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Instrumental Music

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Rondo. A form often used in the last movement of a concerto or sonata. ... Rondo. Theme and Variations. Binary. Minuet and Trio. Romantic Assessment ... – PowerPoint PPT presentation

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Title: Instrumental Music


1
Instrumental Music
  • Baroque,
  • Classical and Romantic Periods

2
Assessment
3
Instrumental Music
  • Baroque,
  • Classical and Romantic Periods

4
World History Timeline Baroque Period 1610-1750
5
World History Timeline Baroque Period 1610-1750
6
Baroque Composers
7
Baroque Instruments
8
The Baroque Era
  • In the arts, the Baroque era was a Western
    cultural period, commencing roughly at the turn
    of the 17th Century in Rome.
  • It was represented through performance and
    greatness in sculpture, painting, literature,
    dance and music.

9
The Baroque Period
  • Music composed between 1610 and 1750.
  • It includes the music of composers such as Bach,
    Handel and Vivaldi.
  • Music was written to order in these times and all
    composers worked for a patron - such as the
    Church, a royal court, or a wealthy noble.
  • There are many different types of music from this
    time which saw the development of many new forms
    in music such as opera, concerto, sonata, fugue,
    the suite and oratorio.

10
The Baroque Orchestra
  • The baroque orchestra was reasonably small with a
    maximum of thirty people.
  • The orchestra normally contains five sections
  • Strings 1st 2nd Violins, Violas, Cellos and
    Double Basses
  • Woodwind 2 Flutes, 2 Oboes and 2 Oboe DAmore
  • Brass 3 Trumpets (Bach trumpet Brighter)
  • Percussion Timpani
  • Keyboard Harpsichord, Organ

11
The Baroque Orchestra
  • Listen to part of this minuet, a dance with three
    beats in the bar and in a major key, from
    Handels Music for the Royal Fireworks'.
  • You can clearly hear all sections of the
    orchestra and the timpani reinforcing bass notes.
    Notice that the trumpets sound very high, which
    was normal in this period .

12
Composer Bach
  • Johann Sebastian Bach was a German composer and
    organist who wrote hundreds of works for choir,
    orchestra, and solo instruments.
  • Much of Bachs music was written for the church,
    known as sacred music. He did also write many
    secular pieces of music.
  • You are going to listen to a famous excerpt from
    a work for organ, Toccata and Fugue in D minor,
    first as written by Bach and then in two
    contrasting styles.

13
Toccata and Fugue in D minor
14
Toccata and Fugue in D minor
15
Composer Vivaldi
  • Antonio Lucio Vivaldi was a Venetian priest and
    Baroque composer, as well as a famous virtuoso
    violinist. He was born and raised in Venice,
    Italy.
  • The Four Seasons, a series of four violin
    concerti, is his best-known work and a highly
    popular Baroque piece.
  • This was one of the first pieces of music written
    to tell a story which tries to portray the words
    of a poem in music, known as Programme Music.

16
Programme Music Spring
17
Programme Music Spring
18
Composer Handel
  • George Frideric Handel was a German- born Baroque
    composer, who spent most of his life in England.
  • He is famous for his operas, oratorios and
    concerti grossi.
  • Listen to this excerpt, which is from his Water
    Music, and notice that there are more
    instruments in this example. Oboes have been
    added to the orchestra along with two trumpets
    and two French horns.

19
Water Music - Handel
20
Water Music - Handel
21
As you listen to each extract, write a definition
for each concept to describe how they sound.
It is important to be able to describe HOW
instruments are played.
Look up your concepts books for words you dont
know!
Int 1
22
As you listen to each extract, write a definition
for each concept to describe how they sound.
It is important to be able to describe HOW
instruments are played.
Access 3
Look up your concepts books for words you dont
know!
23
Baroque Assessment
  • 1. Listen to this excerpt and identify the style
    of playing
  • Blowing
  • Arco
  • Pizzicato
  • Striking

24
Baroque Assessment
  • 2. Listen to this excerpt and identify the style
    of playing in the accompaniment?
  • Blowing
  • Arco
  • Pizzicato
  • Striking

25
Baroque Assessment
  • 3. Listen to this excerpt and identify the style
    of playing in the solo instrument?
  • Blowing
  • Arco
  • Pizzicato
  • Striking

