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The Sonnet

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Poems are often about unrequited love ... Uncle = Robert Dudley, Earl of Leicester (QEI's 'true love' but who she never got to marry) ... – PowerPoint PPT presentation

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Title: The Sonnet


1
The Sonnet
2
The Original Sonneteer
  • Petrarch (Francesco Petrarca or Francis Petrarch
    1304-1374)
  • Recall that Chaucer may have met him most
    certainly knew his work so, while England is in
    the Middle Ages, men like Petrarch are ushering
    in the Italian Renaissance
  • Original in qt marks b/c there were others

3
Technical Features of the Petrarchan (Italian)
Sonnet
  • 14 lines
  • Iambic pentameter
  • Octave (8 line stanza) followed by a sestet (six
    line stanza)
  • Octave presents one idea or situation sestet
    presents another, often opposite idea or
    situation
  • The turn signals this switch in topic and tone
    to the reader according to Elements, The turn
    signals a logical or emotional shift, or a new
    beginning (191).
  • Often, one of three basic paradigms applies to
    Petrarchan sonnets
  • Standard Rhyme Scheme
  • (Wyatt often uses abbaabbacddcee)
  • Conceitsunlikely comparisons (love to a hook
    love to war love to a hunt)
  • Sequences

4
Topics of Petrarchan Sonnets
  • Addressed to Laura beautiful, idealized woman
    who does not requite the poets love interest
  • Poems are often about unrequited love
  • Unlike Wyatts translations, Petrarchs are
    usually not as melancholic. Petrarchs are more
    upbeat about being in love according to the
    editors of the Norton Anthology, for Petrarch,
    love is a transcendent experience (526).

5
Why Write Sonnets?
  • A challenging form to write in often enabled
    great poets to demonstrate their genius (i.e.,
    Shakespeare, Spenser, and Sidney in particular)
  • Different from other genres had a sequence but
    quite different from epic, drama, pastoral,
    narrative, and romance
  • About a very interesting topic love
  • Very popular in England in the Renaissance
  • Possible Growth in Reputation or Patronage or
    both (but men like Wyatt, Surrey, and Sidney did
    not need patrons often they were patrons)

6
English SonnetsMajor Players in the Renaissance
  • Sir Thomas Wyatt introduces form to England
  • Henry Howard, Earl of Surrey
  • Sir Philip Sidney (first to write a complex
    sequence)
  • Edmund Spenser (complex rhyme love interest
    probably his wife)
  • William Shakespeare (3 quatrains couplet love
    interests may be a young man and a dark lady)
  • John Donne (Holy Sonnets)

7
Sir Thomas WyattandHenry Howard, Earl of Surrey
8
Wyatt and SurreyForms and Ideas
  • The pioneers of the sonnet form in England
  • Translated and adapted Petrarchs sonnets
  • Tone, especially of Wyatts more bitter than
    Petrarchs

9
Sir Philip Sidney
10
Sir Philip Sidney
  • Sidney himself a hero of the Renaissance b/c he
    was an ideal courtier
  • Died honorably in battle at 32
  • Ardent protestant protested QEIs potential
    marriage to the Catholic duke of Anjou dismissed
    from court for it
  • Related to (and friends with) many important
    people
  • Father Sir Henry Sidney (Lord Deputy of
    Ireland)
  • Father-in-law Sir Francis Walsingham (QEIs
    Advisor)
  • Uncle Robert Dudley, Earl of Leicester (QEIs
    true love but who she never got to marry)
  • Friend and Biographer Fulke Greville (another
    important poet)
  • Spenser dedicated The Shepheardes Calendar to him
  • Mary Herbert, Countess of Pembroke sister (he
    dedicated his other major work, The Countess of
    Pembrokes Arcadia to her)
  • Courted Penelope Devereux (probably Stella)
    marriage was rumored, but two years later she
    married Lord Robert Rich (word Rich appears in
    many of his sonnets)

11
Sidney the Poet
  • Never considered himself a professional ()
    poet rather, he was an aristocratic courtier
    with an eye on being a great, Renaissance man
    who could be a great Englishman. He never tried
    to have his works published
  • Though not a professional poet, he did write
    three of the most important works of the English
    Renaissance
  • Other than Shakespeares, his is the most
    important sonnet sequence perhaps in the language
  • Wrote Defense of Poetry one of the most
    important prose works in the Renaissance
  • Arcadia may be most important prose fiction work
    during Renaissance

