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DESCRIPTION

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Title: DESCRIPTIVE ESSAY Author: shousenick Last modified by: Stephen Housenick Created Date: 7/15/2005 5:49:23 PM Document presentation format: On-screen Show – PowerPoint PPT presentation

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Title: DESCRIPTION


1
  • DESCRIPTION

2
TRAITS
  • Key Elements of a Descriptive Essay
  • sense details (more than just sight)
  • arranged spatially
  • to support a Dominant Impression

3
ASSIGNMENT
  • To describe a familiar object utilizing
  • only SENSE DETAILS
  • -sight -taste
  • -sound -touch
  • -smell
  • To describe only the physical characteristics
  • To appeal to the senses to use concrete details

4
TOPICS
  • 1) Your dorm room or bedroom (the room in your
    home where you spend the most time)
  • 2) Your automobile
  • 3) The master bedroom in Edgar Allan Poes The
    Tell-Tale Heart

5
PREWRITING
6
PREWRITING
  • 1) 5 SENSES
  • make 5 lists (one for each sense)
  • sight, smell, sound, taste, touch
  • under each, list as many relevant details
    regarding your topic as possible

7
PREWRITING
  • 2) IMPRESSIONS
  • from the previous lists, make connections
    between items on the previous lists
  • group according to likeness
  • that is, certain sense details are related by
    the impression that they create
  • eerie
  • messy
  • feminine

8
PREWRITING
  • 3) DOMINANT IMPRESSION
  • the longest list of impressions from the
    previous lists will be your dominant impression,
  • the most striking impression concerning your
    object
  • to this list add
  • adjectives
  • adverbs
  • similes/metaphors

9
PREWRITING
  • 4) SYNONYMS
  • Make a list of synonyms for your Dominant
    Impression
  • Consult a thesaurus
  • Tidy
  • neat
  • orderly
  • organized
  • uncluttered
  • anal-retentive/obsessive-compulsive

10
INTRODUCTION
11
INTRODUCTION
  • FUNNEL EFFECT
  • Generalize 1st
  • Introduce your topic
  • Most people, Most college students
  • Narrow your focus
  • Some
  • Others
  • Focus on you
  • Me
  • End with Thesis Statement

12
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13
INTRODUCTIONFUNNEL EFFECT EXAMPLES
  • 1) Owning a car these days is a necessity,
    especially for students at a community college.
    Looking around the parking lot at Luzerne County
    Community College, I usually see three types of
    cars the new, high-end graduation-gift cars,
    the modified sports cars, and the run-down first
    cars. Unfortunately, my car is one of the
    latter.... (thesis with clear Dominant
    Impression My gray 1986 Oldsmobile Omega is a
    Bondo Buggy, especially in terms of its exterior,
    interior, and trunk.)

14
INTRODUCTIONFUNNEL EFFECT EXAMPLES
  • 2) Most people have a place to go to feel
    refreshed when life gets too tough. (OR) Most
    people have a place they visit to get away from
    everyday life. It could be a car, a place in
    nature, or a room at home. For me it is my
    bedroom. (then comes the thesis with clearly
    stated Dominant Impression)

15
Thesis Statement
16
INTRODUCTIONTHESIS STATEMENT
  • Comes at the end of the first paragraph (Funnel
    Effect)

TOPIC MAIN IDEA SUPPORT
17
INTRODUCTIONTHESIS STATEMENT
  • Example for Descriptive Essay
  • My car is a junker in terms of its.
  • Three aspects of my car that make it a junker are
    the front seat, the back seat, and the trunk.
  • Contains the Dominant Impression and the 3
    aspects/parts of your object that support it.
  • TOPIC MY CAR
  • D.I. JUNKER
  • SUPPORT (1) FRONT SEAT
  • (2) BACK SEAT
  • (3) TRUNK

18
Dominant Impression
19
INTRODUCTIONDOMINANT IMPRESSION
  • CHARACTERISTICS of a Dominant Impression
  • ADJECTIVE or NOUN
  • Declared in thesis statement
  • Unifying or controlling aspect ambiance this
    will link all of your sense details.
  • Without this, your details are like marbles
    without a jar.
  • The first adjective that comes to mind when you
    think of your car.

