Title: The Sonnet
1The Sonnet
2The Original Sonneteer
- Petrarch (Francesco Petrarca or Francis Petrarch
1304-1374) - Recall that Chaucer may have met him most
certainly knew his work so, while England is in
the Middle Ages, men like Petrarch are ushering
in the Italian Renaissance - Original in qt marks b/c there were others
3Technical Features of the Petrarchan (Italian)
Sonnet
- 14 lines
- Iambic pentameter
- Octave (8 line stanza) followed by a sestet (six
line stanza) - Octave presents one idea or situation sestet
presents another, often opposite idea or
situation - The turn signals this switch in topic and tone
to the reader according to Elements, The turn
signals a logical or emotional shift, or a new
beginning (191). - Often, one of three basic paradigms applies to
Petrarchan sonnets - Standard Rhyme Scheme
- (Wyatt often uses abbaabbacddcee)
- Conceitsunlikely comparisons (love to a hook
love to war love to a hunt) - Sequences
4Topics of Petrarchan Sonnets
- Addressed to Laura beautiful, idealized woman
who does not requite the poets love interest - Poems are often about unrequited love
- Unlike Wyatts translations, Petrarchs are
usually not as melancholic. Petrarchs are more
upbeat about being in love according to the
editors of the Norton Anthology, for Petrarch,
love is a transcendent experience (526).
5Why Write Sonnets?
- A challenging form to write in often enabled
great poets to demonstrate their genius (i.e.,
Shakespeare, Spenser, and Sidney in particular) - Different from other genres had a sequence but
quite different from epic, drama, pastoral,
narrative, and romance - About a very interesting topic love
- Very popular in England in the Renaissance
- Possible Growth in Reputation or Patronage or
both (but men like Wyatt, Surrey, and Sidney did
not need patrons often they were patrons)
6English SonnetsMajor Players in the Renaissance
- Sir Thomas Wyatt introduces form to England
- Henry Howard, Earl of Surrey
- Sir Philip Sidney (first to write a complex
sequence) - Edmund Spenser (complex rhyme love interest
probably his wife) - William Shakespeare (3 quatrains couplet love
interests may be a young man and a dark lady) - John Donne (Holy Sonnets)
7Sir Thomas WyattandHenry Howard, Earl of Surrey
8Wyatt and SurreyForms and Ideas
- The pioneers of the sonnet form in England
- Translated and adapted Petrarchs sonnets
- Tone, especially of Wyatts more bitter than
Petrarchs
9Sir Philip Sidney
10Sir Philip Sidney
- Sidney himself a hero of the Renaissance b/c he
was an ideal courtier - Died honorably in battle at 32
- Ardent protestant protested QEIs potential
marriage to the Catholic duke of Anjou dismissed
from court for it - Related to (and friends with) many important
people - Father Sir Henry Sidney (Lord Deputy of
Ireland) - Father-in-law Sir Francis Walsingham (QEIs
Advisor) - Uncle Robert Dudley, Earl of Leicester (QEIs
true love but who she never got to marry) - Friend and Biographer Fulke Greville (another
important poet) - Spenser dedicated The Shepheardes Calendar to him
- Mary Herbert, Countess of Pembroke sister (he
dedicated his other major work, The Countess of
Pembrokes Arcadia to her) - Courted Penelope Devereux (probably Stella)
marriage was rumored, but two years later she
married Lord Robert Rich (word Rich appears in
many of his sonnets)
11Sidney the Poet
- Never considered himself a professional ()
poet rather, he was an aristocratic courtier
with an eye on being a great, Renaissance man
who could be a great Englishman. He never tried
to have his works published - Though not a professional poet, he did write
three of the most important works of the English
Renaissance - Other than Shakespeares, his is the most
important sonnet sequence perhaps in the language - Wrote Defense of Poetry one of the most
important prose works in the Renaissance - Arcadia may be most important prose fiction work
during Renaissance
12SidneysAstrophil and Stella
- First major sonnet sequence in the English
language - 108 sonnets (11 songs interwoven throughout)
- Influenced heavily by Petrarch
- Each has 14 lines
- mostly about unrequited love
- many complex conceits
- Utilizes deep paradoxes about life and death,
time, writing, and love - Sequence implies not linear narrative action, but
an exploration of states of mind, the human soul,
and changes in each
13SidneysAstrophil and Stella cont.
