The Art of the Ancient Near East: The Dawn of Civilization - PowerPoint PPT Presentation

1 / 64
About This Presentation
Title:

The Art of the Ancient Near East: The Dawn of Civilization

Description:

The Art of the Ancient Near East: The Dawn of Civilization – PowerPoint PPT presentation

Number of Views:408
Avg rating:3.0/5.0
Slides: 65
Provided by: pcda3
Category:
Tags: ancient | art | civilization | cpk | dawn | east | near

less

Transcript and Presenter's Notes

Title: The Art of the Ancient Near East: The Dawn of Civilization


1
The Art of the Ancient Near EastThe Dawn of
Civilization
2
  • Well before farming communities arose in Europe,
    agriculture emerged in the Ancient Near East in
    the area known as the Fertile Crescent

3
Goals
  • Understand the cultural changes in the Neolithic
    Revolution as they relate to the art and
    architecture.
  • Understand the concept of civilization and the
    importance of Sumer in the ancient Near East.
  • Examine the artistic materials, techniques,
    subject matter, styles and conventions developed
    in the ancient Near East.

4
Evolution of Earliest Settled Farming Communities
  • Arose around 9000 BCE
  • First in the hills above the rivers
  • Later in the river valleys
  • Gradually these communities evolved into cities
  • Prosperous cities developed into city-states, in
    an area called Mesopotamia
  • Eventually larger kingdoms absorbed these city
    states

5
The Dawn of CivilizationUrban Life Population
Density
  • Gave rise to specialized skills other than
    agricultural skills
  • Social hierarchies evolved. Whats that?
  • Workshops for milling flour, making bricks,
  • pottery, textiles and metal ware opened
  • Construction of temples and palaces kept many
    workers busy

6
Specialists emerged to control rituals and sacred
rites
  • People of ancient Near East were polytheistic
  • Worshiped a variety of gods and goddesses
  • Attributed them with power over human activity
    and nature
  • Large temple complexes-clusters of religious,
    administrative, and service buildings-developed
    in each city
  • Many of these kingdoms developed in an area
    called Mesopotamia

7
Mesopotamia? Wheres that?Present day Iraq
8
Mesopotamia (Greek for "between the rivers") was
in the Near East in roughly the same geographical
position as modern Iraq. Two great rivers flowed
through this land the Tigris and the Euphrates.
Along these two rivers were many great trading
cities such as Ur and Babylon on the Euphrates.
9
Mesopotamia was the site of many important
kingdoms
  • Its wealth and agricultural resources, as well as
    few natural defenses, made it vulnerable to
    repeated invasions. Over the centuries, the
    balance of power often shifted from one kingdom
    to another.

10
Several important civilizations developed in this
fertile land area and competed for its control.
  • The Sumerians
  • The Akkadians
  • The Babylonians
  • The Assyrians
  • The Persians

11
The Sumerians
12
The Sumerians
  • Sumerian civilization arose in Mesopotamia
    between 3500 and 3000BCE
  • They dominated Mesopotamia for over a thousand
    years
  • Not much is left of their civilization, mud
    bricks
  • They established a great city at Ur
  • Gods and rulers were central to the creation of
    art
  • Sumerians formalized the depiction of the human
    form
  • Invented the wheel
  • Developed the cuneiform writing style

13
Cuneiform Writing
  • Sumerians pressed cuneiform (wedge shaped)
    symbols into clay tablets
  • They used a tool called a stylus to incise the
    symbols into clay tablets
  • Thousands of Sumerian tablets document the
    gradual evolution of writing, arithmetic and a
    system of organized justice
  • Sumerians also wrote the worlds first epic poem,
    The Epic of Gilgamesh
  • King sets out in search of eternal life, there
    is also a flood and the building of a really big
    boat

14
Pre-cuneiform pictographic writing, late fourth
millennium BCE                                 
                                                  
                                                  
                                          
15
Cuneiform                                      
                                                  
                                                  
                                           
16
Stylus
Cuneiform, from the Latin cunius, meaning
"wedge," is the term applied to a mode of
writing which used a wedge-shaped stylus to make
impressions on a clay surface, and also on stone,
metal, and wax. Most of the clay tablets were
sun-baked, making surviving tablets very
fragile.
17
Mesopotamian Cylinder Seals Cylinder seals were
first made in Mesopotamia soon after 3500 BCE.
The seals were used to make an impression (or
'seal') in the soft clay, to indicate that the
message on the tablet was genuine. In the same
way, important documents are still sometimes
'sealed' by making an impression in bright red
sealing wax.
18
Cylinder Seal                                   
                                                  
                                                  
                                                  
                                                  
                                                  
