Title: SMST21605B Television
1SMST216-05B Television
- Week 38 (September 19)
- The best of television The Simpsons
2Animation
- From the Latin verb animareto give life to.
The working definitionis a film made by hand,
frame-by-frame, providing an illusion of movement
which has not been directly recorded in the
conventional photographic senseincludes cel,
hand-drawn and model animation ..also now CGI
animation. - P. Wells (1998), Understanding Animation
3Cartoon
- Often used as a synonym for animation but the
origins of the cartoon lie in the animation of
print comic strips. Cartoons, through much of the
c20th, were largely tied to short formats and
child audiences animation suggests a larger
range of forms and artistic purposes (eg
animation as art). Nevertheless, many cartoons
are now regarded as art, or the work of auteurs
eg Walt Disney (Fantasia) , Chuck Jones, Tex Avery
4Animation on television (1)
- Some background information
- television initially benefited from the 1948
Paramount Decision, which meant that major film
studios no longer had guaranteed outlets for
their films and cartoons. - Studios turned to television for a place to
screen such material--a shift accelerated by the
move to double features and the elimination of
first-half (the shorts) before the main feature
5Animation on television (2)
- These shorts included newsreels, serials, movie
trailers and--most importantly--animation
(cartoons) from major studios such as Warner
Brothers and Disney (eg The Bugs Bunny Show,
Merry Melodies) - These cartoons quickly migrated to television
and were initially scattered across the schedule
(occasionally appearing in primetime).
6Animation on television (3)
- By the early 1960s, animation was largely
concentrated in Saturday morning slots (9-12.30)
on ABC/NBC/CBS, with cartoons being made
specifically for television (and child audiences) - Cartoons were now culturally defined as a genre
whose primary audience was children and not
legitimate entertainment for adults as part of a
mass audience. - J. Mittell The Great Saturday Morning Exile in
Stabile Harrison eds (2003), Prime Time
Animation Television animation and American
culture
7Animation on television (4)
- A critical moment, in the history of animation on
television, was - The Flintstones (1960-1966), on ABC
- This was the first animated series produced for
primetime television. Developed by William Hanna
and Joseph Barbera (Hanna-Barbera)--formerly
employed by MGM--and distributed by Screen Gems.
Attracted high ratings from its first episode -
8Animation on television (5)
- Other networks followed suit, with primetime
animation shows (eg The Alvin Show, CBS The
Bullwinkle Show, NBC) but none achieved the
success of The Flintstones. Other ABC shows (eg
The Jetsons, Top Cat) also had little success in
prime time, and were shifted to Saturday morning
9Animation on television (6)
- Once The Flintstones finished in 1966, there were
no primetime animation shows on American
television, until 1989, when - The Simpsons
- premiered on the fledgling FOX network
10The Simpsons, 1989 -
- Developed out of a long history of film
animation, and a shorter history of television
animation--as well as drawing on other traditions
of American humour - Ancestors of The Simpsons (I II)
- From Chris Turner (2004) Planet Simpson
-
11(No Transcript)
12The Simpsons a pre-history (1)
- Began as short sequences (or bumpers) on the
skit comedy show The Tracey Ullman Show (Fox,
1987-89), drawn by Matt Groening (previously
known for his comic strip/books Love is Hell and
Life in Hell) - Attracted a cult following (cf. BBC) Producer
James L. Brooks (Cheers) and Groening turned
these short sequences into a pilot half-hour
sitcom. (Turner, pp 16-17)
13The Simpsons a pre-history (2)
- The third season of The Tracey Ullman Show (1989)
featured longer Simpsons inserts, of equivalent
length to the live-action skits. - The first full episode of The Simpsons went to
air on Fox on Sunday 17 December 1989 (a
Christmas Special)
14The Simpsons, 1989 to ? (1)
- The Simpsons quickly became one of Foxs highest
rating programmes, and was instrumental in the
success of this new network - One of the reasons The Simpsons got to air in the
first place was that there were finally some
executives at Fox who remembered watching The
Flintstones and The Jetsons and Jonny Quest at
night as children, so they could conceive of the
idea of animation during prime time (Groening, in
Solomon 1997)
15The Simpsons, 1989 to ? (2)
- The success of The Simpsons created a boom in
primetime animation, with the longer-established
networks (ABC,CBS,NBC) developing their own
series - Turner Descendants of The Simpsons
- Duckman (video)
16The Simpsons some opinions (1)
- ..because of its cartoon disguise, The Simpsons
has been permitted a degree of freedom
unparalleled in American? mainstream
entertainment. The only real controversy it has
raised centred on the idea that Bart was a bad
role model for kids. The show has otherwise felt
free to comment, as sharply and derisively as it
likes, on every controversial issue of its time,
from religion to sexual orientation to drug use,
from political hypocrisy to corporate crime.