- Important Features
- First major sequence
- Regular references to Rich (Penelope Devereux,
later Lady Rich) points to game sonneteers
often played with both words and audience - While topic is Petrarchan (unrequited love),
sonnets also paint a picture of love itself, not
just the poet or the love-object - Used iambic pentameter (5 feet,
unstressed/stressed, intermingled occasionally
with hexameter (6 feet)
14Edmund Spenser
15Edmund Spenser
- Next to Shakespeare, the greatest writer of the
English Renaissance arguably its greatest poet
(Shakespeares great contribution being drama) - Spenser wanted to be a poet and is considered by
some to be Englands first professional poet
(Shakespeare being a professional dramatist who
made little or no money/patronage for his poetry
despite its greatness) - Unlike Sidney, Wyatt, and Surrey, a commoner
16Spensers Poetry
- Technically, a genius manipulation of rhymes,
meters, rhythms, etc. in several different poetic
genres is unrivaled in English poetry - Shepheardes Calendar
- Eclogues
- Archaic language
- Pastoral
- An announcement of his arrival as a poet
- Not received well critically (Sidney, Jonson, and
Johnson all criticized it) - Homage to Chaucer?
- 13 diff. meters (only 4 normal) show how
experimental he was
17Spensers Poetry Cont.
- The Faerie Queene
- Considered by many to be his masterpiece (maybe
the great work of the Renaissance) - First three books (each 12 cantos long, each
canto having anywhere from 40-50 individual
9-line poems) published in 1590 at the
encouragement of Sir Walter Ralegh - Dedicated to the Queen, her courtiers, and
Ralegh, it earned him 50 pounds per year for life - Genre Epic Romance (poetic rendering of stories
of errant knights, villains, monsters, heroes,
etc.) - Published six-book version in 1596 (full 12 book
version not) - One of the most influential poetic works that is
not known widely
18Minor Poetry
- Complaints
- Colin Clouts Come Home Againe (about courtiers)
- Amoretti
- Sonnet Cycle
- Probably about the courting of his second wife
may have meant to have been framed by his
Prothalamion and Epithalamion - Very intricate rhyme scheme (results in the
Spenserian Sonnet being named after him) - Prothalamion and Epithalamion
- Wedding Songs (Pre- and Post-)
19Contributions to Poetics
- Experimentation and Innovation
- Various Rhyme Schemes and Meters
- Sonnets about requited love
- Sonnet rhyme is very complex
- ababbcbccdcdee
- This implies a connectedness between all lines,
and the three quatrains. Spenser used this to
great extent in FQ and the Epithalamion. (See
Norton intro.) In the end, Spenser was probably
trying to mirror in the complex harmony of his
poetry, the complex harmony he found in the
universe (The Epithalamion has 365 long lines,
twenty four stanzas, the first 16 describe day,
and the last 8, night (matching a standard day
with 16 hours of light) - Vast technical virtuosity not matched by any
other poet, perhaps ever
20William Shakespeare
21Shakespeare (the poet)
- Large percentage of his plays is in poetry, but
here we are concerned with his poetry in general - Shakespeare not discussed much as a poetic genius
because of his enormous dramatic influence
however, poetically he, like, Spenser was the
giant of his age had he not written plays, hed
be like Spenser
22Types of Poems Shakespeare Wrote
- Most famous for his sonnets
- Narrative Poems
- Venus and Adonis
- The Rape of Lucrece
23The Order of Shakespeares Sonnets
- There is a debate about the proper order of the
sonnets - Suffice to say, it probably does not much matter
to those new to sonnets because, as you might
recall, sequences are really supposed to capture
an overall state of mind anywayorder should not
matter - Having said that . . .
