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HOLOGRAPHY

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Title: HOLOGRAPHY


1
  • HOLOGRAPHY
  • One of the most interesting
  • applications of laser light is the
  • production of three-dimensional images
  • called holograms. In an ordinary
  • photograph, the film simply records the
  • intensity of light reaching it at each
  • point. When the photograph or
  • transparency is viewed, light
  • reflecting from it or passing through
  • it gives us a two-dimensional picture.

2
  • In holography, the images are formed
  • by Interference, without lenses. When
  • a laser Hologram is made on film, a
  • broadened laser Beam is split into two
  • parts by a half-silvered mirror, Fig.1.

3
  • One part goes directly to the film
  • the rest passes to the object to be
  • photographed, from which it is
  • reflected to the film, and the
  • interference of the two beams allows
  • the film to record both the intensity
  • and relative phase of the light at
  • each point. After the film is
  • developed, it is placed again in a
  • laser beam and a three-dimensional
  • image of the object is created.

4
  • The details of how the image is
  • formed are quite complicated. But we
  • can get the basic idea by considering
  • one single point on the object . In
  • Fig.2(a), the rays OA and OB have
  • reflected from one point on our object.
  • The rays CA and OB come
  • directly from the
  • source And interfere
  • with OA and OB at
  • points A and B

5
  • On the film. A set of interference
  • fringes is produced as shown in
  • Fig.2(b). The spacing between the
  • fringes changes from top to bottom as
  • shown. Why this happens is explained
  • in Fig.3. Thus the hologram of a
  • single point object would have the
  • pattern shown in Fig.2(b). The film in
  • this case looks like a diffraction
  • grating with variable spacing.

6
  • Hence, when coherent laser light is
  • passed back through the developed film,
  • the diffracted rays in the first-order
  • maxima occur at slightly different
  • angles because the spacing changes.

O
7
  • (remember Eq. sin?m?/d so where
  • the spacing d is greater, the angle
  • ?is smaller.) Hence, the rays
  • diffracted upward (in first order)
  • seem to diverge from a single point,
  • Fig.4.

8
  • This is a virtual image of the
  • original object, which can be seen
  • with the eye. Rays diffracted in
  • first order downward converge to make
  • a real image, which can be seen and
  • also photographed. (Noted that the
  • straight-through undiffracted rays
  • are of no interest.) Of course real
  • objects consist of many points, so a
  • hologram will be a complex

9
  • interference pattern which when
  • laser light is incident on it, will
  • reproduce an image of the object. Each
  • image point will be at the correct
  • (three-dimensional) position with
  • respect to-other points, so the image
  • accurately represents the original
  • object. The image can be viewed from
  • different angles as if viewing the
  • original object.

10
  • THE THICK, OR VOLUME, HOLOGRAM
  • The holograms discussed above have
  • been assumed to have negligible
  • thickness and are referred to as plane
  • holograms. If the recording medium is
  • thick with respect to the spatial
  • frequency, the interference fringes
  • act as a series of ribbons, somewhat
  • similar to a Venetia blind. The
  • reconstructing beam will generally
  • pass through several constraint on the

11
  • diffraction pattern produced in a way
  • similar to Bragg scattering of X rays
  • from crystals. In the Bragg-scattering
  • experiments, the regularly spaced
  • atoms in the crystal act Like partially
  • reflecting planes, scattering the waves
  • in definite preferred directions see
  • Fig.5. In these preferred directions
  • the waves reflected from adjacent
  • planes differ from each other by

12
  • Exactly one wavelength and, being in
  • phase with each other, produce
  • constructive interference.

13
  • The Bragg-scattering relationship for
  • these directions is given by?2dsin?
  • where d is the distance between
  • reflecting planes, ?is the wavelength
  • of the waves, and ? is the reflection
  • angle shown in Fig.6.

14
  • MULTIPLEX HOLOGRAMS
  • One of the remarkable features of the
  • hologram is its ability to produce
  • multiple scenes from the same
  • photographic emulsion. If the distance
  • between the fringes is smaller than
  • the emulsion thickness, each ray of
  • the reconstruction light originating
  • from the direction of the reference
  • beam will pass through several
  • partially reflecting planes. see Fig.7.

15
  • The reflection rays from each of these
  • planes must be an integral number of
  • wavelengths apart.

16
  • If the reillumination beam forms an
  • angle significantly different from
  • the reference beam, the light
  • reflected from the adjacent planes
  • will no longer be in phase and the
  • virtual image will no longer be
  • visible. It is therefore possible to
  • produce many Holograms in the same
  • photosensitive medium, each with the
  • reference beam at a different angle.

17
  • When viewed later, each of these
  • images can be separately viewed simply
  • by varying the angle of the reference
  • beam. This technique has been used to
  • store hundreds of images in a single
  • crystal of lithium niobate. The
  • process is capable of storing an
  • entire book in an appropriate medium
  • by slightly changing the direction of
  • the reference beam with each exposure.

18
  • When viewing the finished hologram,
  • one can turn the page by merely
  • moving the reconstructing beam.
  • Alternatively, a multiplex hologram
  • can be produced by appropriately
  • moving the reference beam angle with
  • time, thereby producing holographic
  • motion picture.

19
  • WHITE-LIGHT-REFLECTION HOLOGRAMS
  • One of the possible arrangements for
  • producing white-light holograms is to
  • place the photosensitive film between
  • the reference beam and the object, see
  • Fig.8.

20
  • Such a hologram is produced simply by
  • illuminating the object through the
  • photosensitive medium, thus avoiding
  • beam splitters, mirrors, etc. In
  • practice, the reference intensity is
  • so high relative to the scattered
  • intensity that the technique is
  • limited to shiny objects located close
  • to the recording medium. Better
  • reflection holograms can be made by
  • separating the object and reference

21
  • Beams. Since the reference and object
  • beams are oppositely directed, the
  • spatial frequency is extremely high. A
  • large number reflecting planes are
  • thereby produced, separated by about a
  • half wavelength of light. As a result,
  • the reconstructing light must be of
  • the same wavelength or the reflections
  • from adjacent planes will not be in
  • phase for constructive interference.
  • Alternatively, if the hologram is

22
  • Viewed in white light, the appropriate
  • wavelength will be selected to produce
  • the reflected image. Ordinary
  • photographic emulsions are of limited
  • use as they tend to shrink during
  • development.

23
  • OTHER HOLOGRAMS
  • One of the most impressive holographic
  • image is formed by a 360 circular
  • film. The technique was developed by
  • T.H.Jeong using a photographic
  • emulsion mounted on a cylindrical
  • surface surrounding the object.

24
  • HOME WORK
  • 1. 2. 3. 4.
  • BACK
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