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Selective Readings of Modern

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Title: Selective Readings of Modern


1
Selective Readings of Modern Contemporary
Literary Theories
  • Textuality, Sexuality
  • and the Postmodern Ethics
  • An Introduction

2
Discussion Starters
  • What is(are) your interested field(s) and how
    do you do literary criticism?
  • Which theoretic issues and literary theory do
    you like? Can you give some examples to discuss
    them?
  • Examples of Theoretic Issues 1.
    Representation, Structure, Writing, Discourse,
    Narrative, Figurative Language, Performance,
    Author, Interpretation, Intention,
  • 2. Unconscious, Determinacy/Indeterminacy,
    Value/Evaluation, Influence, Rhetoric,
  • 3. Culture, Canon, Popular Culture, Literary
    History, Gender, Race, Ethnicity, Ideology,
    Diversity, Imperialism/Nationalism, Desire,
    Ethics, Class

3
My Questions
  • What is beyond poststructualism?
  • How do we discuss the issues of value, ethics
    (i.e. right or wrong), and meanings of human
    conduct when the absolute truths in human history
    have been challenged?
  • How is political action and ethics possible when
    human subject is seen as divided, barred, fictive
    and fragmentary?

4
Outline
  • Why? How is it related to Literary Criticism?
  • How?
  • Suggested attitudes
  • The focus of our course
  • Contextualizing our focus before and after New
    Criticism

5
Why Theory?
  • Pro
  • -- the problem with using we ?
    Interdisciplinary clip 2
  • -- A tool box of pluralism. It provides us new
    frameworks and perspectives helps us ask new
    questions of the texts we study and about our
    lives. Clip 3 (Marina Warner)
  • -- democratization of English Studies. clip 4
  • e.g. my own experience
  • Con
  • -- no longer literary study, ignoring the
    beauty or essence of literature (e.g. Frank
    Kermode clip 1 E. Said clip 5)
  • -- keep politics lukewarm a mere word play or
    mind game abstract and obscure separate from
    reality or politics
  • -- fetishization of theories (T. Eagleton)
    clip 3

Video Literary Theory what has it done for us?
Terry Eagleton, Frank Kermode, Edward Said and
Marina Warner
6
How?
  • Read with an active mind. (Do not feel
    oppressed by the difficult languages.)
  • Always read to get the main points (to find the
    questions the theory asks) and to ask questions.
  • Always try to relate and to map. (Its
    impossible to separate all the theoretical
    discourses into mutually exclusive theoretical
    schools.)

7
Theory as an Activity vs. Theory as a body of
knowledge
  • In the former, theory is taught as a means of
    understanding the world in the latter,
    theorizing is encouraged as a pedagogical
    practice in which students become actual
    participants in the use of theory. (Henry
    Girouxs ideas explained by Storey)
  • Its better to know how to theorize than to
    memorize all the theoretical jargons.

8
General Questions to ask
  • What are the theorists main concerns? What
    questions does s/he ask and how does s/he answer
    them? Do you have any questions?
  • What are the theorists key terms? How are they
    defined?
  • What is the theorists method? Is a methodology
    explicitly laid out or is it implied?
  • (modified from Doxography versus Inquiry by
    Donald G. Marshall. Sadoff 84)

9
Articulation vs. Application
  • Application one-to-one correspondence between a
    theory and a text
  • Articulation (??) of theories and texts, of
    different theories connecting, negotiating,
    translating.
  • wrestling with the angels The only theory
    worth having is that which you have to fight off,
    not that which you speak with profound fluency.
    (Stuart Hall textbook 1901)

10
The focus of our course Textuality, Sexuality
and the Postmodern Ethics
  • Textuality structure of myth, narrative, signs
    from work to text to intertextuality and
    discourse
  • Deconstruction/Framing of author, of (symbolic)
    language and of deconstruction
  • Sexuality construction and representation of
    gender and sexuality performativity
  • ? Topics Other and the postmodern ethics

11
Before and After New Criticism
  • Before ref. http//www.eng.fju.edu.tw/Literary_Cr
    iticism/new_criticism/traditional.htm
  • New Criticism Practical Criticism, Formalism
  • After Structuralism Basic ideas of Ferdinand de
    Saussure?
  • 1. The synchronic vs. the diachronic langue vs.
    parole// competence vs. performance
  • 2. Language is a system of difference. Meaning
    occurs in binary opposition between two signs.
    (e.g. toy, boy)
  • 3. sign signifier and signified the connection
    between them is arbitrary.

12
Structuralism e.g. V. Propp
  • syntax as the basic model for their analysis
    Subject predicate Actant (agent) function
  • Propp for him there are 7 "spheres of action"
    (villain, hero, false hero, donorprovider,
    helper, dispatcher, princess and her father.)
    and 31 functions.
  • e. g. Cinderellas modern versions
  • Cinder Edna Edna -- no fairy godmother as
    helper Cinderella -- marriage not the happy
    ending.
  • Hollywood versions Working Girl, A Cinderella
    Story still needs magicthe mans help or
    fairy godmother.

13
LAcacia ??? la neige ? lOrage storm la
Lune moon Plafond ceiling Desert desert
14
Semiotic Reading The False Mirror
  • seeing framing and reconstructing reality
  • 1) means of perceiving reality eye
  • 2) hollowed out and replaced with artificial
    signs of blue sky pupil.
  • 3) Photographic sign drawing sign frame each
    other

15
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16
Influences of Structuralism some examples
  • Sign signifier signified? referent
  • Language is not mimetic (a mirror, or a
    transparent container of reality) it constructs
    reality it speaks us.
  • Binary thinking. ? open to deconstruction

17
Examples of binarism in traditional literary
theories
  • Politics/Truth vs.
  • Plato the realm of appearance vs. the realm of
    Form ? poetry twice removed
  • Poetics
  • Aristotle Three unity, etc.
  • Sir Philip Sidney to teach and delight
  • The Mirror and the Lamp

18
Examples of binarism in traditional literary
theories (2)
  • Reason
  • Plato poetry tells lies and excites emotions.
  • Pope -- golden rules restraint, good taste,
    Dryden "wit" propriety of thoughts and words
  • Emotion/Energy
  • Romantic poets imagination
  • New Criticism Setting up Literature as a
    discipline (autonomy, organicism, etc.)
  • ? An objective approach, just as Structuralism
    is scientific

19
After Structuralism More Fluid Binaries in
contemporary theories
  • Politics vs. Poetics
  • Art vs. popular culture
  • Culture vs. Economic Relations
  • Father vs. Mother Lack vs. imaginary plenitude
  • fixity of meaning vs. fluidity of language,
    identity and culture, etc.
  • The lines are no longer clear-cut. Autonomy and
    Absolute truth are out.

20
References
  • Storey, John, ed. .   What is Cultural Studies A
    Reader.  London Arnold, 1996.
  • Sadoff, Dianne F and William E. Cain, eds.
    Teaching Contemporary Theory to Undergraduates.
    NY MLA 1994.
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