20
DOMINANT IMPRESSION
SENSE DETAIL
SENSE DETAIL
SENSE DETAIL
ALL SENSE DETAILS RELATE TO SUPPORT DOMINANT
IMPRESSION
21
INTRODUCTIONDOMINANT IMPRESSION
  • HOW TO CREATE a Dominant Impression
  • Write the 5 senses on a blank sheet of paper
    with room beneath each to write
  • Then, list as many details that appeal to a
    particular sense under its name
  • Go from the front of the car to the back from
    the outside to the inside
  • Then, see which details are related to each
    other, that paint a similar picture of the
    object, and group them together
  • What these details relate to will be your
    Dominant Impression.

22
INTRODUCTIONDOMINANT IMPRESSION EXAMPLES
  • ROOM
  • oasis of peace,
  • tranquil refuge,
  • feminine/masculine,
  • reflects personality (you must briefly define
    your personality use the appropriate adjective
    before the word personality creative
    personality, artistic temperament),
  • reflects my musical tastes,
  • disaster area,
  • pig sty

23
INTRODUCTIONDOMINANT IMPRESSION EXAMPLES
  • CAR
  • total embarrassment, Bondo Buggy,
  • off-road monster,
  • Junk Mobile,
  • typical college students (in terms of mess,
    neglect, ...),
  • typical first car (in terms of price,
    efficiency...),
  • The Black Beauty, The Polar Bear
  • giant toy, sporty car, Daddys car,
  • accessorized car (Pimp My Ride) (tricked out)

24
BODY
25
BODY
  • 3 Body paragraphs
  • (3 paragraphs 3 parts of your object)
  • TOPIC SENTENCE
  • starts each paragraph
  • reiterates your thesis, Dominant Impression
  • DESCRIPTION
  • sense details, figurative language
  • that supports only your Dominant Impression
  • CLINCHER SENTENCE
  • ends, wraps up the paragraph
  • reiterates your Dominant Impression

26
BODY DOsQualities of a Strong Descriptive
Essay
  • 1) DESCRIBEDO NOT LIST!!
  • Describe items found in your car/room
  • Lists do not describe lists are more exemplary
    than descriptive
  • This is a descriptive essay using sense details,
    not an illustrative essay using reasons
  • Show rather than tell
  • Make us see, smell, taste, feel, hear it as you
    want us toto fit your Dominant Impression

27
BODY DOsQualities of a Strong Descriptive
Essay
  • 2) SENSE DETAILS only
  • Appeal to the 5 senses, not just sight
  • Appeal to as many of the 5 that are relevant
  • Consult your prewriting lists
  • Relying solely on sight ? leads to LISTS
  • Number, size, shape, texture, material,
    odor/scent, taste, sound

28
BODY DOsQualities of a Strong Descriptive
Essay
  • 3) SIMILES METAPHORS
  • use similes metaphors to reinforce your D.I.
  • EX The smell is like OR The smell reminds
    me of wet, moldy leaves soaking in a crammed rain
    gutter for a month. (not a pleasing D.I.)
  • rust cancer, leprosy, flesh-eating bacteria
  • angry red beast headlights giant glaring
    eyes, grillhungry chrome jaws, bumperchin with
    battle scars (continue the metaphor throughout,
    only those details that support beastly)
  • Warning Similes only support your sense
    details they do NOT replace the need for sense
    details.

29
BODY DOsQualities of a Strong Descriptive
Essay
  • 4) Relate all SENSE DETAILS to your DOMINANT
    IMPRESSION
  • all details should reinforce your D.I.
  • if it does not, omit the detail
  • all sense details and metaphors should support a
    single impression
  • this is NOT a word picture in which you
    describe every aspect of your car
  • instead, focus your description on your D.I.

30
BODYRelate all SENSE DETAILS to your DOMINANT
IMPRESSION
  • Repeat THESIS
  • Another aspect of my room that makes it a pig
    sty is.
  • at the start of each paragraph
  • ADJECTIVES and ADVERBS that are synonymous with
    your Dominant Impression
  • ADJ busy hectic, energetic, bustling, crowded,
    swarming, packed, jammed, overrun, popular,
    populous, active, lively

31
BODY DOsQualities of a Strong Descriptive
Essay
  • 5) Use TRANSITIONS
  • between sentences (logically or spatially
    connect details in each sentence) AND
  • between paragraphs (repeat thesis)
  • 6) Use proper PN REFERENCE
  • especially when generalizing in Introduction
  • Everyone has a place he/she could call his/her
    own.
  • see how the use of he/she gets old fast
  • so go plural Most people have a place they
    could call their own.