26
Baroque Assessment
  • 4. Listen to this excerpt and identify
    instruments are being played.
  • Arco
  • Arco and Pizzicato
  • Arco and striking
  • Arco and Blowing

27
Baroque Assessment
  • 5. Listen to this excerpt and identify the
    feature heard in the music?
  • Sequence
  • Ostinato
  • Staccato
  • Repetition

28
Baroque Assessment
  • 6. Listen to this excerpt and identify the style
    of group playing?
  • Orchestra
  • String orchestra
  • Brass Band
  • Military Band

29
Baroque Assessment
  • 7. Listen to that excerpt again and identify the
    most prominent instrument?
  • Trumpet
  • French Horn
  • Violin
  • Bassoon

30
Baroque Assessment
  • 8. Listen to that excerpt again and identify the
    most prominent percussion instrument?
  • Snare Drum
  • Bass Drum
  • Timpani
  • Cymbal

31
Baroque Assessment
  • 9. Listen to this excerpt and identify the first
    instrument that you hear.
  • Cello
  • Double Bass
  • Harpsichord
  • Organ

32
Baroque Assessment
  • 10. Listen to the excerpt again and identify the
    second instrument that you hear
  • Cello
  • Double Bass
  • Harpsichord
  • Organ

33
Instrumental Music
  • Baroque, Classical and Romantic Periods

34
The Romantic Era
  • A term used to describe the music written from
    about 1830 to 1900.
  • Romantic composers aimed to express more emotion
    in their music and looked for a greater freedom
    in form and design.
  • Beethoven, Schubert, Chopin and Tchaikovsky are
    all popular Romantic composers.

35
The Romantic Period
  • Listen to an example from a piano concerto by
    another of the composers of the time, Schumann
  • Notice that there is a much larger orchestra used
    in the excerpt, that the solo instrument, a
    piano, starts with the orchestra at the beginning
    and that the excerpt is in the minor key.

36
The Romantic Orchestra
  • There are four main sections to an orchestra
    strings woodwind, brass and percussion.
  • Here is a dramatic excerpt from the start of a
    final movement of the Symphony No. 4 by
    Tchaikovsky in which all four sections of the
    orchestra make a significant contribution to the
    overall sound. 

37
The Romantic Orchestra
  • String Family
  • 1st 2nd violins, violas, cellos and double
    basses
  • Woodwing Family
  • Flutes, piccolo, oboes, cor anglais, clarinets,
    bassoons, bass clarinet and contra (double)
    bassoons.
  • Brass Family
  • French horns, trumpets, trombones and tubas
  • Percussion Family
  • Timpani (kettle drums) and other instruments
    which are hit e.g. snare drum, bass drum,
    xylophone and glockenspiel.

38
Before we learn about Opera, copy and complete
the following mind map in your jotter, based on
your current knowledge.
39
Before we learn about Opera, copy and complete
the following mind map in your jotter, based on
your current knowledge.
40
Opera
  • A drama set to music which is performed on a
    stage with solo singers, chorus and scenery, with
    an orchestra in a pit and performed in a theatre.
    Usually there is no spoken dialogue and all the
    singers have trained voices. 

41
Opera
  • What makes this music Romantic?
  • As you listen to the extract, list in your
    jotters the instruments/concepts used.

42
Concerto
  • Music written for a solo instrument and orchestra
    which is usually in three movements.

43
Concerto
  • What makes this music Romantic?
  • As you listen to the extract, list in your
    jotters the instruments/concepts used.

44
Symphony
  • A work for orchestra which is usually in four
    movements.
  • Listen to an example from a symphony by
    Tchaikovsky. It is important to remember that in
    the Romantic period, there were often changes of
    mood and tempo, i.e. speed, during one
    movement.  

45
Symphony
  • What makes this music Romantic?
  • As you listen to the extract, list in your
    jotters the instruments/concepts used.

46
Programme
  • The idea on which the composition is based. It
    could be a picture, a story or a poem. In this
    excerpt the composer tries to portray a scene
    from a ball.

47
Programme
  • What makes this music Romantic?
  • As you listen to the extract, list in your
    jotters the instruments/concepts used.