12
SidneysAstrophil and Stella
  • First major sonnet sequence in the English
    language
  • 108 sonnets (11 songs interwoven throughout)
  • Influenced heavily by Petrarch
  • Each has 14 lines
  • mostly about unrequited love
  • many complex conceits
  • Utilizes deep paradoxes about life and death,
    time, writing, and love
  • Sequence implies not linear narrative action, but
    an exploration of states of mind, the human soul,
    and changes in each

13
SidneysAstrophil and Stella cont.
  • Important Features
  • First major sequence
  • Regular references to Rich (Penelope Devereux,
    later Lady Rich) points to game sonneteers
    often played with both words and audience
  • While topic is Petrarchan (unrequited love),
    sonnets also paint a picture of love itself, not
    just the poet or the love-object
  • Used iambic pentameter (5 feet,
    unstressed/stressed, intermingled occasionally
    with hexameter (6 feet)

14
Edmund Spenser
15
Edmund Spenser
  • Next to Shakespeare, the greatest writer of the
    English Renaissance arguably its greatest poet
    (Shakespeares great contribution being drama)
  • Spenser wanted to be a poet and is considered by
    some to be Englands first professional poet
    (Shakespeare being a professional dramatist who
    made little or no money/patronage for his poetry
    despite its greatness)
  • Unlike Sidney, Wyatt, and Surrey, a commoner

16
Spensers Poetry
  • Technically, a genius manipulation of rhymes,
    meters, rhythms, etc. in several different poetic
    genres is unrivaled in English poetry
  • Shepheardes Calendar
  • Eclogues
  • Archaic language
  • Pastoral
  • An announcement of his arrival as a poet
  • Not received well critically (Sidney, Jonson, and
    Johnson all criticized it)
  • Homage to Chaucer?
  • 13 diff. meters (only 4 normal) show how
    experimental he was

17
Spensers Poetry Cont.
  • The Faerie Queene
  • Considered by many to be his masterpiece (maybe
    the great work of the Renaissance)
  • First three books (each 12 cantos long, each
    canto having anywhere from 40-50 individual
    9-line poems) published in 1590 at the
    encouragement of Sir Walter Ralegh
  • Dedicated to the Queen, her courtiers, and
    Ralegh, it earned him 50 pounds per year for life
  • Genre Epic Romance (poetic rendering of stories
    of errant knights, villains, monsters, heroes,
    etc.)
  • Published six-book version in 1596 (full 12 book
    version not)
  • One of the most influential poetic works that is
    not known widely

18
Minor Poetry
  • Complaints
  • Colin Clouts Come Home Againe (about courtiers)
  • Amoretti
  • Sonnet Cycle
  • Probably about the courting of his second wife
    may have meant to have been framed by his
    Prothalamion and Epithalamion
  • Very intricate rhyme scheme (results in the
    Spenserian Sonnet being named after him)
  • Prothalamion and Epithalamion
  • Wedding Songs (Pre- and Post-)

19
Contributions to Poetics
  • Experimentation and Innovation
  • Various Rhyme Schemes and Meters
  • Sonnets about requited love
  • Sonnet rhyme is very complex
  • ababbcbccdcdee
  • This implies a connectedness between all lines,
    and the three quatrains. Spenser used this to
    great extent in FQ and the Epithalamion. (See
    Norton intro.) In the end, Spenser was probably
    trying to mirror in the complex harmony of his
    poetry, the complex harmony he found in the
    universe (The Epithalamion has 365 long lines,
    twenty four stanzas, the first 16 describe day,
    and the last 8, night (matching a standard day
    with 16 hours of light)
  • Vast technical virtuosity not matched by any
    other poet, perhaps ever

20
William Shakespeare
21
Shakespeare (the poet)
  • Large percentage of his plays is in poetry, but
    here we are concerned with his poetry in general
  • Shakespeare not discussed much as a poetic genius
    because of his enormous dramatic influence
    however, poetically he, like, Spenser was the
    giant of his age had he not written plays, hed
    be like Spenser

22
Types of Poems Shakespeare Wrote
  • Most famous for his sonnets
  • Narrative Poems
  • Venus and Adonis
  • The Rape of Lucrece

23
The Order of Shakespeares Sonnets
  • There is a debate about the proper order of the
    sonnets
  • Suffice to say, it probably does not much matter
    to those new to sonnets because, as you might
    recall, sequences are really supposed to capture
    an overall state of mind anywayorder should not
    matter
  • Having said that . . .

