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Historical and Cultural Background of The Awakening

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Title: Historical and Cultural Background of The Awakening


1
Historical and Cultural Background of The
Awakening
  • Feraco
  • Search for Human Potential
  • 23 February 2009

2
Originality Disclaimer
  • This information was originally researched,
    compiled, and written by Neal Wyatt in 1995
  • I have heavily modified Wyatts text, changing
    some of his language and inserting much of my
    own, but Wyatt deserves equal if not greater
    credit for this work.
  • You can find this piece in its original form at
    http//www.vcu.edu/engweb/eng384/katetime.htm
  • Some portions are also inspired by the Center for
    Learnings description of Creole culture.

3
On the Tipping Point of History
  • The Awakening was first published just before the
    dawn of the twentieth century.
  • It was a time of massive social upheaval, an era
    that witnessed tension and conflict between
    defenders of tradition and agitators for change
    and modernization.
  • The countrys identity continued to shift as
    industrialization and urbanization advanced, and
    the wounds inflicted upon its society by the
    Civil War three decades earlier had not yet
    scarred over.

4
Everythings Changing
  • At the same time, technology advanced by leaps
    and bounds.
  • The Worlds Fair in Chicago heralded the rise of
    the Machine Age.
  • Darwins theories of evolution were beginning to
    gain public acceptance, and the womens suffrage
    movement continued to make itself heard.
  • These developments, along with many others,
    seemed to threaten the traditional American way
    of life and the fundamental philosophical
    assumptions supporting its social conventions.

5
Its the End of the World As We Know It
  • Its unsurprising that American citizens had
    understandably mixed feelings about these
    developments as well as those gathering on the
    figurative horizon during the nineteenth
    centurys last decade.
  • We can somewhat identify with their sentiments,
    since we, too, live in an age of rapid societal
    change.

6
Pushing the Boundaries of Imagination
  • Think of the massive technological upgrades our
    society has incorporated into its daily routines
    over the past decade!
  • We carry devices that would have made Star Treks
    Captain Kirk jealous.
  • The computer Im using to write this lecture
    outstrips its predecessors capabilities by
    magnitudes of order it utilizes a faster
    processor, a larger hard drive, and an Internet
    browser (Firefox!) that would embarrass the
    AOL-reliant Americans living in 1999, let alone
    1989 or 1899!
  • (Did anyone own a printer in 1979?)
  • We take the incredible for granted because we
    forced the incredible to become the routine.

7
Do Not Disturb
  • We are creatures of comfort, somewhat worshipful
    of tradition and somewhat fearful of the unknown.
  • New eras excite us, once we realize that they
    wont destroy society as we know it
  • Before accepting these changes, we tend to be
    suspicious of radical change.
  • This essential part of our national character has
    not changed even after a centurys passage.
  • Your lifestyle would be unrecognizable perhaps
    even unfathomable to one of Chopins
    contemporary Midwestern readers, just as their
    social conventions and expectations seem somewhat
    alien to us.

8
Stitched Together
  • Nowhere were social conventions more alien than
    in Louisiana, a region perhaps more ill-suited
    for the coming changes to American ways of life
    than any other.
  • The states culture was Frankensteinian,
    resurrected and stitched together from the
    constituent parts of American, Southern, and
    Creole ways of life.
  • The aforementioned aftereffects of the Civil War
    reverberated particularly strongly here (and
    Chopins portrayal of Ednas father proves she
    recognized the phenomenon).

9
Understanding Creole Culture
  • Yet while American and Southern cultures
    intermingled somewhat uneasily, the truth is that
    both sprung from a common ancestor and,
    although recently sundered, therefore shared more
    similarities than differences.
  • Creole culture proved somewhat more problematic.
  • It was a Catholic way of life in a largely
    Protestant country, which remains something of a
    social issue.
  • For example, the major parties have nominated two
    Catholics for president since the countrys
    founding, and the lone Catholic president was
    assassinated before the end of his first term we
    havent nominated another since.

10
More Fun With Creoles!
  • The Creoles were largely Caucasian, descendents
    of the French and Spaniards who originally
    settled in the state.
  • Their culture was aristocratic, largely because
    their forebears had access to land and titles,
    and they were a particularly proud people.
  • They kept exclusive and high-class company
  • Note that the vacationers at the Lebruns place
    essentially compose the local social circle
  • They deeply discouraged marrying against class
    boundaries, fearing it would dilute the purity
    of their blood.

11
Still More Fun With Creoles!
  • Some Creole settlings isolated themselves from
    the larger American culture
  • For example, the people populating the village
    that Kate Chopin lived in for several years
    considered themselves citizens of France and
    spoke only French.
  • Finally, they seemed almost naturally inclined to
    love music.
  • Its therefore unsurprising that Chopin utilizes
    music as a symbol of self-expression (a
    lobotomized one, in the case of the Farival
    twins) so frequently over the course of the
    novel.