48
Fanfare
  • A flourish for trumpets or other instruments
    imitating them. Usually used as an introduction
    or prelude for an important occasion.

49
As you listen to each extract, write a definition
for each concept to describe how they sound.
It is important to be able to describe HOW
instruments are played.
Look up your concepts books for words you dont
know!
Int 1
50
Form in Music
  • Binary
  • A piece of music which is composed in two
    sections, labelled A and B. Sometimes known as AB
    form. This form is usually associated with music
    from earlier period or from traditional music.
  • Listen to this excerpt of a Scottish dance, a
    reel, played on Accordion.

51
Form in Music
  • Ternary
  • A piece of music which is composed in three
    sections. The first section (A) is followed by a
    contrasting section (B) after which the first
    section is repeated (A). Also known as ABA form.
  • Listen to this famous Italian Aria which is in
    Ternary form, 'Caro mio ben' .

52
Form in Music
  • Rondo
  • A form often used in the last movement of a
    concerto or sonata. This is the pattern for a
    simple rondo ABACA. A represents each
    repetition of the melody while B and C represent
    contrasting sections called episodes.
  • Here is an example from the Classical period,
    1750 -1815, of a rondo from a Horn concerto by
    Mozart.

53
Form in Music
  • Theme and Variations
  • A musical idea used as the basis for a
    composition which is then altered each time it is
    repeated. The theme can be varied by changing the
    rhythm, tonality, pitch, tempo, inversion or
    putting the theme in the bass.
  • Listen to a theme and variations by the Late
    Romantic composer Rachmaninov. After a short
    introduction from the orchestra and the piano,
    the theme is introduced by staccato notes in the
    Orchestra, and is then clearly developed by the
    introduction of the piano and a development of
    this main theme.

54
Form in Music
  • Canon
  • Strict imitation. A contrapuntal form in which a
    melody is repeated a few beats or a bar later. A
    canon at the unison is when the second voice
    enters at the same pitch as the first voice a
    canon at the fifth is when the imitating voice
    enters a fifth higher than the original.
  • Listen to this excerpt for voices from the 20th
    Century

55
Form in Music
  • Minuet and Trio
  • The minuet is a graceful French dance with three
    beats in a bar.
  • The trio is a contrasting minuet after which the
    first minuet is repeated. The first minuet and
    the trio have repeats whilst the minuet when
    repeated has no repeats.

56
Romantic Assessment
  • Listen to the excerpt and identify the type of
    group you hear.
  • Military Band
  • Swing Band
  • Jazz Band
  • Orchestra

57
Romantic Assessment
  • 2. Listen to the excerpt again and identify the
    type of group of instruments which play
    immediately after the introduction.
  • Woodwind
  • Brass
  • Strings
  • Percussion

58
Romantic Assessment
  • 3. Listen to the excerpt again and identify the
    style of composition.
  • Symphony
  • Concerto
  • Folk Music
  • Jazz

59
Romantic Assessment
  • 4. Listen to the excerpt again and identify the
    scale on which the music is based at the start of
    the excerpt.
  • Major
  • Minor
  • Pentatonic
  • Atonal

60
Romantic Assessment
  • 5. Listen to this excerpt and identify the solo
    instrument.
  • Flute
  • Violin
  • Cello
  • Guitar

61
Romantic Assessment
  • 6. Listen to the excerpt again and identify a
    feature used by the solo instrument.
  • Pizzicato
  • Double Stopping
  • Accelerando
  • Diminuendo

62
Romantic Assessment
  • 7. Listen to the excerpt again and identify a
    feature in the music.
  • Rallentando
  • Compound Time
  • Diminuendo
  • Rubato

63
Romantic Assessment
  • 8. Listen to the excerpt and identify a feature
    used in the music.
  • Rallentando
  • Rubato
  • Accelerando
  • Modulation

64
Romantic Assessment
  • 9. Listen to the excerpt again and identify the
    solo instrument.
  • Clarinet
  • Flute
  • Oboe
  • Saxophone

65
Romantic Assessment
  • 10. Listen to this excerpt and identify the key
    of the music.
  • Minor
  • Major
  • Pentatonic
  • Atonal

