Aboriginals in Canadian Literature: Neither Flesh, Fowl, Nor Good Salt Herring - PowerPoint PPT Presentation

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Aboriginals in Canadian Literature: Neither Flesh, Fowl, Nor Good Salt Herring

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Negative Identity: 'Neither Flesh, Fowl, Nor Good Salt Herring' ... And no we are not selling 'flesh, fowl nor good salt herring' ... – PowerPoint PPT presentation

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Title: Aboriginals in Canadian Literature: Neither Flesh, Fowl, Nor Good Salt Herring


1
Aboriginals in Canadian Literature Neither
Flesh, Fowl, Nor Good Salt Herring
2
Lesson Objectives
  • Identify basic elements of short fiction
  • Apply a framework of analysis to study a work of
    short fiction
  • Deconstruct the image of the Indian in Canadian
    literature

3
Elements of Short Fiction
  • Plot (describes relationships consequences)
  • Point of View (refers to the persona the author
    adopts)
  • Characterization (To what extent do you
    empathize/sympathize or identify w/character?
  • Language/style (what does the dialogue reveal
    about the characters? Narrator?
  • Setting (How do characters relate to the setting?
  • Imagery (any images carry symbolic meaning for
    the whole story?
  • Theme (your interpretation of what message the
    author conveys through the story)

4
Looking at the settings in M. Laurences The
Loons
  • Tonnerres setting consists of
  • Scrub oak, chokecherry bushes
  • A chaos of lean-tos, wooden packing cases, warped
    lumber
  • Tangled barbed wire
  • McLeods Summer Cottage consists of
  • The filigree of spruce trees
  • Wild strawberry plants which were white in flower
  • Everything was the same as previous summer

5
Negative Space
  • Where is the Tonnerre home located?
  • What impression do you get from the scrub oak,
    grey-green willows, and choke-cherry bushes?
  • Symbolically, willow trees are associated with
    griefscrub oak and choke-cherry bushes imply
    what?
  • Everything the Tonnerre family says or does is
    cast in a negative light

6
Negative Identity Neither Flesh, Fowl, Nor Good
Salt Herring
  • Vanessa talks about where the Tonnerres dont
    belongestablishes the background for a
    description of Piquette, who
  • Attended school only sporadically
  • Was responsible for looking after her family
  • In and out of the hospital w/TB of the bone

7
Negative Identity Cont
  • As a construct Piquette is diseased in the
    foundational structure of her being, symbolized
    by the TB in her leg bone
  • Piquette is described as having a broad
    coarse-featured face that bore no expressionit
    was blank, as though she no longer dwelt within
    her own skull, as though she had gone elsewhere.

8
Negative Identity Cont
  • As a teenaged girl, Piquette is described by
    Vanessa (p. 103/104) as
  • Animated by a violent gaiety
  • her lipstick is bright carmine and her hair is
    cut short and frizzily permed. She had not been
    pretty as a child, and she was not pretty now,
    for her features were still heavy and blunt. But
    her dark and slightly slanted eyes were
    beautiful, and skin-tight skirt and orange
    sweater displayed to enviable advantage a soft
    and slender body.

9
Canadian Literary Chickens Come Home to Roost
  • The intervening years between the publication of
    Laurences (1963) The Loons and Kinsellas (1977)
    Linda Star could be construed as the period of
    time that Indigenous literary chicks come home to
    roost.
  • In fictional terms, Piquette dies and is born
    again in Linda Star

10
Examining the Inconsistencies in Kinsellas Linda
Star
  • Silas characterization (naïve country bumpkin)
  • Lindas characterization (she is both bold and
    hesitant)
  • If youre not doing anything why dont you buy
    me a beer Linda say, and she smile at me real
    nice but real bold too, like she want something
    from me but she dont know how to ask

11
Walking with Helmut Walking Eagle
  • Lucy Flora live in a society have has
    established norms of custom, behavior ways of
    seeing.
  • Whereas in The Loons, the McLeods and their
    society set the norms against which the Tonnerres
    are implicitly compared. The value system upon
    which the story rests determines the themes of
    the story.

12
Warriors Compatriots
  • Narrative provides richly drawn characters who
    are humorous, hospitable, complex and
    contradictory
  • What is the opening image?
  • Who is Hilda looking for?
  • Warrior constructs a web of relationships as we
    progress through Lucy Hildas day. What are
    those relationships?
  • They are primarily familial and yet reveal the
    socio-economic conditions and political realities

13
Elements of a true picture
  • Bunky stays out all night
  • No running water an outhouse
  • Lucy doesnt attend the Sundance
  • What is Hildas response to this news?

14
We Now Pause for a Commercial Break
  • And no we are not selling flesh, fowl nor good
    salt herring
  • Themes can be construed as an artistic thesis
    statement through which the author makes an
    observation or a recommendation for action
  • Theme statements are best made in complete
    sentences at mid-level generalizations

15
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