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Meeting Alhambra, Granada 2003

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Roots of the ideas for such elements. Systematic taxonomy of ... It also Takes a Great Material Finish. PATINA BY STEVE REINMUTH. QUESTIONS ? DISCUSSION ? ... – PowerPoint PPT presentation

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Title: Meeting Alhambra, Granada 2003


1
Meeting Alhambra, Granada 2003
  • Volutions EvolutionCarlo H. Séquin
  • EECS Computer Science Division
  • University of California, BerkeleyThanks to
    Cathy Tao

2
Examples of Volution Sculptures
  • Volution_0 Volution_5

3
Definition of Volution
  • Websters Dictionary volution
  • 1) a spiral turn or twist
  • 2) a whirl of a spiral shell
  • 3)

4
Outline
  • Roots of the ideas for such elements
  • Systematic taxonomy of possible patterns
  • Evolution from simple disk to higher genus
    surfaces
  • Making those modules stackable
  • Aesthetics of minimal surfaces

5
Roots The Iggle
  • Percy Hooper, NC State University, 1999

6
Triply Periodic Minimal Surfaces
  • Schoens F-RD Surface Brakkes Pseudo
    Batwing modules

7
Specific Definition of Volution Elements
  • Two sided surfaces
  • Embedded in a cube
  • Edge is formed by pairs of quarter circles on
    each cube face
  • Overall D2 symmetry ? 3 C2 rotational axes
  • Forms modular elements, stackable in 1, 2 or 3D

8
P. J. Stewarts Surface
  • Image sent by Jeff Hrdlicka My virtual
    emulation

9
Aurora (Séquin, 2001)
  • Basic sweep path Sculpture with
    morphing

10
The Underlying Theme
  • Sweep-path used for Aurora Subdiv-surface in
    octahedron

11
How Many Volution Elements Are There?
  • In how many ways can the edges be connected?
  • What kinds of saddles can be formed in between?
  • How can we build higher-order genus elements?
  • Lets rotate some of the cube faces ...

12
All 32 Possible Edge Cycles
  • Drawn on the un-folded cube surfaces

13
The Different Edge-Cycle Patterns
  • 1a, 1b are mirror images !

14
Characteristics of Edge Cycle Pattern
  • Survey of all 32 cases

15
Simplest Spanning Surface A Disk
16
Spanning Surfaces for Two Edge-Cycles
  • Cylinder Space-diagonal tunnels
    Face-diagonal tunnels

17
Maximum Number of Edge Cycles 4
  • Tetrahedral symmetry
  • Space-diagonal tunnels (like Schoens F-RD)

18
Breaking the Tetrahedral Symmetry
  • Rotate edge pattern on one cube face
  • ? Two of the four ears merge into trench
  • ? 3-cycle edge pattern, 6/32 occurrences

19
Another 3-cycle Configuration
  • 6-edge ring separates two 3-edge cycles
  • Same as edge configuration of Costa surface
  • 3-fold symmetry around cube diagonal ? genus-2
    Costa (each funnel splits into 3 tunnels)

20
A First 2-cycle Edge Pattern Mace
  • Reminiscent of C.O. Perrys Sculpture
  • Composed of two Trenches
  • D2d symmetry
  • Already seen some possible spanning surfaces

21
Another 2-cycle Edge Pattern
  • Only D1d C2h symmetry (shows up 12 times)
  • Less obvious how to connect these edges with a
    spanning surface
  • Select some tunnels from space/face-diagonal
    sets
  • Maintain overall symmetry
  • Shapes are less attractive ? not studied
    extensively

22
The Two Single-Cycle Edge Patterns
  • Iggle (2 mirror versions) Gabo 3
    (with tunnels)

23
All Volution Surfaces Are Two-Sided
  • Disk is orientable, cuts volume of cube into 2
    differently colored regions.
  • Tunnels can only be added thru such a
    regionThey must connect equally colored
    surfaces.