66
Romantic Assessment
  • 11. Listen to that excerpt again and identify a
    feature of the music.
  • Syncopation
  • Imitation
  • Accelerando
  • Unison or Octaves

67
Romantic Assessment
  • 12. Listen to this excerpt and identify a feature
    of the music.
  • Polyphony
  • Homophony
  • Syncopation
  • Modulation

68
Romantic Assessment
  • 13. Listen to this excerpt and identify a feature
    of the music.
  • Rallentando
  • Syncopation
  • Imitation
  • Rubato

69
Romantic Assessment
  • 14. Listen to that excerpt again and identify a
    feature of the music.
  • Rallentando
  • Crescendo
  • Diminuendo
  • Accelerando

70
Romantic Assessment
  • 15. Listen to this final excerpt and identify the
    form of the music.
  • Rondo
  • Theme and Variations
  • Binary
  • Minuet and Trio

71
Romantic Assessment
  • 1. Listen to the excerpt and identify the type of
    group you hear.
  • Military Band
  • Swing Band
  • Jazz Band
  • Orchestra

72
Romantic Assessment
  • 2. Listen to the excerpt again and identify the
    type of group of instruments which play
    immediately after the introduction.
  • Woodwind
  • Brass
  • Strings
  • Percussion

73
Romantic Assessment
  • 3. Listen to the excerpt again and identify the
    style of composition.
  • Symphony
  • Concerto
  • Folk Music
  • Jazz

74
Romantic Assessment
  • 4. Listen to the excerpt again and identify the
    scale on which the music is based at the start of
    the excerpt.
  • Major
  • Minor
  • Pentatonic
  • Atonal

75
Romantic Assessment
  • 5. Listen to this excerpt and identify the solo
    instrument.
  • Flute
  • Violin
  • Cello
  • Guitar

76
Romantic Assessment
  • 6. Listen to the excerpt again and identify a
    feature used by the solo instrument.
  • Pizzicato
  • Double Stopping
  • Accelerando
  • Diminuendo

77
Romantic Assessment
  • 7. Listen to the excerpt again and identify a
    feature in the music.
  • Rallentando
  • Compound Time
  • Diminuendo
  • Rubato

78
Romantic Assessment
  • 8. Listen to the excerpt and identify a feature
    used in the music.
  • Rallentando
  • Rubato
  • Accelerando
  • Modulation

79
Romantic Assessment
  • 9. Listen to the excerpt again and identify the
    solo instrument.
  • Clarinet
  • Flute
  • Oboe
  • Saxophone

80
Romantic Assessment
  • 10. Listen to this excerpt and identify the key
    of the music.
  • Minor
  • Major
  • Pentatonic
  • Atonal

81
Romantic Assessment
  • 11. Listen to that excerpt again and identify a
    feature of the music.
  • Syncopation
  • Imitation
  • Accelerando
  • Unison or Octaves

82
Romantic Assessment
  • 12. Listen to this excerpt and identify a feature
    of the music.
  • Polyphony
  • Homophony
  • Syncopation
  • Modulation

83
Romantic Assessment
  • 13. Listen to this excerpt and identify a feature
    of the music.
  • Rallentando
  • Syncopation
  • Imitation
  • Rubato

84
Romantic Assessment
  • 14. Listen to that excerpt again and identify a
    feature of the music.
  • Rallentando
  • Crescendo
  • Diminuendo
  • Accelerando

85
Romantic Assessment
  • 15. Listen to this final excerpt and identify the
    form of the music.
  • Rondo
  • Theme and Variations
  • Binary
  • Minuet and Trio

86
Instrumental Music
  • Baroque, Classical and Romantic Periods

87
The Classical Era
  • In the middle of the 18th century, Europe began
    to move to a new style in architecture,
    literature, and the arts generally, known as
    Classicism.
  • While still tightly linked to the court culture
    and absolutism, with its formality and emphasis
    on order and hierarchy, the new style was also a
    cleaner style, one that favoured clearer
    divisions between parts, brighter contrasts and
    colours, and simplicity rather than complexity.

