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Ecocriticism

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As it now exists in the US, takes its literary foundations from three American ... Our instinctive tendency to see our emotions reflected in our environment ... – PowerPoint PPT presentation

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Title: Ecocriticism


1
Ecocriticism
  • Basics (apply to Into the Wild)

2
Ecocriticism
  • The study of the relationship between literature
    and the physical environment.

3
Ecocriticism
  • As it now exists in the US, takes its literary
    foundations from three American writers whose
    work celebrates nature, the life force, and the
    wilderness
  • Ralph Waldo Emerson
  • Margaret Fuller
  • Henry David Thoreau

4
Ecocriticism vs. green studies
  • US calls lens ecocriticism and focuses on the
    celebration of nature
  • UK calls lens green studies and focuses on the
    threats or dangers of nature

5
Ecocritics
  • Reject the belief that everything is socially or
    linguistically constructed. They reject the
    entire belief of constuctedness.
  • Nature really exists beyond ourselves but is with
    us and affects us (perhaps fatally if we mistreat
    it)

6
Shades of Nature
  • Area one the wilderness (deserts, oceans,
    uninhabited continents)
  • Area two the scenic sublime (forests, lakes,
    mountains, cliffs, waterfalls)
  • Area three the countryside (hills, fields,
    woods)
  • Area four the domestic picturesque (parks,
    gardens, lanes)

7
Shades of Nature (cont.)
  • The different areas are basically a continuum
    from pure nature to nature that has become part
    of culture (is affected by culture) to
    predominantly culture.

8
Critical Center
  • We switch our critical attention from inner to
    outer
  • What had seemed as mere setting is taken from a
    minor point in discussing literature to the
    center of the discussion.

9
Pathetic fallacy
  • Our instinctive tendency to see our emotions
    reflected in our environment
  • Example cruel sea projects the human attribute
    of cruelty onto a natural element

10
Work Cited
  • All info borrowed or directly quoted from Peter
    Barrys book Beginning Theory An Introduction to
    Literary and Cultural Theory
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