Turner, Planet Simpson, 9
17The Simpsons some opinions (2)
- The dumbest thing I have ever seen
- Barbara Bush (the mother of George Bush!)
- This nation needs to be closer to the Waltons
than the Simpsons - George Bush (senior)
- and Hey, were just like the Waltons! Were both
praying for the end of the Depression - Bart Simpson
- The Simpsons are one of the most subtle pieces of
propoganda around in the cause of sense, humility
and virtue - Rowan Williams, Archbishop of Wales
18The Simpsons a set of contradictions?
- The Simpsons frequently parodies the Fox Network,
Fox News and Rupert Murdoch (the owner of Fox).
Indeed, it is often suggested that the venial
Montgomery Burns is modelled on RM cf. National
billboards in the 2005 NZ Election. - The Simpsons is also a Fox-owned property, and
enormously profitable around the globe
19Murdoch and The Simpsons
- even Rupert Murdoch isnt crazy enough to sue
himself. - Ben Woodhams, (2004), Yellow Peril, Cult Times
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20An animated sitcom
- In genre terms, The Simpsons is most clearly a
sitcom, displaying the following characteristics - regular episodes, featuring a core of unchanging
characters peripheral characters - domestically/family-based setting and
situations - archetypal sitcom characters eg the incompetent
father long-suffering and loving mother - storylines generated by humour-based situations
or misunderstandings, resolved within an episode - characters suffer from collective amnesia
-
21- I think we can get away with a little more on The
Simpsons because the setup is so traditional. The
Simpsons are an intact family unit Homer works
nine-to-five and Marge stays at home - George Meyer, executive producer (in Lealand
Martin, 63)
22- We have a huge advantage that the characters
never age. My goal at the end of each year is to
return to square one, to have the status quo
prevail, so that an episode that is good from
season 15 isnt much different from one from
season three. - Executive producer Al Jean (from season 13-)
In Idato , Americas first family, Sunday
Star Times, Oct 10 2004
23The Simpsons the production process
- The Simpsons was one of the last animated series
to use ink and paint. It made the transition to
computer-based animation in season 15 (2003) - It is written by a US-based team of writers and
the characters are voiced in the US. - One episode takes about nine months to produce,
from script to screen. - Script audio recording is sent to Film Roman
(LA), who draw rough storyboards - The resulting sketches are animated in South
Korea - The animation process uses a limited palette of
200 colours
24- An estimated sixty million people in 60 countries
regularly watch The Simpsons - In 2005, it was voted historys greatest cartoon
by Channel 4 (UK) - Bart, Homer, Marge and Lisa are now as
recognisable as Mickey Mouse - Emmerson cartoon, New Zealand Herald 2004
25The wisdom of Homer
- Bart, I want to share something with you - the
three little sentences that will get you through
life. Number One, Cover for me. Number Two, Oh
Good idea boss. Number Three, It was like that
when I got here - We live in a society of laws. Why do you think I
took you to all those Police Academy Movies?
For fun? - The answers to lifes problems arent at the
bottom of a bottle theyre on TV!
26Questions
- Does this information fully explain the appeal of
The Simpsons? - Some critics describe The Simpsons as a
double-coded television text. What is meant by
this? - What might be the reasons why people dislike The
Simpsons? - Video excerpts
27broTown