88
The Classical Period
  • Music composed between 1750 and 1815
    approximately is called classical music. The main
    composers were Mozart, Haydn and the early works
    of Beethoven.
  • During this period many forms became fully
    established
  • Symphony
  • Solo Concerto
  • Chamber Music

89
The Symphony
  • The symphony was developed by Mozart and Haydn
    into a four-movement work and developed from
    different forms from the Baroque period.
  • Listen to an example of the start of the final
    movement of Symphony No. 39 by Mozart.
  • Notice a full orchestra of that time of strings,
    woodwind, French horns and timpani and also
    notice the frequent imitation between parts and
    that the section ends with a perfect cadence or
    musical full stop.

90
The Solo Concerto
  • The solo concerto continued its development,
    having only just started its existence late in
    the Baroque period.
  • Many were written in the Classical period, mainly
    by Mozart, 29 for piano, four for French horn,
    six for violin, two for flute, and one each for
    clarinet, oboe, bassoon and others for various
    combinations of instruments.
  • Listen to the opening of the first movement of
    the Concerto for Flute in G major.

91
Chamber Music
  • Much music was also written for small groups of
    performers. This was called chamber music.
  • Here is a complete movement from a string quartet
    - two violins, a viola and a cello - by Haydn.
    This is a minuet and trio, a dance with 3 beats
    in the bar.

92
Form in Music
  • The form of the music describes the structure of
    the piece how it is put together.
  • We have already learnt many of the common forms
    used in this period
  • Binary, Ternary, Rondo, Theme and Variation
  • Before we learn about a new Classical form,
    copy and complete the following table into your
    jotter.

93
Form in Music
94
Form in Music
95
Form in Music Scherzo
  • Scherzo - Literally means a joke.
  • A very fast movement, with three beats in the
    bar, which replaced the minuet in the symphony at
    the end of the Classical period, and was used
    mainly in the Romantic period.

96
As you listen to each extract, write a definition
for each concept to describe how they sound.
It is important to be able to describe HOW
instruments are played.
Look up your concepts books for words you dont
know!
Int 2
97
Classical Techniques
  • Alberti bass
  • A type of bass part built on chords being split
    up into quaver-type arpeggios using a root 5th,
    3rd, 5th pattern.
  • This is often played in the left hand part of
    piano piece.
  • It can also be used by the string family in the
    orchestra to accompany.

98
Classical Techniques
  • Ground Bass
  • A melody, sometimes up to eight bars in length,
    which is played throughout the bass part of a
    piece of music and over which the rest of the
    composition is built.
  • This does not only happen in Classical music but
    is often used in pop/rock music. Here it might
    also be described as a Riff a repeated pattern
    in the bass part.

99
Classical Techniques
  • Pedal
  • A long sustained, or repeated note in the bass
    part over which a whole or part of a composition
    is built.
  • Inverted Pedal
  • The opposite of a pedal. A long sustained note
    in the top of or above a melody.
  • Notice that in this excerpt, there is an inverted
    pedal which is also played tremolando. 

100
Classical Techniques
  • Homophony
  • Music in which the parts move together in block
    chords. e.g. a hymn tune. The opposite of
    polyphony.
  • This singing is a fusion of Zulu singing from
    South Africa, modern harmony and jazz. Listen as
    the voices move together. There is close harmony
    singing and a pizzicato bass.

101
Classical Techniques
  • Polyphony
  • A style of music in two or more parts in which
    each part is independent and of equal importance.
  • Polyphony Fugue
  • A fugue is a polyphonic style of music built on a
    theme. Notice how the music is built up with the
    theme entering at different pitches.

102
Classical Assessment
  • 1. Listen to this excerpt and identify the period
    of music of the composition and two features that
    are present in the music.

Period of Music
103
Classical Assessment
  • 2. Listen to this excerpt and identify a feature
    present in the music.
  • Pedal
  • Inverted Pedal
  • Ground Bass
  • Alberti Bass

104
Classical Assessment
  • 3. Listen to this excerpt and identify three
    features that are present in the music.

105
Classical Assessment
  • 4. Listen to this excerpt and identify the type
    of work this music is from.

106
Classical Assessment
  • 5. Listen to this excerpt and identify three
    features that are present in the music.

107
Classical Assessment
  • 6. Listen to this excerpt and identify the solo
    instrument.
  • Trumpet
  • Trombone
  • French Horn
  • Bassoon

