Quickwrite: What do you know about Lance Armstrong? List as many things as you know about him. If you are unsure, look at this picture! - PowerPoint PPT Presentation

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Quickwrite: What do you know about Lance Armstrong? List as many things as you know about him. If you are unsure, look at this picture!

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Quickwrite: What do you know about Lance Armstrong? List as many things as you know about him. If you are unsure, look at this picture! Adapted from CSU ERWC Material – PowerPoint PPT presentation

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Title: Quickwrite: What do you know about Lance Armstrong? List as many things as you know about him. If you are unsure, look at this picture!


1
Quickwrite What do you know about Lance
Armstrong? List as many things as you know about
him. If you are unsure, look at this picture!
Adapted from CSU ERWC Material
2
It's Not About the Bike by Lance Armstrong
3
Who is Lance Armstrong?
  • Lance Armstrong is a world-renowned bicycle
    racer, famous for having won seven consecutive
    Tours de France (a race that is over 2,200 miles
    on a bicycle) from 1998-2005. He was sidetracked
    by cancer early in his career, but made a
    stunning comeback.
  • He is also well-known for dating singer Sheryl
    Crow, having divorced his wife shortly after the
    publication of the book from which the excerpt we
    are going to read is taken.

4
Survey the Text
  • Take a look at the Lance Armstrong article in
    your yellow packet
  • What is the significance of the fact that the
    book is written by Lance Armstrong with Sally
    Jenkins?
  • What kind of textwhat genredo you think this
    book is? What do you think this book will be
    about?

5
Survey the Text
  • What is the significance of the fact that the
    book is written by Lance Armstrong with Sally
    Jenkins?
  • This is a flag that the book, although seemingly
    "co-written" by Armstrong and Jenkins, was
    probably written primarily by Jenkins. Many
    celebrity-authored books have this type of shared
    authorial byline. It is significant in that it
    indicates that actual authorship is not as
    straightforward as in a more traditional
    autobiography, but a reader can safely assume
    that the viewpoints provided are those of the
    "famous" person.

6
Survey the Text
  • What kind of textwhat genredo you think this
    book is? What do you think this book will be
    about?
  • This text is an autobiography. You may also know
    or predict that this may cover all of Armstrong's
    life, or be limited to a specific time period.

7
Making Predictions
  • What topics do you think Lance Armstrong might
    talk about that are related to the issue of how
    we value life?
  • Do you think Lance Armstrong's claim about the
    value of life will agree with Hamlet's or not?

8
Making Predictions
  • What topics do you think Lance Armstrong might
    talk about that are related to the issue of how
    we value life?
  • If you know about Armstrong's battle with cancer,
    you may predict that he might view that life is
    full of suffering.

9
Making Predictions
  • Do you think Lance Armstrong's claim about the
    value of life will agree with Hamlet's or not?
  • Again, if you know that Armstrong survived cancer
    and went on to great accomplishments in bicycle
    racing, you may anticipate that Armstrong has a
    less pessimistic tone to his piece.

10
Vocabulary Preview(Create a Cornell-Note
Vocabulary Chart)
  • 1. expire (v) die
  • 2. poignant (touching, sentimental)
  • 3. demise (ending, death)
  • 4. cadence (pace, rhythm)
  • 5. marbled (striated, multicolored)
  • 6. acrid (bitter, sour)
  • 7. puckered (indented, sucked-in)
  • 8. catheter (tube used in medical procedures)
  • 9. constitution (physical makeup or strength)
  • 10. articulate (describe coherently)

11
Vocabulary Mapping
  • Identify sets or pairs of words that are related
    to each other
  • 1. Which words refer to death?
  • 2. Which words refer to the body?
  • 3. Are there any other categories of words?

