Title: The Silk Route
1The Silk Route
- Buddhist Caves
- Mural Painting
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6Northern Wei and Tang Dynasties
- Northern Wei (Toba) 386-535
- Sui 581-618
- Tang 618-907
7Buddhism
- Mahayana Buddhism Western Paradise (Pure Land
paradise) spread from India around the 5th
century, Esoteric Buddhism (Tang-7th) and Chan
Buddhism (Song-10th) - Important images are Amida Buddha (Amitabha) who
resides in the Western paradise, Maitreya Buddha
(Future Buddha) and Gyanyin (bodhisattva of
Compassion) - Amida
- Gyanyin (became more feminine from 1279)
- Maitreya laughing pot-bellied Buddha in China
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94.12 Colossal Buddha, Cave 20, Yungang Cave, late
5th C. (13.7 m)
10Yangang Caves
- 50 caves at Yangang began around 460-490
(Capital moved to Luoyang) (contemporary with
Ajanta caves in India) located in Shanxi. - Cave 20 was is one of the oldest caves,
dedicated by the Toba Wei rulers. - The Buddha seated in mediation (fifteen meters)
11Yungang Cave, late 5th C.
12Sakyamuni, Yungang Cave
13Dun Huang caves
- Buddhist caves situated on the Silk Route it is
an important stopping between the N and S tracks
of the Tarim Basin. - They were carved out of natural soft gravel
cliffs approximately a thousand caves but only
half of them survived. - Many were decorated with wall paintings the
themes mainly focus in the Western Paradise of
Amitabha Buddha. - Avalokitesvara (Chinese Gyanyin) became highly
popular
144.17 Western paradise, Dunhuang, Tang Dynasty,
late 8th c
15Avalokistesvara and Gyanyin
- Bodhisattva of Compassion
- He was regarded as the guide of souls and one who
bring the blessing of many children - Reside in the Western paradise of Amithaba
- In Chinese art, he is depicted as a male
bodhisattva, like those of India, until around
the end of the 12th C (early part of Song
Dynasty) - He gradually transform into a male figure with
some female qualities such as the body, the face,
and the hands - By the 17th century (Ming period), the male form
was replaced with more feminine form
164.18 Gyanyin as the Guide of Souls, Dunhunag,
10th c.
17Lotus sutra
- Gyunyin images became feminized represented as a
middle-aged fair lady in a white robe. - The transformation marked the Sinification of
Avalokistesvara by the Chinese who believed in
the Lotus Sutra, which gives Ava the ability to
assume innumerable forms. - She is depicted as a lady in white robe or a
bodhisattva with a thousand hands
18Gyanyin, 12-13th C.
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21Pagoda
- Watchtower-like structure (from clay models made
for the dead to use afterlife) - Represents the center of the earth, axis mundi
- Han period, exterior decorated with paint and
lacquer - Motifs evoke the World outdoors (trees and birds)
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25Great Wild Goose Pagoda
26Brick Pagoda of Songyuesi, Mt. Song, 520 CE
274.16 Isometric view of the timber-framing, main
hall, Foguangsi temple, Shanxi, c. 857
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29Three-color wares
- They were tomb deposited earthenware with
pigments - They vary in size from animals and tpys a few
inches high to gigantic horses, Bactrian camels,
armed men, dancers, musicians women figurines
were predominate - Human figurines were made in molds, with front
and back cast separately animals were made in
several pieces - They declined after the mid 8th century
304.19 Yen Lipen (attributed), Emperor Wu Di, the
Scroll of the Emperors, Tang Dynasty, 7th c.
(11th century copy)
31Tang period (618-907 CE)
- It is the golden age of Chinese civilization
expanding their territories to Korea, Vietnam,
and Central Asia - Emperors supported trading on the Silk Road
- Emperor Wu Di
- Capitals at Luoyang and Changan (modern Xian)
population of one or two millions it was the
most cultivated metropolitan center in the world - Art and literature flourished Buddhism was
supported by the Kings
32Court lady figurines, Tang period, 7th century
33Camel with musicians, Tang period (618-907 CE)
34Foreign attendants, Tang Dynasty (618-907),
earthernware
35Girl resting on a camel, Tang period,(618-907),
earthenware with pigments
36Horse and groom, pottery with polychrome glaze,
Tang Dynasty From Henan