108
Classical Assessment
  • 7. Listen to this excerpt and identify two
    features that are present in the music.

109
Classical Assessment
  • 8. Listen to the excerpt again and identify the
    style of composition.
  • Sonata
  • Concerto
  • Cantata
  • Symphony

110
Classical Assessment
  • 9. Listen to this excerpt and identify a feature
    present in the music?
  • Sequence
  • Tremolo
  • Alberti Bass
  • Diminuendo

111
Classical Assessment
  • 10. Listen to that excerpt again and identify
    another feature present in the music.
  • Pedal
  • Pentatonic
  • Polyphonic
  • Pause

112
Classical Assessment
  • 11. Listen to this excerpt and type in the
    correct name of the solo instrument.

113
Classical Assessment
  • 12. Listen to this excerpt and identify two
    features that are present in the music.

114
Classical Assessment
  • 13. Listen to that excerpt again and identify a
    feature present in the accompaniment.
  • Staccato
  • Legato
  • Sustained
  • Pizzicato

115
Classical Assessment
  • 14. Listen to this excerpt and identify the type
    of voice and a feature of the singing.

116
Classical Assessment
  • 15. Listen to that excerpt again and identify a
    feature present in the music.
  • Ground Bass
  • Inverted Pedal
  • Alberti Bass
  • Pedal

117
Classical Assessment
  • 16. Listen to that excerpt again and identify a
    feature present in the music.
  • Vibrato
  • Con sordino
  • Tremolando
  • Col legno

118
Classical Assessment
  • 17. Listen to this excerpt and type in the name
    of the woodwind instrument you hear.

119
Classical Assessment
  • 18. Listen to this excerpt and identify three
    features of the music.

120
Classical Assessment
  • 1. Listen to this excerpt and identify the period
    of music of the composition and two features that
    are present in the music.

Period of Music Classical
121
Classical Assessment
  • 2. Listen to this excerpt and identify a feature
    present in the music.
  • Pedal
  • Inverted Pedal
  • Ground Bass
  • Alberti Bass

122
Classical Assessment
  • 3. Listen to this excerpt and identify three
    features that are present in the music.

123
Classical Assessment
  • 4. Listen to this excerpt and identify the type
    of work this music is from.

A Sonata
124
Classical Assessment
  • 5. Listen to this excerpt and identify three
    features that are present in the music.

125
Classical Assessment
  • 6. Listen to this excerpt and identify the solo
    instrument.
  • Trumpet
  • Trombone
  • French Horn
  • Bassoon

126
Classical Assessment
  • 7. Listen to this excerpt and identify two
    features that are present in the music.

127
Classical Assessment
  • 8. Listen to the excerpt again and identify the
    style of composition.
  • Sonata
  • Concerto
  • Cantata
  • Symphony

128
Classical Assessment
  • 9. Listen to this excerpt and identify a feature
    present in the music?
  • Sequence
  • Tremolo
  • Alberti Bass
  • Diminuendo

129
Classical Assessment
  • 10. Listen to that excerpt again and identify
    another feature present in the music.
  • Pedal
  • Pentatonic
  • Polyphonic
  • Pause

130
Classical Assessment
  • 11. Listen to this excerpt and type in the
    correct name of the solo instrument.

Cello or Violoncello
131
Classical Assessment
  • 12. Listen to this excerpt and identify two
    features that are present in the music.

132
Classical Assessment
  • 13. Listen to that excerpt again and identify a
    feature present in the accompaniment.
  • Staccato
  • Legato
  • Sustained
  • Pizzicato

133
Classical Assessment
  • 14. Listen to this excerpt and identify the type
    of voice and a feature of the singing.

134
Classical Assessment
  • 15. Listen to that excerpt again and identify a
    feature present in the music.
  • Ground Bass
  • Inverted Pedal
  • Alberti Bass
  • Pedal

135
Classical Assessment
  • 16. Listen to that excerpt again and identify a
    feature present in the music.
  • Vibrato
  • Con sordino
  • Tremolando
  • Col legno

136
Classical Assessment
  • 17. Listen to this excerpt and type in the name
    of the woodwind instrument you hear.

Flutes
137
Classical Assessment
  • 18. Listen to this excerpt and identify three
    features of the music.
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