12
First Reading
  • Read the text by Lance Armstrong. As you read,
    pay attention to the way that Armstrong talks
    about the value of life. As we did with Hamlet,
    to try to determine if Armstrong appears to be
    generally pessimistic or optimistic, based on
    your reading of the passage.
  • Consider whether Armstrongs view of mortality
    reflects a positive or negative view of life.
    Does the text, in other words, present an
    argument about the value of death?

13
Strategic Marking of the Text I
  • As we did with the Shakespeare text, mark
    Armstrong's text.
  • Use a different highlighter (from HAMLET reading)
    to highlight the sentences, phrases, and/or words
    that Armstrong uses to describe what he thinks it
    means to be alive.
  • Note Use a different colored highlighter than
    you used to mark the Shakespeare text.

14
Characterizing the Text
  • Partners Once you have highlighted Armstrong's
    text, compare what you selected to highlight with
    the choices a classmate made. Then, working
    together, mark some of the commonly-highlighted
    parts with a "" or "-" sign to indicate whether
    the quote shows a generally positive or negative
    outlook on life.
  • Discuss the results with your partner and answer
    the question about Armstrong's outlook on life
    is he an optimist or a pessimist?

15
Strategic Marking of the Text II
  • Second Highlighting Go through the text once
    more, this time with the same highlighter you
    used for Shakespeares text.
  • Imagine that you are reading Armstrong's text
    from Hamlet's perspective. Highlight any passages
    that Hamlet would find particularly interesting
    or compelling.
  • Some of these may be the same words you already
    highlighted, while others will be new.

16
Connecting the TextsThe Mock Interview
  • Armstrong and Hamlet, in their respective texts,
    provide quite different perspectives on the
    meaning and value of life.
  • Partners Envision a scenario in which somehow
    Hamlet would have the opportunity to interview
    Armstrong and vice versa.
  • One partner should write out a series of five
    questions that Hamlet would probably ask
    Armstrong, while the other writes five questions
    for Armstrong to ask Hamlet.

17
Connecting the TextsThe Mock Interview
  • Interview questions might address such issues as
    Hamlets and Armstrongs attitudes toward death,
    fear, vitality, human relationships, and
    endurance.
  • Examples
  • 1. Are you afraid of death?
  • 2. Are there any benefits to suffering?
  • 3. How do you approach challenges?

18
Conducting the Interview
  • Now, take on the personas of these two, and
    conduct the interviews.
  • Be sure to give answers that are in keeping with
    the points of view provided in the two texts.

19
Rhetorical Appeals
  1. An autobiography is a form of nonfiction--a text
    that tells the "truth." Do you think Armstrong is
    being truthful in his account of his life?
    Explain your reasoning.

20
Rhetorical Appeals
  • 2. Armstrong's autobiography is written by
    Armstrong "with" Sally Jenkins. What role do you
    think Jenkins played in the writing of the text?
    How does her participation in the creation of the
    text influence your interpretation of Armstrong's
    story? In other words, how does the combination
    of Armstrong and Jenkins as authors affect the
    "ethos" of the text?

21
Rhetorical Appeals
  • 3. Do you think that Armstrong's story has an
    impact on the reader because of its use of logic
    (logos) or emotion (pathos) or both?
  • 4. Unlike Hamlet, Armstrong is not in the midst
    of his crisis when he writes his story instead,
    he writes about his experiences in hindsight.
    Does that have an impact on Armstrong's ability
    to make his ideas and story compelling to the
    reader? Explain your reasoning.

22
Chart the Text
  • Make an entry in you charts for the Armstrong
    text, filling it out as you did with the
    soliloquy.
  • When you reach the entry for "How does this text
    connect to other texts? briefly describe the
    ways that Armstrong responds to and/or challenges
    the assertions made by Shakespeare in his
    soliloquy for Hamlet.

23
After the Mock Interviews
  • After conducting the mock interviews, discuss (in
    partnerships as well as a whole-class) the
    relative viewpoints of the characters.
  • How well would they get along with one another?
  • How would each respond to the arguments made by
    the other?
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