                  
19
Ziggurat at Uris a 4,000-year-old temple said to
mark the birthplace of Abraham, a key figure to
Muslims, Jews and Christians.
20
The ziggurat is a stepped pyramidal structure.
There are about 25 such sites in areas of ancient
Sumer, Babylonia and Assyria. The ziggurat of Ur,
considered the best-preserved of the group, was
built around 2,100 B.C. by king Ur-Nammu the
structure is said to have honored the moon god
21
Sumerian Sculpture
  • Often associated with religion, but not always
  • Sumerians produced highly decorative functional
    objects as well as religious figures
  • Large statues, called Votive Figures, were
    commonly placed in temples
  • This practice represents an ancient Near Eastern
    religious practice
  • The placement in a shrine of simple, of small
    statues of individual worshipers before a larger
    image of a god. The votive statue stood in place
    of the actual worshipper, 24/7
  • A simple inscription with an intention might also
    be included

22
Sumerian Votive Figures
23
Votive figures
  • Simplified faces and bodies and dress that
    emphasized the cylindrical shape
  • Figures are solemn, hands clasped in respect
  • Arched brows and large staring eyes
  • Both men and women are broad chested and square
    shouldered, although the women are a little less
    so

24
Votive Worshiping Figures
                                                  
                                
                                                  
                                        
25
Registers, divided sections or layers in a work
of art, were used to organize space and tell a
story
Uruk Vase, from Uruk, Mesopotamia, c. 3300-3000
BCE, alabaster
26
  • The "Ram in the Thicket.
  • Ur (Southern Iraq)
  • c. 2600-2400 BCE,
  • Gold, silver, lapis lazuli, copper, shell, red
    limestone, and bitumen H. 42.6 cm,

27
(No Transcript)
28
  • Puabi's Headdres
  • Ur (Southern Iraq),
  • c. 2600-2400 BCE
  • includes comb, hair rings, wreaths, hair ribbons,
    and earrings
  • Gold, lapis lazuli, and
  • carnelian,

29
Bull Lyre
  • Summerian
  • Made of wood, gold, shell and lapis lazuli
  • Musical string instrument
  • Music, especially funerary music was important to
    the Sumerians

30
Bull Lyre, detail Tomb of Queen Puabi, Ur
(Iraq), 2685BCE, wood with gold, lapis lazuli
shell, 18"h, Notice the use of registers
again
31
Standard of Ur
  • Found crushed in one of the largest graves in the
    Royal cemetery at Ur
  • Original function is still unknown
  • Perhaps was a standard carried by an inserted
    pole
  • One side, the war side, features scenes of battle
    and the Sumerian army
  • The other side, the peace side, features a rich
    banquet scene

32
Peace Panel
The Standard of Ur, from Ur (Southern Iraq), c.
2600-2400 BCE, wood, shell and lapis lazuli
British Museum, London
33
War Panel
The Standard of Ur, from Ur (Southern Iraq), c.
2600-2400 BCE, wood, shell and lapis lazuli
British Museum, London
34
Detail from the Panels
The Standard of Ur, from Ur (Southern Iraq), c.
2600-2400 BCE, wood, shell and lapis lazuli
British Museum, London
35
The Akkadians
Head of Akkadian ruler2250-2200 B.C.Original
Location Nineveh, Iraq
36
TheAkkadians
  • About 2300 BCE the Akkadians moved in from the
    north and conquered the Sumerians
  • Led by a powerful and ambitious leader, Sargon I
  • Sargon ruled his empire from Al Akkad, whose
    actual site has yet to be discovered
  • The Akkadians had hoped to create an Empire and
    rule the world.
  • However, their rule was short lived and the
    Sumerians regained control of region in about
    fifty years

37
The First "Empire" in History  Sargon of Akkad,
2370 BC                                         
                                                  
  • Sargon of Akkad gradually conquered the area
    between the Tigris and the Euphrates rivers
    around 2300 BCE.
  • The Akkadians spoke a Semitic language, like the
    Amorites. Sargon, according to Sumerian
    literature, was born to an Akkadian high
    priestess and a poor father, maybe a gardener.
  • His mother abandoned him by putting him in a
    basket woven out of reeds and letting it float
    away down the river (like Moses a thousand years
    later).
  • But Sargon was rescued, made friends with the
    goddess Ishtar and was brought up in the king's
    court.

38
Stele of Naramsin
  • A stele is an upright stone slab
  • This stele commemorates the military achievements
    of Naramsin (Sargons grandson)
  • Sculptors used the pointed shape of the slab to
    emphasis the mountain
  • Horizontal registers were replaced with wavy
    ground lines
  • Naramsins greater size is in hieratic
    relationship to his soldiers

2254 2218 BCE Limestone, low relief
39
Lagash a Sumerian City State
  • About 2180 BCE the Akkadian Empire fell to the
    Guti people
  • The Guti then controlled most of Mesopotamia
  • One large Sumerian city state, Lagash remained
    independent
  • Gudea was the ambitious ruler of Lagash

40
Gudea of Lagash
  • Of all the rulers of ancient Mesopotamia, Gudea,
    of Lagash, emerges the most clearly across the
    millennia due to the survival of many of his
    religious texts and statues.
  • He ruled his city-state in southeast Iraq for
    twenty years, bringing peace and prosperity at a
    time when the Guti, tribesmen from the
    northeastern mountains, occupied the land.
  • The inscriptions found on his many statues
    describe vast building programs of temples for
    his gods.

