design a CD cover and
complete a play list. Accompanying the play
list will be the rationale worksheet.
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4Process 1
- You will need to begin with the musical period
assessment questions. - Each team member must be responsible for a
different musical period. - Use the web links listed below to complete your
questions. - Music History 102 - A guide to music history
- ThinkQuest Music History
- Dr. Estrella's List of Composers
- Open Directory Program
If you need help with vocabulary or need
an appropriate word.check out this music
dictionary! ThinkQuest
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5Process 2
- Pick 2 composers from each musical period.
- Listen to classical compositions with your
headphones. - Use the listening questions to write some
comments on each composition. Each team member
must listen and write about 2 compositions. - Listening Clips 1
- Listening Clips 2
If you need help with vocabulary or need
an appropriate word.check out this music
dictionary! ThinkQuest
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6Process 3
- Choose 2 different compositions from each musical
time period to be included on your CD. - Complete the rationale questions for each
different composition. - Design the CD cover
- Complete the Play List
If you need help with vocabulary or need
an appropriate word.check out this music
dictionary! ThinkQuest
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7Evaluation
- You will be expected to complete all of the
required elements shown on the rubric.
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8Conclusion
- Congratulations on your successful CD! I am sure
that your CD will sell and make profits for your
company. - You have learned about the different musical
periods and how they relate to the music we
listen to and perform. I bet you even enjoyed
listening to some of the classical music!
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9Rubric
Musical Periods _________ All 4 musical
periods are represented (2 points) ________
Dates for each period are stated (2
points) ________ Major Composers are listed
with their birth and death dates (2
points) ________ Major musical characteristics
of each musical period are outlined (2
points) ________ Proper musical terminology is
used (2 points) Listening __________ Listened
to 10 music clips (5 points) __________ Brief
description of each piece in music terms (5
points) CD Cover __________ Cover is an
original design (5 points) __________ Cover
incorporates content of CD (5 points) Final Play
List __________ Organized and clearly written
with composition and composers name (10
points) __________ Rationale for usage of each
piece of music (10 points) __________ TOTAL (50
points) BACK TO PREVIOUS PAGE
10Teacher Page
- This lesson is best suited for 7th or 8th Grade
Music Students. Students will need to have a
previous background of music skills and
terminology in order to effectively complete this
WebQuest. Beginning music students will not have
the skills to complete this project. - This lesson will take 2-3 weeks. It is intended
to supplement the performance-based music
classroom with the instruction in music history.
This will meet the National Content Benchmark 9
and the State Content Standard 3, benchmarks s
1 and 2. This project also takes into
consideration different learning styles.
Listening, interpersonal, literacy and musical
skills are intertwined within this project. The
guiding questions will help students think deeply
about music, not just answer simple questions. - Students with special needs should be grouped
with students that are strong in the areas that
the special needs students are lacking skills.
Care should be taken to make sure that special
needs students are included and have a role in
the project. The various activities research,
listening, designing and compiling information
provide diverse learning activities for different
types of students. The listening objective could
be adapted for non-writing students so that they
may draw or express verbally their feelings about
the music. - Students will need modeling to write effectively
about music. They should be encouraged to use
appropriate music terminology whenever possible.
This will help the students to put in writing the
terms that we use, verbally, every day. It is
suggested that the teacher listen to a piece of
music with the students and help them generate
the guiding questions, as an example. - There are 3 pages of guiding questions that
students should use to take notes and write their
opinions on the history and music they are
hearing. - Guiding Questions
- Music Periods
- Listening
- Rationale
11Musical Periods
- 1. List the 4 major musical periods.
- 2. List many of the major composers and their
compositions for each musical period. - 3. List many of the musical techniques that are
used for each period. Such as chromaticism,
dynamics, tempos, etc.
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12Listening
- 1. What, specifically, do you like or dislike
about this piece of music? - 2. What types of musical terms can you hear
within the music? For example tempo changes,
dynamics, instrumentation, etc. - 3. Would this be a good piece for your
compilation CD? If yes, why?
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13Rationale
- What made you pick this piece for your CD?
Please give specific, musical reasons. - What makes this piece different from the other
piece in the same musical period on your CD?
Please use music terminology.
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