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Quiz 6: John Keats

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In what way is Porphyro NOT a peeping Tom (voyeur)? 1. He knows of St. Agnes custom before stealing into Madeline s chamber and hiding himself in the closet. 2. – PowerPoint PPT presentation

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Title: Quiz 6: John Keats


1
Quiz 6 John Keats
  • Mortality, Love and Beauty

"Here lies one whose name was writ in water."
2
1. Who serves as narrative frames in The Eve of
St. Agnes?
  1. Porphyro
  2. Madeline
  3. Beadsman
  4. Angela
  5. Both no. 3 and 4

3
2. Fill in the Blank
  • They glide, like phantoms, into the wide hall
    Like phantoms, to the iron porch, they ____
    Where lay the Porter, in uneasy sprawl, With a
    huge empty flagon by his side The wakeful
    bloodhound rose, and shook his hide, But his
    sagacious eye an inmate owns By one, and one,
    the bolts fill easy slide--- The chains lie
    silent on the footworn stones,-- The key turns,
    and the door upon its hinges groans.
  1. crawl
  2. Crawled
  3. glide
  4. glided

4
3. In what way is Porphyro NOT a peeping Tom
(voyeur)?
  • 1. He knows of St. Agnes custom before stealing
    into Madelines chamber and hiding himself in the
    closet.
  • 2. He stares at Madeline on the bed.
  • 3. He prepares a table of foods, and wakes
    Madeline up.
  • 4. He wants her to be his bride and to run away
    with him.

5
4. Which of the following does not involve
personification?
  • 1. NO, no! go not to Lethe, neither twist
    Wolf's-bane, tight-rooted, for its poisonous
    wine
  • 2. She dwells with BeautyBeauty that must die
  • 3. Joy, whose hand is ever at his lips
  • Bidding adieu
  • 4. Ay, in the very temple of Delight
  • Veil'd Melancholy has her sovran shrine,
  • Though seen of none save him whose strenuous
    tongue
  • Can burst Joy's grape against his palate fine

6
5. Which of the following is NOT true about the 4
odes (that you have read)?
  1. They all involve a quest (a process of
    questioning/differentiation, empathy entering a
    certain emotional status of others),
  2. Ode on a Grecian Urn deals with dynamic art,
    while Ode to a Nightingale, static art.
  3. The three figures on Ode on Indolence are Love,
    Ambition and Poesy.
  4. Ode on Melancholy does not end with distancing
    the poet from Melancholy.
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