12
Creole Attitudes Towards Women
  • Creole women in particular were extremely
    conservative perhaps the most conservative
    group in the nation at the time.
  • They were frank and open in discussing their
    marriages and children, but could do so because
    their very moral nature did not allow any doubt
    as to their chastity
  • Chopin reflects this tendency in her portrayal of
    the various wives vacationing at Grand Isle.
  • Chopin also shows that Creole women were
    committed as a group to their husbands and
    children.
  • This commitment to fidelity was both deeply
    personal and deeply religious.
  • Ive mentioned before that if Léonce is the
    perfect Creole husband, Adèle is the perfect
    Creole wife
  • Perhaps this statement makes more sense in light
    of these cultural concerns.

13
Et tu, Napoleon?
  • Finally, Louisiana possessed an idiosyncratic
    legal system.
  • It was the only state in the nation to operate
    under a different code than the one outlined in
    the national constitution.
  • The Louisiana Code modeled upon Frances
    archaic Napoleonic Code stated that a woman
    literally belonged to the man she married, which
    meant everything she possessed also now fell
    under his purview.
  • Specifically, Article 1388 established the
    absolute control of the male over the family.
  • In a particularly misogynistic passage, Article
    1124 equated married women with babies and the
    mentally ill in that all three were deemed
    incompetent to make a contract, let alone honor
    one (save the marriage contract).
  • As a result, feminists and suffragettes faced
    particularly tough resistance in the state.

14
The TimesThey Are A-Changing
  • Fortunately for them, other states proved more
    sympathetic to their cause and at any rate,
    technological and economic forces much larger
    than themselves helped bolster their arguments.
  • The Industrial Revolution transformed
    handicrafts, which woman had always done in their
    homes, into a machine-powered, mass- produced
    industry.
  • This meant that lower-class women could earn
    wages as factory workers.
  • This was the beginning of their independence,
    even though the conditions were hazardous, the
    pay low, and their income was legally controlled
    by their husbands or fathers.

15
The Woes of the Wealthy
  • Ironically, this placed middle and upper-class
    women at something of a disadvantage.
  • They were still expected to stay at home as idle,
    decorative symbols of their husbands' wealth.
  • They were, as Virginia Woolf termed it, expected
    to be angels in the house.
  • They cared for their homes, husbands, and
    children.
  • They played music, sang, or drew in order to
    enhance the charm of their homes and to reflect
    well on their husbands.
  • They were also frequently pregnant, largely due
    to restrictions on birth control.
  • Wives were possessions, cared for and displayed,
    who often brought a dowry or inherited wealth to
    a marriage.
  • They were expected to subordinate their needs to
    their husband's wishes.
  • Basically, they were expected to be Adèle.

16
Yes, The Times Are A-Changing
  • The suffrage movement and the abolitionist
    movement grew apace during the Civil War.
  • The abolitionists progress outstripped the
    suffragists after the Union emerged victorious
    from the war, with an 1868 amendment to the
    Constitution allowing the vote regardless of
    race, creed, or color but still codified
    discrimination against women at the ballot box.
  • (That would not change for fifty years.)

17
Very, Very Slowly
  • Over thirty years passed between the end of the
    Civil War and The Awakenings publication, and
    while the suffragettes had made strides over the
    course of the decades, they had not yet won their
    battle.
  • Attitudes toward women were changing, but at a
    frustratingly slow rate traditionalists would
    have argued that views regarding womens proper
    place in society were shifting far too quickly.
  • Kate Chopin was particularly fond of her
    independence, and she would have been intimately
    aware of these shifts readers who are equally
    aware of them will quickly spot the influence of
    clashing social traditions in the vibrantly
    realized world of The Awakening.

18
Harsh Words and Shocked Readers
  • The novel spoke to some who sympathized with the
    womens movement, but it offended far more of its
    readers.
  • The reception The Awakening received indicates
    the troubled social climate of the time.
  • Contemporary critics were predominately hostile
    toward the subject matter, although they took
    time as I often do to praise the artistry of
    the writing.
  • Still, newspapers and magazines of the day were
    filled with such comments as "it is not a healthy
    book," "it is sex fiction," "the purport of the
    story can hardly be described in language fit for
    publication," "it is an essentially vulgar
    story," and "it is unhealthy introspective and
    morbid."
  • Chopin was hurt by such a response, both
    personally and as a writer.

19
In Closing
  • As the century drew to a close, it was marked by
    many changes, personified by the rise of industry
    and the struggle for sexual equality in the face
    of those who would sacrifice progress in defense
    of tradition.
  • Change was everywhere, and much of the population
    struggled to come to terms with those
    developments.
  • In many ways The Awakening encapsulates this
    struggle, and Ednas problematic experiences
    speak to the painful process that was in store
    for the country and its women.
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