24
Higher-Genus Surfaces
  • Enhancing simple surfaces with extra tunnels /
    handles

Volution_0 Volution_1
Volution_2
25
Determining the Genus
  • Tricky business ! ( Thanks to John Sullivan ! )
  • Process for surfaces Close all holes (edge
    cycles) with disk-like patches.
  • Genus maximum of closed curves that do not
    completely divide the surface into two
    territories.
  • Need to distinguish math surfaces ?? solid
    objects
  • Example Disk With 1 Handle

26
Genus ?
  • Has 6 tunnels you can stick fingers through
  • Analyzed as a math surface genus 5
  • Analyzed as a solid object genus 10

27
Model Prototyping
  • Draw polyhedral models in SLIDE
  • parts only, use symmetry!
  • Smooth with subdivision techniques
  • Thicken with usingan offset surface
  • Good for study of topology / symmetry

VOLUTION_1
28
Fused Deposition Modeling (FDM)
29
Zooming into the FDM Machine
30
Towards Minimal Surfaces
  • For sculptural elements geometry matters!
  • Exact shape is important for aesthetics.
  • Minimal surfaces are a good starting point.
  • Does a minimal surface exist ?
  • Is it stable ?
  • ? Use Brakke Surface Evolver
  • Is it the best solution ?

31
Classical Minimal Surfaces
  • Monkey saddle
    Costa surface

Scherks 2nd minimal surface
32
Unstable Minimal Surfaces
  • Example Volution_0
  • Only stable on computer which strictly maintains
    starting symmetry.
  • In nature, a small disturbance would break
    symmetryand the saddle would run away to one
    side.

33
Surfaces Without Equilibrium
  • Some surfaces dont even have unstable balance
    points,they are just snapshots of run-away
    processes.
  • Fortunately, the smoothing and rounding occurs
    before the surface has run away too far from the
    desired shapeso they still look like minimal
    surfaces !

Run-away points
Balance point
34
Source of Run-away Force
  • The problem is that some edges connected by a
    spanning surface are too far apart for a
    catenoid tunnel to form between them

35
Fix for Volution_5
  • Bring edges closer by using hyper-quadrics
    instead of quarter circles
  • x2 y2 r2
    x4 y4 r4

36
A Struggle for Dominance
  • Even edges close enough to allow a stable
    catenoid, may still present a precarious
    balancing act
  • Two side-by-side tunnels fight for dominance
  • the narrower tunnel constricts ever more tightly,
  • until it pinches off, and then disappears !

37
Finding the Balance Point
  • If we balance the sizes of adjacent tunnels just
    right,they will stay stable for a long enough
    timeto give the rest of the surface time to
    assume zero mean curvature (become a minimal
    surface).
  • Find balance point manually with a binary search.

38
Modular Building Blocks
  • Blocks are stackable, because edges match They
    are all quarter circles.

39
Smooth Connections Between Blocks
  • We also would like G1 (tangent plane)
    continuity
  • Mirror surfaces ? surfaces must end normal on
    surface
  • C2 - connection ? surface must have straight
    inflection line
  • But we can no longer force edges to be quarter
    circles.? We loose full modularity!

40
Towards Full Modularity
  • For full modularity, we need to maintain the
    quarter-circle edge pattern.
  • For G1-continuity, we also want to force surfaces
    to end perpendicularly on the cube surfaces.
  • ? This needs a higher-order functionalCould use
    Minimization of Bending Energy(this is an
    option in the Surface Evolver).
  • This would give us tangent continuity across
    seams.

41
The Ultimate Connection
  • For best aesthetics, we would like to have G2
    (curvature)-continuous surfaces and seams.
  • If we want to keep modularity, we may have to
    specify zero curvature perpendicular to the cube
    surfaces.
  • To satisfy all three constraints circles,
    normality, 0-curvature, we need an even
    higher-order functional!
  • MVS (Min.Var.Surf.) could do all that! ?

42
Minimum-Variation Surfaces
D4h
Oh
Genus 3
Genus 5
  • The most pleasing smooth surfaces
  • Constrained only by topology, symmetry, size.

43
Minimality and Aesthetics
  • Are minimal surfaces the most beautiful shapes
    spanning a given edge configuration ?

44
Tightest Saddle Trefoil Séquin 1997
Shape generated with Sculpture Generator 1
Minimal surface spanning one (4,3) torus knots
45
Whirled White Web Séquin 2003
Minimal surface spanning three (2,1) torus knots
Maquette made with Sculpture Generator I
46
Atomic Flower II by Brent Collins
  • Minimal surface in smooth edge(captured by John
    Sullivan)

47
Surface by P. J. Stewart (J. Hrdlicka)
  • Minimal surface in three circles

Sculpture constructed by hand
48
For Volution Shapes, minimal surfaces seem to be
aesthetically optimal
49
To Make a Piece of Art,It also Takes a Great
Material Finish
PATINA BY STEVE REINMUTH
50
QUESTIONS ? DISCUSSION ?
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