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The Current State of Archaeological Conservation in Museums

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Title: The Current State of Archaeological Conservation in Museums


1
The Current State of Archaeological Conservation
in Museums
  • Presented by Sarah Hagarty

2
Some Background on Archaeology
  • Artifacts
  • Material remains of the past
  • Many forms, materials, sizes, levels of
    completeness, and ages
  • Highly culturally diverse

3
Some Background on Archaeology
  • The Archaeological Process
  • Excavation
  • Analysis
  • Generation of site report
  • Objects go into storage or are given to a museum

4
Some Background on Archaeology
  • Context
  • Context is the unique physical setting, location,
    and cultural association of an artifact
  • Context gives archaeologists about an artifacts
    manufacture, use, and significance to a culture

5
Some Background on Archaeology
  • When an object emerges from the ground it is an
    encapsulation of its history up to that moment
    but the unraveling of that history by the modern
    interrogative techniques of conservation
    inevitably involves the destruction of evidence
    as much as the preservation of that artifact
    (Susan Pearce)
  • The archaeological process is inevitably
    destructive
  • Excavation removes the artifacts from their
    original context
  • Most analysis requires part of the artifact to be
    removed

6
Some Background on Archaeology
  • After excavation is completed, the primary
    context of an artifact no longer physically
    exists
  • It can only be found in the notes of
    archaeologists, researchers, and the site report
  • Without context an artifact loses its
    significance and has no intellectual value nor
    can it be identified.

7
Site Documentation
8
Site Documentation
9
Some Background on Archaeology
Before Excavation Began
After Completed Excavation
10
What is Archaeological Conservation?
  • Archaeological conservation is the conservation
    of material produced by systematic field
    excavation It includes both field and first-aid
    (salvage archaeology) treatment as well as more
    complete examination and treatment in the
    laboratory, based on the understanding of
    chemical and physical properties of materials
    (Johnson).
  • It is the preservation of cultural property and
    knowledge for the future (AIC Definitions of
    Conservation)
  • Conservation is done via, examination,
    documentation, treatment, and preventive care,
    supported by research and education (AIC
    Definitions of Conservation).

11
Challenges in Doing Archaeological Conservation
  • Conservation should be concerned with the
    preservation of historical and cultural
    significance, not the restoration of an artifact
  • There is not such thing as a routine conservation
    treatment
  • Each artifact is unique in its makeup and
    significance which makes treatment difficult
  • This necessitates a full scientific analysis of
    the physical properties of an artifact
  • Full-scale documentation
  • This also involves a consideration of cultural
    significance
  • This process should be done only when the full
    context of an artifact is considered

12
Problems with the Current State of Archaeological
Conservation
  • Treatment is inevitably destructive although
    strategies are improving through increased
    awareness
  • Often does not involves a multi-disciplinary
    approach
  • Conservation policy and practice often follow a
    sequence of steps that each involves a separate
    sphere of professionals and players, often with
    little interplay among the spheres (The Getty
    Conservation Institute).
  • Archaeologists and conservators see themselves as
    the sole caretakers
  • Artifacts are put at risk
  • Cultural knowledge is put at risk

13
How Can these Challenges be Addressed?
  • Increased dialogue between knowledgeable parties
    (archaeologists, researchers, curators,
    conservators, and cultural representatives)
  • Since no individual can be an expert in every
    aspect of conservation, it may be appropriate to
    consult with colleagues or, in some instances to
    refer to the owner, custodian, or authorized
    agent to accomplish the required work (AIC Code
    of Ethics and Guidelines for Practice)
  • This is necessary so that conservation treatments
    are planned in a comprehensive way
  • It ensures that the conservator handles the past
    and present cultures of the artifact respectfully
    and responsibly
  • This also ensures that artifacts maintain their
    cultural heritage which is the essence of
    cultural museum collections
  • Kota reliquary figures

14
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15
How Can these Challenges be Addressed?
  • This increased dialogue also improves existing
    documentation, practices, and understanding in
    the fields of archaeology and conservation
  • Agora excavation
  • The archaeologists became more attentive towards
    artifacts as they better understood how the
    objects could be preserved for future people
  • The conservators gained a better understanding of
    and appreciation for the artifacts

16
How Can these Challenges be Addressed?
  • Archaeological conservation needs true guidelines
    and standards
  • While there are increasing standards regarding
    ethnographic collections, especially human
    remains, necessary guidelines and standards for
    archaeological artifacts are lacking
  • Many archaeologists lack adequate knowledge about
    conservation practices and therefore do not
    consider them during an excavation
  • There are few conservators who specialize in
    archaeological material resulting from a lack of
    literature and educational programs on the
    subject

17
How Can these Challenges be Addressed?
  • Organizations including the AIC (American
    Institute for Conservation of Historic and
    Artistic Works) and The Getty Conservation
    Institute are working to provide better
    guidelines, standards, and ethics of cultural
    conservation practices.
  • This represents a recent shift within the
    conservation community towards, recognizing that
    material culture embodies both tangible and
    intangible qualities. Intangible qualities
    include the range of values and significance that
    accrue to objects over time-starting at the
    moment of their creation until their designation
    as heritage (AIC Defining the Conservator)

18
How Can these Challenges be Addressed?
  • Museums and conservators need to change the way
    they view artifacts
  • Most group artifacts by culture, site, or
    typology causing these objects to be thought of
    as groups or series
  • It is necessary that the focus remains on
    individual artifacts specifically their unique
    contexts and makeup to ensure better conservation
    and general care of artifacts

19
How Can these Challenges be Addressed?
  • The goal of archaeological conservation should
    always be preservation of an artifact as well as
    its significance and context
  • A focus on the tangible and intangible aspects of
    the object
  • The true nature of archaeological remains must,
    include evidence about the origin, construction,
    and materials of the piece (Pearce, 106)

20
How Can these Challenges be Addressed?
  • When an object emerges from the ground it is an
    encapsulation of its history up to that moment
    but the unraveling of that history by the modern
    interrogative techniques of the conservators
    inevitably involves the destruction of evidence
    as much as the preservation of a version of that
    artifact(Pearce 106).
  • Conservators have the responsibility of balancing
    recovery and preservation of evidence and are in
    essence walking a very fine line.
  • This necessitates full knowledge of an artifact
    as well as collaboration with other knowledgeable
    parties

21
How Can these Challenges be Addressed?
  • Conservators have the responsibility of balancing
    recovery and preservation of evidence, this is a
    fine line to walk
  • Ritually damaged objects

22
How Can these Challenges be Addressed?
  • Full documentation
  • Much like an archaeological site report, a
    conservators report is often the only evidence
    of this part of an artifacts life
  • This documentation should be as comprehensive as
    possible and may include tape and video
    recordings, photographs, written documentation,
    and samples of included with the report

23
In Conclusion
  • Archaeological conservation is a highly complex
    process
  • Must consider many tangible and intangible
    aspects of an artifact
  • Physical aspects such as material and chemical
    makeup
  • Cultural significance
  • Archaeological context

24
In Conclusion
  • Archaeological conservation is currently
    experiencing a period when it is realizing its
    potential.
  • Increased dialogue between and collaboration
    with knowledgeable parties will allow
    conservators to gain an full understanding of and
    appreciation for individual artifacts
  • Increased focus on context or cultural heritage
    as well as more specific ethics, guidelines, and
    standards will enlighten conservators and greatly
    advance the field of archaeological conservation.
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