Title: DRA Digital Radio Archive
1 - DRA Digital Radio Archive
- NRK Radio Archives experiences on the road
towards the digital world - Bjarne Grevsgard
- Head of Broadcasting Archives
- Norwegian Broadcasting Corporation, NRK
2Workday picturesThe Radio ArchiveScene
1Journalist wants the works on the
Norwegians relationship with the Swedes
(Norway celebrates 100 years of independence
next year.)
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4Lots of good stuff here
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6Listen, select, listen, select
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8- and here comes some more
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10Five hours later
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12Workday picturesThe Radio ArchiveScene
2Journalist wants the works on the
Norwegians relationship with the Swedes
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14Now we can search and listen and select, and
enjoy a cup of coffee at the same time.
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16Why digitise?
- Easier access when and where it suits us
-
- Time-saving no tapes to wind and rewind
- The archive material gets used more
- Improves programme quality
17- Programme production is digital so archive
material must be digital to be usable -
- Radio archive material is in demand through NRKs
Internet services - Recording tapes decompose in time and the sound
will be lost unless it is transferred to new
storage media.
18How did we achieve this? No other radio
stations had developed anything we could depend
on. Was there anybody we could co-operate with?
19The Radio Archive is a unique source of
information for research and documentation.We
talked to
20 and we agreed
- The National Library of Norway and NRK have a
common interest in getting the material
digitised. -
- We share the costs 50/50
- Afterwards the tapes are stored in the National
Librarys mountain vaults, under optimal
conditions. This gives the maximum lifetime.
21First a short pilot project among other things,
to establish a technical standard Three copies
or versions are created 1. Searching and
listening quality (MP3 40 kbit/s)2. Production
quality (MP2 384 kbit/s)3. Exact copy of the
contents of the tape
22Then we set to work
23250-300 original tapes are sent for digitising
every week
24Did I forget to mention that its about 1000 km
from NRK in Osloto the National Library in Mo i
Rana?
25Local archive 1000 km away The material remains
on hard disk and magnetic tape in Mo i Rana and
is sent through data lines to NRK in Oslo,
Trondheim and other places.
26Digital Radio Archive had to work from day one
- Continuous contact with the real world is vital
to the project - Many problems have been revealed and solved along
the way because the system was not constructed
beforehand.
27Its the content that matters
- Cataloguing the material well enough for
digitisation is a big job a missing tape is
easier to track than a missing computer file - Nearly 40,000 hours of tapes have now been
digitised.
28 but the colleagues in the Radio Archive must
handle all formats for a long time to come
29The user may choose to start here.
30-or with a simple free text search.Here we
search for Sveriges Radio (Swedish Radio)
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32Red arrow Title (Midsummer Night at the Border,
1934)Green arrow Click on MER (more) see next
picture
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34Click on LYD (sound) and get the Player. Mark
what you want to download in production quality.
35We then order the file. The Order Form looks like
this. In a couple of minuteswe get a mail
telling that the file is delivered to, in this
case, the editing area Dalet Oslo.
36When the sound has been retrieved, it is
transferred to one of the editing and production
systems which the archivists must also be
proficient in.
37Dalet
38DigAs
39The Digital Radio Archive opens the way for
new possibilities in radio journalismFor the
archivists it leads to new professional roles
40Voices from the Archives
A Web Service with 400 clips from Interviews with
Artists and Politicians
41http//www.nrk.no/stemmerComing upSports
voicesRadio and TV voices Editorial,
development andoperational responsibilityTHE
RADIO ARCHIVE
42Reports and interviews from Nordland
Countyavailable for searching and listening in
the local public libraries
43Complete teaching programme for high school
Media and Communications Studies
44Many programme projects based on the Digital
Radio Archive (DRA) Example Norge i
100 one programme for each year that
has gone by since Norways independence
from Sweden in 1905 After the
arrival of DRA there has been more, not
less, to do for the consultants in the
Radio Archive
45The Radio Archive makes non-commercial
records possible, mostly folk music, but
also religious, classical and jazz.
46Although we have not yet launched DRA for the
whole of NRK, the statistics for 2003 indicate
nearly 100,000 searches. Perhaps more important
more than 6,100 items and programmes were ordered
and downloaded for use.
47Our experience It is vital that digital
solutions be developed in co-operation with daily
operational personnel. The next project for
facilitating and improving the efficiency of
creative work Create a common digital sound
effect database for the whole of NRK.
48Radio Programmes come from two sources, either
our own Programme Bank (Archives)or new material
(NYE OPPTAK). It is vital to take the Programmes
full circle to the Programme Bank, in best
possible quality, and catalogued for easy
retrieval, and use in Radio Production and/or on
new media platforms
49But it all depends on structured
informationfrom the producer
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51INVEST YOURPROGRAMME!The Programme Bank .
52Rescue operations
53So, to create a digital radio archive we need
54a lot of problem solving
55hard physical work
56many miles of winter driving on the road to the
northern lights
57 a large mountain with holes in it
58 a lot of willing co-operation
59and the courage to do things differently!
60 - Thank you for your attention
- Bjarne Grevsgard
- Head of Broadcasting Archives
- Norwgian Broadcasting Corporation, NRK