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The Silk Route

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Buddhism. Mahayana Buddhism: Western Paradise (Pure Land paradise) spread from India around ... Art and literature flourished; Buddhism was supported by the Kings ... – PowerPoint PPT presentation

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Title: The Silk Route


1
The Silk Route
  • Buddhist Caves
  • Mural Painting

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Northern Wei and Tang Dynasties
  • Northern Wei (Toba) 386-535
  • Sui 581-618
  • Tang 618-907

7
Buddhism
  • Mahayana Buddhism Western Paradise (Pure Land
    paradise) spread from India around the 5th
    century, Esoteric Buddhism (Tang-7th) and Chan
    Buddhism (Song-10th)
  • Important images are Amida Buddha (Amitabha) who
    resides in the Western paradise, Maitreya Buddha
    (Future Buddha) and Gyanyin (bodhisattva of
    Compassion)
  • Amida
  • Gyanyin (became more feminine from 1279)
  • Maitreya laughing pot-bellied Buddha in China

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4.12 Colossal Buddha, Cave 20, Yungang Cave, late
5th C. (13.7 m)
10
Yangang Caves
  • 50 caves at Yangang began around 460-490
    (Capital moved to Luoyang) (contemporary with
    Ajanta caves in India) located in Shanxi.
  • Cave 20 was is one of the oldest caves,
    dedicated by the Toba Wei rulers.
  • The Buddha seated in mediation (fifteen meters)

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Yungang Cave, late 5th C.
12
Sakyamuni, Yungang Cave
13
Dun Huang caves
  • Buddhist caves situated on the Silk Route it is
    an important stopping between the N and S tracks
    of the Tarim Basin.
  • They were carved out of natural soft gravel
    cliffs approximately a thousand caves but only
    half of them survived.
  • Many were decorated with wall paintings the
    themes mainly focus in the Western Paradise of
    Amitabha Buddha.
  • Avalokitesvara (Chinese Gyanyin) became highly
    popular

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4.17 Western paradise, Dunhuang, Tang Dynasty,
late 8th c
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Avalokistesvara and Gyanyin
  • Bodhisattva of Compassion
  • He was regarded as the guide of souls and one who
    bring the blessing of many children
  • Reside in the Western paradise of Amithaba
  • In Chinese art, he is depicted as a male
    bodhisattva, like those of India, until around
    the end of the 12th C (early part of Song
    Dynasty)
  • He gradually transform into a male figure with
    some female qualities such as the body, the face,
    and the hands
  • By the 17th century (Ming period), the male form
    was replaced with more feminine form

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4.18 Gyanyin as the Guide of Souls, Dunhunag,
10th c.
17
Lotus sutra
  • Gyunyin images became feminized represented as a
    middle-aged fair lady in a white robe.
  • The transformation marked the Sinification of
    Avalokistesvara by the Chinese who believed in
    the Lotus Sutra, which gives Ava the ability to
    assume innumerable forms.
  • She is depicted as a lady in white robe or a
    bodhisattva with a thousand hands

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Gyanyin, 12-13th C.
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Pagoda
  • Watchtower-like structure (from clay models made
    for the dead to use afterlife)
  • Represents the center of the earth, axis mundi
  • Han period, exterior decorated with paint and
    lacquer
  • Motifs evoke the World outdoors (trees and birds)

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Great Wild Goose Pagoda
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Brick Pagoda of Songyuesi, Mt. Song, 520 CE
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4.16 Isometric view of the timber-framing, main
hall, Foguangsi temple, Shanxi, c. 857
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Three-color wares
  • They were tomb deposited earthenware with
    pigments
  • They vary in size from animals and tpys a few
    inches high to gigantic horses, Bactrian camels,
    armed men, dancers, musicians women figurines
    were predominate
  • Human figurines were made in molds, with front
    and back cast separately animals were made in
    several pieces
  • They declined after the mid 8th century

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4.19 Yen Lipen (attributed), Emperor Wu Di, the
Scroll of the Emperors, Tang Dynasty, 7th c.
(11th century copy)
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Tang period (618-907 CE)
  • It is the golden age of Chinese civilization
    expanding their territories to Korea, Vietnam,
    and Central Asia
  • Emperors supported trading on the Silk Road
  • Emperor Wu Di
  • Capitals at Luoyang and Changan (modern Xian)
    population of one or two millions it was the
    most cultivated metropolitan center in the world
  • Art and literature flourished Buddhism was
    supported by the Kings

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Court lady figurines, Tang period, 7th century
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Camel with musicians, Tang period (618-907 CE)
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Foreign attendants, Tang Dynasty (618-907),
earthernware
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Girl resting on a camel, Tang period,(618-907),
earthenware with pigments
36
Horse and groom, pottery with polychrome glaze,
Tang Dynasty From Henan
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