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THE MUSIC OF JAPAN

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Title: THE MUSIC OF JAPAN


1
THE MUSIC OF JAPAN
2
Traditional Japanese music genres have long
histories but have changed little in hundreds of
years
3
In a modern world, it could be perceived as
stagnation, but it is in fact the reflection of
the Japanese value of stability
4
Performances are uniform with great decorum
5
Music types include court music, musical drama,
chamber music, and chant
6
The music is primarily pentatonic with auxiliary
pitches
7
Key Concepts
8
In Japan, maintaining tradition is important
9
Generally, in comparison to Japan, how does our
culture regard the performance and listening of
music 1,000, or even 500-years-old?
10
There is a connection between musical genres and
social class
11
Musical instruments and styles are linked to
gender
12
There are layers of activity in ensemble music
13
Great emphasis is placed on subtle
differentiations of timbre and ornamentation
14
Japanese music is sensitive to tempo
15
Kabuki
16
According to popular history, kabuki was first
performed in 1596 by a female Shinto dancer
17
Making use of elaborate stage equipment, scenery,
costumes, and properties, kabuki also relies on
stock character types and gestures
18
Kabuki developed at the same time as Europeans
were making their first experiments with opera
19
Historically, are the roles of women in Japanese
music the same or different compared to the West?
20
Kabuki Nagauta music from the play Pojoji
Textbook CD1, track 24
21
Bunraku
22
Bunraku puppet theater developed in Osaka around
the same time as kabuki
23
Each of the wooden puppets is manipulated by
three puppeteers
24
Narration, both sung and spoken, is provided by a
narrator/chanter
25
How may we account for the lack of musical puppet
theater in the West? What might be in its
place?
26
Noh theater
27
Noh theater developed during a time of continuous
military strife
28
Plays can be classified according to type
29
The stately vocal music may be in the form of
heightened speech or melodic aria
30
Excerpt from Noh play Hagoromo (The Robe of
Feathers). Textbook CD1, track 25
31
Have you seen any operas or musicals in Calgary?
What did you think of them? How can these be
compared to the development of Japanese genres
such as noh and kabuki?
32
Religious traditions
33
Shinto is a loose indigenous agglomeration of
local and regional cults
34
Buddhist chant, called shomyo, is performed by a
male chorus in responsorial style
35
Concert music
36
Popular koto music may be either a song cycle or
a solo
37
Rokudan No Shirabe Textbook CD1, track 26
performed as sankyoku
38
The koto part is said to be the meat,the
shamisen part, the bone, and the shakuhachi
part, the skin
39
One of the most famous sokyoku koto pieces is
called Chidori
40
Chidori Textbook CD 2, track 1 performed as
sankyoku with voice
41
Gagaku
42
Gagaku is Japanese court music
43
The large ensemble consists of percussion,
strings, and winds
44
Gagaku is characterized by its serenity
45
Netori Etenraku in Hyojo CD 2, track 2
46
Are there Canadian equivalents to court music?
Why or why not?
47
Summary
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