24
The Order of Shakespeares Sonnets Cont.
  • Basic Breakdown
  • 1-126 addressed to a young man
  • Sonnets which urge the young man to marry and
    have children 1-17
  • Rival poet sonnets 21, 79, 80, 83, 86
  • 127-152 addressed to a dark lady
  • 153 154 thought to be adaptations of Greek
    type of sonnet

25
Other Questions
  • Who is Mr. W. H. (the only begetter of the
    sonnets)? To whom are the sonnets dedicated?
  • Is he Shakespeares true love?
  • Suggested identities include
  • Henry Wriothesley, third Earl of Southampton (to
    whom Venus and Lucrece are dedicated and
    therefore patronized Shakespeare in the 1590s)
    supposition here based on the fact that printer
    transposed HW into WH to hide true identity of
    dedicatee
  • William Herbert, third Earl of Pembroke he is
    one of the dedicatees of the First Folio (first
    collected edition of Shakespeares plays, but
    published posthumously)

26
Shakespeares Borrowings Innovations
  • Kept 14 lines
  • Used 3 quatrains and a couplet
  • Normal Rhyme Scheme
  • abab cdcd efef gg
  • Often each quatrain presents a new idea and the
    couplet the turn, but shifts and turns can occur
    anywhere, sometimes several in one poem
  • Major innovation was in topic/addressee/Love-objec
    ts
  • Young manIdentity?
  • Dark Lady

27
Ultimate Answer to Big Questions about Young
Man, Dark Lady, WH, and the Rival Poet
  • Stephen Greenblatt in Will in the World
  • The challenge of the game was to sound as
    intimate, self-revealing, and emotionally
    vulnerable as possible, without actually
    disclosing anything compromising to anyone
    outside the innermost circle . . . Sonnets that
    were too cautious were insipid and would only
    show the poet to be a bore sonnets that were too
    transparent could give mortal offense (234).

28
What Adds to the Confusion Resulting from
Biographical Study of Sonnets
  • Greenblatt continues
  • There were circles within circles . . . If the
    first seventeen of Shakespeares sonnets were
    written to Southampton, then Southampton
    constituted the innermost circle he was the
    reader who was privileged to know almost
    everything. But their closest friends would have
    known something those in the wider circles
    considerably less those outside this orbit but
    still within social range something less again
    and so on. The poets true mastery is most fully
    displayed if those on the outermost edges still
    find the poems thrilling and revealing, even
    though they know absolutely nothing about any of
    the key players, not so much as their names
    (234-5)

29
And how things get cloudier or muddier
  • Greenblatt writes prior to these two passages
  • The whole enterprise of writing a sonnet
    sequence precisely involved drawing a translucent
    curtainof one of those gauzy fabrics
    Elizabethans lovedover the scene so that only
    shadowy figures are visible to the public (233-4)

30
Ultimately, Greenblatt, argues, Sonnets, then,
were at once private and social that is, they
characteristically took the form of a personal,
intimate address, and at the same time they
circulated within a small group whose values and
desires they reflected, articulated, and
reinforced . . . Those outside the charmed
coterieand all are now in this categoryhad to
content themselves with admiration of the poets
craft and with groping in the darkness of
biographical specualtion (235).
31
Final Point?
  • Avoid reading them biographically, as fun as it
    is to speculate
  • Admire the technical virtuosity of the poems
  • Learn and meditate upon the emotional, spiritual,
    and philosophical depth and range of the poems
  • Have funthey did!

32
Overview Review
33
Important Terms
  • Sonnet
  • Sequence
  • Stanza (Octave, sestet, quatrain, couplet)
  • Question/Answer Problem/Solution Idea
    Introduced/Idea Driven Home
  • Turn
  • Rhyme Scheme
  • Meter
  • Patronage
  • Court, courtiers, coterie

34
All Sonnets
35
Petrarchan (Wyatt and Surrey)
36
Sidney
37
Spenser/Spenserian
38
Shakespeare
39
Bibliography
  • Elements of Literature
  • Norton Anthology of English Literature
  • Riverside Shakespeare
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