32
BODY DOsQualities of a Strong Descriptive
Essay
  • 7) DICTIONuse creative, selective, and pointed
    details words (employ concrete/specific word
    choice)
  • 8) Include an INTRODUCTION (see above) and a
    CONCLUSION (see below or consult the textbook)
  • 9) Have a CLEAR VISION of the object (best to
    visit the place you will describe)

33
BODY DOsQualities of a Strong Descriptive
Essay
  • 10) Have a CAREFUL SELECTION of DETAILS
  • only those that support your DI
  • 11) Maintain a consistent point-of-view (POV)
  • no second person POV you
  • your room, your car, your impression, your
    details ? your POV (speak from the I)

34
BODY DOsQualities of a Strong Descriptive
Essay
  • 12) COHERENCE
  • develop a logical flow of ideas/details
  • camera angle -- spatial organization
  • 13) Paragraph Structure
  • 3 Body paragraphs 3 parts of car/room
  • do NOT arrange the essay around the senses (each
    paragraph is not one of the senses)
  • 14) REMEMBER
  • this is NOT a why or because essay which is
    supported with reasons
  • instead, use aspect, feature, characteristic,
    portion

35
BODYTAKE THE HINT
  • SENSE DETAILS ONLY
  • ONLY THOSE SENSE DETAILS THAT SUPPORT YOUR
    DOMINANT IMPRESSION
  • IF ANY DETAIL DOES NOT SUPPORT YOUR DOMINANT
    IMPRESSIONNO MATTER HOW COOL OR INTERESTING IT
    MAY BEOMIT
  • IT FROM THIS ESSAY

36
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37
BODY DONTs
  • 1) DO NOT LIST items found in your car/room
    this does not describe lists are more exemplary
    than descriptive (this is a descriptive essay
    using sense details, not an illustrative essay
    using reasons) (show rather than tell)
  • 2) Do NOT just throw ideas onto the page make
    sure you have a Dominant Impression -- a clear
    purpose, a point be a movie director and limit
    what you want the audience to see, to see it/them
    from your perspective

38
BODY DONTs
  • 3) Do NOT describe emotions, feelings,
    personality (these are not sense details)
  • 4) Do NOT use pat expressions/clichés (rough
    around the edges), contractions (Ive, its),
    poor diction (things, a lot), or
    abbreviations (especially CDcompact disc)
  • 5) NUMBERS 3 syllables/numerals 350, 1 or 2
    syllables/numerals six, twenty-five
  • year 1998, 2005)

39
CONCLUSION
40
CONCLUSIONPURPOSE of CONCLUDING PARAGRAPHS
  • To stress the importance/relevance of your
    thesis (SO WHAT?!)
  • To repeat your purpose
  • To repeat your thesis (moral, point, lesson,
    Dominant Impression)
  • To repeat your main ideas
  • To give the essay a sense of completeness/finalit
    y
  • To leave the reader with a final impression
    (this is your last chance to convince/persuade
    the reader, so make the most of it!)

41
CONCLUSION SUGGESTIONS
  • Discuss in full the lesson learned
  • Suggest larger implications of your findings
  • Suggest future papers or research
  • Refer back to your purpose and/or scenario
    mentioned in your Introduction
  • Pose rhetorical questions
  • Offer a 3rd side to the issue
  • End with a CLINCHER SENTENCE

42
CONCLUSIONCLINCHER SENTENCE
  • Just as you ended each Body paragraph with a
    concluding sentence that wrapped up that
    point/paragraph, so too will you end the entire
    essay
  • (Thesis Statement Topic Sentence Clincher
    Sentence Paragraph Clincher Sentence)
  • Avoid the empty cliché
  • Wrap it all up
  • Relate to your point (for example, if you wrote
    a process paper on making a PBJ sandwich, end by
    saying that you are now hungry for one)

43
VISUAL IMPRESSIONS
44
BEDROOM 1
45
BEDROOM 2
46
BEDROOM 3
47
CAR 1
48
CAR 2
49
CAR 3
50
CAR 4
51
Descriptive Essay VSExample Essay
52
Descriptive Essay VS Example Essay
  • SENSE DETAILS
  • Dominant Impression
  • BODY STRUCTURE
  • 3 Body paragraphs
  • 3 parts of the room/car
  • Each supported by
  • sense details ONLY
  • metaphors to support DI
  • LISTS prohibited
  • SHOW
  • SPATIAL ORDER
  • REASONS
  • Argument/Claim
  • BODY STRUCTURE
  • 3 Body paragraphs
  • 3 reasons
  • Each supported by
  • examples
  • descriptive details
  • narratives
  • types/roles
  • LISTS permissible
  • TELL
  • EMPHATIC ORDER
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