24The Order of Shakespeares Sonnets Cont.
- Basic Breakdown
- 1-126 addressed to a young man
- Sonnets which urge the young man to marry and
have children 1-17 - Rival poet sonnets 21, 79, 80, 83, 86
- 127-152 addressed to a dark lady
- 153 154 thought to be adaptations of Greek
type of sonnet
25Other Questions
- Who is Mr. W. H. (the only begetter of the
sonnets)? To whom are the sonnets dedicated? - Is he Shakespeares true love?
- Suggested identities include
- Henry Wriothesley, third Earl of Southampton (to
whom Venus and Lucrece are dedicated and
therefore patronized Shakespeare in the 1590s)
supposition here based on the fact that printer
transposed HW into WH to hide true identity of
dedicatee - William Herbert, third Earl of Pembroke he is
one of the dedicatees of the First Folio (first
collected edition of Shakespeares plays, but
published posthumously)
26Shakespeares Borrowings Innovations
- Kept 14 lines
- Used 3 quatrains and a couplet
- Normal Rhyme Scheme
- abab cdcd efef gg
- Often each quatrain presents a new idea and the
couplet the turn, but shifts and turns can occur
anywhere, sometimes several in one poem - Major innovation was in topic/addressee/Love-objec
ts - Young manIdentity?
- Dark Lady
27Ultimate Answer to Big Questions about Young
Man, Dark Lady, WH, and the Rival Poet
- Stephen Greenblatt in Will in the World
- The challenge of the game was to sound as
intimate, self-revealing, and emotionally
vulnerable as possible, without actually
disclosing anything compromising to anyone
outside the innermost circle . . . Sonnets that
were too cautious were insipid and would only
show the poet to be a bore sonnets that were too
transparent could give mortal offense (234).
28What Adds to the Confusion Resulting from
Biographical Study of Sonnets
- Greenblatt continues
- There were circles within circles . . . If the
first seventeen of Shakespeares sonnets were
written to Southampton, then Southampton
constituted the innermost circle he was the
reader who was privileged to know almost
everything. But their closest friends would have
known something those in the wider circles
considerably less those outside this orbit but
still within social range something less again
and so on. The poets true mastery is most fully
displayed if those on the outermost edges still
find the poems thrilling and revealing, even
though they know absolutely nothing about any of
the key players, not so much as their names
(234-5)
29And how things get cloudier or muddier
- Greenblatt writes prior to these two passages
- The whole enterprise of writing a sonnet
sequence precisely involved drawing a translucent
curtainof one of those gauzy fabrics
Elizabethans lovedover the scene so that only
shadowy figures are visible to the public (233-4)
30Ultimately, Greenblatt, argues, Sonnets, then,
were at once private and social that is, they
characteristically took the form of a personal,
intimate address, and at the same time they
circulated within a small group whose values and
desires they reflected, articulated, and
reinforced . . . Those outside the charmed
coterieand all are now in this categoryhad to
content themselves with admiration of the poets
craft and with groping in the darkness of
biographical specualtion (235).
31Final Point?
- Avoid reading them biographically, as fun as it
is to speculate - Admire the technical virtuosity of the poems
- Learn and meditate upon the emotional, spiritual,
and philosophical depth and range of the poems - Have funthey did!
32Overview Review
33Important Terms
- Sonnet
- Sequence
- Stanza (Octave, sestet, quatrain, couplet)
- Question/Answer Problem/Solution Idea
Introduced/Idea Driven Home - Turn
- Rhyme Scheme
- Meter
- Patronage
- Court, courtiers, coterie
34All Sonnets
35Petrarchan (Wyatt and Surrey)
36Sidney
37Spenser/Spenserian
38Shakespeare
39Bibliography
- Elements of Literature
- Norton Anthology of English Literature
- Riverside Shakespeare