41
There are many surviving statues of Lagash. All
have the same thoughtful expression and are
embellished with cuneiform writing
                                               
                                                  
                                                
42
The Babylonians
  • Emerged in 1700 BCE to become the rulers of
    Mesopotamia
  • First leader was Hammurabi
  • Developed a humane code of laws
  • Defeated by the Hittites in 1595 BCE

43
Stele of Hammurabi Babylonian 1760 BCE Louvre,
Paris
44
  • Hammurabi's Code.
  • The gods, as guardians of Mesopotamian cities,
    gave laws to mankind their role is made clear in
    Hammurabi's Code, where the king enacts their
    instructions.
  • Hammurabi, king of the first dynasty of Babylon
    (1792-1750 BCE), is credited with the compilation
    of the famous Code of Laws, the most important
    single written document from Mesopotamia.
  • Preserved on a black stone stele, the code states
    that the gods of Sumer had exalted Marduk, and
    instructed Hammurabi to create justice in the
    land.
  • He is shown before Shamash, the sun-god, who was
    also god of the justice. Among laws governing
    society, the code also recognizes the social
    obligations of the temple.

45
The Assyrians
  • People from Northern Mesopotamia
  • Became powerful around 1000 BCE and by 900 BCE
    controlled most of Mesopotamia
  • Assyrian rulers built large palaces on hilltops
  • They decorated their palaces with detailed relief
    sculptures

46
Scenes from Assyrian Relief Sculpture
  • Victorious battles
  • Presentations of tribute to the king
  • Combat between men and beasts
  • Religious imagery

47
Assyrian 850 BCE Alabaster
  • Assurnasirpal II Killing Lions
  • The dramatic action of this image marks a shift
    in Mesopotamian art away from a sense of
    timelessness and toward visual narrative.

48
Dying Lioness, Assyrian, limestone 650BCE
49
A Winged Genius Assyrian Alabaser 883-859 B.C.
This low relief, once painted in bright colors,
belonged to a series of slabs adorning the
fabulous palace of the great ruler Assurnasirpal
II. Standing in profile, according to artistic
convention, the figure in the frieze is a winged
"genius," or protective being.
50
Lamassu, from the palace of Sargon II, Dur
Sharrukin
51
(No Transcript)
52
Neo-Babylonia
  • Babylonians regained power by defeating the
    Assyrians in 612 BCE
  • Most famous ruler of new Babylon was
    Nebuchadbezzar II
  • Great patron of architecture
  • Built temples to Babylonian gods
  • Transformed Babylon to one of the most
    beautiful cities of the day

53
The Ishtar Gate
  • The Ishtar Gate was the eighth gate to the inner
    city of Babylon.
  • It was constructed in about 575 BC by order of
    King Nebuchadrezzar II
  • Dedicated to the Assyrian goddess Ishtar, the
    Gate was constructed of blue glazed tiles
  • The roof and doors of the gate were of cedar,
    according to the dedication plaque.
  • Through the gate ran the Processional Way which
    was lined with walls covered in lions on glazed
    bricks (about 120 of them).
  • Statues of the gods were paraded through the
    gate and down the Processional Way each year
    during the New Year's celebration.
  • A reconstruction of the Ishtar Gate and
    Processional Way was built at the Pergamon Museum
    in Berlin out of excavated material in the 1930s.

54
Reconstruction drawing of the city of Babylon and
the Ishtar Gate
55
  • Reconstruction of the Ishtar Gate
  • Berlin

56
  • The walls along the main road in Babylon were
    tiled with glass glazed bricks decorated with
    striding lions

57
And FinallyThe Persians
58
The Persians
  • Persians a nomadic people from present day Iran
  • 539BCE Persians defeat the Assyrians in
    Mesopotamia
  • Went on to create an enormous empire
  • Under King Darius they built enormous palaces
  • Remained in control of Mesopotamia until
  • defeated by Alexander the Great in 332BCE

59
Relief Sculpture Paying tribute to King Darius

Which figures are the most important?
60
Audience Hall of Darius and Xerxes518-460 BCE,
Iran
61
  • Floor plan of the
  • Audience wall of Darius and Xerxes

62
(No Transcript)
63
Stairway at Persepolis  
  • The rock platform is carved from a natural rock
    formation.
  • The relief sculpture that decorates the walls of
    the stairway depict subjects of the empire
    bringing gifts and tribute to the king.
  • They bring a broad variety of goods from sheep to
    fabric and jewels. 
  • It is very orderly and realistic as if they are
    climbing the stairs.  It is carved in higher
    relief and with more rounded forms than Assyrian
    reliefs.

64
Bull Column Capital 
  • This column capital, in the form of two bulls,
    supported a wooden beam that was the main
    structural support for the roof of the audience
    hall. Each one of the 40' columns was topped by a
    capital such as this one. You can get a sense of
    the the size of the capital by the doorways on
    either side of it  The animal column capital is
    a unique creation of the Persian artists. They
    are very fluid and decorative in their form. 
Write a Comment
User Comments (0)
About PowerShow.com