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Setting, Theme, Tone

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Title: Setting, Theme, Tone


1
Setting, Theme, Tone
2
Setting
  • The setting is the time and place in which the
    events in a work of fiction, drama, or narrative
    poetry occur.
  • Individual episodes within a work may have
    separate, specific settings.
  • Time may be a historical period, time of year,
    and/or time of day or night.
  • Place may refer to a geographical location, a
    kind of building, or a part of a larger
    structure, such as a cave or a particular room.

3
Setting
  • In some stories, the setting is purely imaginary.
  • Gullivers Travels
  • The Lord of the Rings
  • Twelfth Night
  • The setting may shift between two contrasting
    places
  • The idyllic raft on the Mississippi River and the
    contentious land in Huck Finn
  • Sensual, decadent Egypt and coldly rational
    imperial Rome in Antony and Cleopatra

4
Setting
  • Setting is an essential element in establishing
    the atmosphere
  • In Romeo and Juliet, it is set in Italy, reputed
    during the Renaissance to be a land of passionate
    romance and sudden violence.
  • The time setting in the play is also significant
    mid-July, the hottest point in the hottest season
    in that southern climate.
  • The climactic duel that sets events on their
    tragic course occurs in a Verona piazza at high
    noon.

5
Setting
  • In Shakespeares Macbeth the precipitating event
    to the tragedy is a brutal, carefully plotted
    assassination, the murder takes place in an
    isolated chamber of a castle in the dead of night.

6
Setting--Location
  • In Jane Eyre, each of the locations have a
    symbolic name
  • Lowood is located in a low-lying valley and run
    by a tyrannical clergyman who would wish to
    keep the social status of the hapless orphans in
    his charge low and humble.
  • Thornfield, the manor house of Janes beloved but
    morally compromised Mr. Rochester, is surrounded
    by thorn trees and is also the site of the trials
    that she must undergo thorns in her lifeto
    win happiness in the end.

7
Final Setting
  • The connection between setting and story is not
    often explicit, but it is always significant.
  • The authors choice about time and place exert an
    important influence on a works tone and meaning,
    which the reader must infer.

8
Theme
  • The theme of a literary work is a central idea
    that it conveys, either directly or implicitly.
  • Usually covers abstract topics that recur in many
    works of literature
  • Courtship
  • Horrors of war
  • Conflict between parents and children

9
Theme
  • A narrower meaning of theme is a view of a value
    conveyed by a particular literary work.
  • It is not the subject of a work
  • It expresses a stance toward the subject as a
    moral or philosophical principle inherent in the
    work

10
Jane Eyre
  • The subject of Jane Eyre is an orphan girls
    growth to womanhood in nineteenth-century
    England.
  • The novels themes include the importance of being
    true to ones values and the transforming power
    of romantic love.

11
Theme
  • Some themes are asserted openly, especially in
    works whose intentions are to instruct or
    persuade
  • Alexander Popes poem, An Essay on Man is meant
    to teach such principles as morality and piety
  • Hope humbly, then with trembling pinions soar
  • Wait the great teacher Death, and God adore!
  • What future bliss, he gives thee not to show,
  • But gives that hope to be thy blessing now.

12
Direct Themes
  • Other examples of works that state their themes
    explicitly are plays by such dramatists as Henrik
    Ibsen and George Bernard Shaw, which focus on
    themes like the rights of women and the evils of
    military profiteering
  • Satires such as George Orwells Animal Farm
    expose the tyranny and hypocrisy of
    totalitarianism.

13
Theme
  • In most works, however, a theme emerges by
    implication and is conveyed by the choices that
    the author makes about the narration and the
    tone.
  • One of the themes of Huck Finn is that true
    morality depends on sympathy for others
    suffering rather than on rules of conduct imposed
    by society or organized religion.
  • This idea is never stated outright.
  • It is suggested by the characters.

14
Final Theme
  • Recognizing a theme can help readers to compare
    and contrast works that treat the same central
    concept and to articulate the values and
    attitudes that underlie a given literary work.
  • It is important to keep in mind that simply
    summing up the themes of complex poems, plays,
    and novels, cannot yield their full meaning and
    literary power.

15
Tone
  • This is the biggieso PAY ATTENTION

16
Tone
  • Tone designates the attitude that a literary
    speaker expresses toward his or her subject
    matter and audience.
  • The term is derived from spoken discourse, in
    which listeners attend to a speakers tone of
    voice in order to assess his feelings about the
    topic at hand and about his relationship to his
    audience and his conception of their
    intelligence, sensitivity, and receptivity to his
    views.

17
Tone
  • Tone is described in adjectives that express
    emotion or manner
  • Compassionate, judgmental, scornful, reverent,
    formal, casual, arrogant, obsequious, serious,
    ironic, irate, serene, confident, timid, etc.
  • It may remain consistent, or it may change
    markedly at some point.
  • In conversation, we receive clues to tone from
    the speakers facial expressions, gestures, and
    vocal inflections.
  • In written discourse, tone must be inferred from
    such factors as the syntax, diction, point of
    view, and selection of details.

18
Tone
  • It is helpful to note the point of view
  • A first-person narrator may be unreliablebiased,
    devious, naïveso that the tone that he or she
    takes is meant to be seen as exaggerated or
    misleading.
  • A third-person narrator, whether intrusive or
    objective, may adopt a tone that seems
    authoritative and neutral.
  • A surface attitude of objectivity, however, may
    imply an underlying meaning at odds with that
    tone, creating verbal irony.

19
Tone
  • A narrative may create pathosthe evocation in
    the audience of pity, tenderness, compassion, or
    sorrow.
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