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Mind the gap: Ellipsis in English

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Especially in face-to-face conversation, we often do not bother to encode ... A: I think I'll go and see the Coldplay. B: I would [E], if I were you. A: Don't [E] ... – PowerPoint PPT presentation

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Title: Mind the gap: Ellipsis in English


1
Mind the gap Ellipsis in English
  • Dr. Veronica Bonsignori
  • A/A 2006-2007
  • University of Pisa

2
Some preliminary considerations 1
  • Language is very gappy. We find gaps both in
    spoken and written texts.
  • Especially in face-to-face conversation, we often
    do not bother to encode information that can be
    understood from the linguistic or situational
    context.
  • A Wheres my book?
  • B E On the sofa.

3
Some preliminary considerations 2
  • Ellipsis as a typical linguistic feature of
    spoken rather than written language
  • Prototypical spoken text
  • Face-to-face conversation
  • Prototypical written text
  • Academic prose

The distinction between spoken and written
texts is not a matter of MODE.
Personal letter a written genre with
relatively oral situational features Academic
lecture a spoken genre with relatively
literate situational features
4
Task
  • Define ellipsis
  • Function
  • Interpretation
  • Classification of the various syntactic types

5
What is ellipsis? 1
  • It entails syntactic reduction, a form of
    inexplicitness consisting in the unspoken, the
    unexpressed, but understood.
  • It entails the omission or deletion of some items
    of the surface text, which are recoverable in
    terms of relation with the text itself.
  • Within the frame of Text Linguistics, ellipsis is
    considered a major cohesive device, contributing
    to the efficiency and compactness of a text
    (Beaugrande-Dressler, 1981 Halliday-Hasan, 1976)

6
What is ellipsis? 2
  • Halliday defines ellipsis in relation to another
    important cohesive device, i.e. substitution,
    since they embody the same fundamental relation
    between parts of the text.
  • Ellipsis is substitution by zero
  • The relation between these two linguistic
    phenomena is so tight that a relevant problem is
    trying to trace a border between them The
    question whether a given example is truly
    elliptical or not must be decided empirically
    (B-D, 1981)

7
Ellipsis vs. Substitution
  • Ellipsis
  • An elliptical item is one which leaves specific
    structural slots to be filled from elsewhere
  • A What is the capital of England?
  • B London E.
  • Substitution
  • An explicit counter is used as a place-marker for
    what is presupposed (use of pro-forms as one, do,
    so)
  • A Mark has a crush on Lucy.
  • B Do you really think so?

8
Function
  • On the basis of the Economy Principle (Be quick
    and easy), the use of ellipsis reduces the
    amount of time and effort in both encoding and
    decoding, avoiding redundancy and repetition, BUT
    only when it does not lead to ambiguity.
  • Constraint of RECOVERABILITY
  • The ellipted parts of the sentence must be
    unambiguously specifiable.

9
Interpretation
  • Communication is verbal and non-verbal, so
    utterances have both linguistic and
    non-linguistic properties
  • Ellipted items are recoverable from
  • 1) the linguistic context
  • or
  • 2) the situational context

10
1) Linguistic Context
  • The actual language surrounding an utterance or
    sentence
  • CONTEXTUAL ELLIPSIS
  • It is endophoric referring to elements within
    the text
  • It can be anaphoric
  • Brian wont do the dishes, so Ill have to E.
  • Or cataphoric
  • Since Brian wont E, Ill do the dishes.

11
2) Situational Context
  • The variety of extra-linguistic factors that may
    contribute to our understanding of a language
    event
  • Setting
  • Participants (role and relation)
  • Shared knowledge
  • Paralanguage (gestures, facial expressions,
    eye-contact)
  • The more explicit context of situation
  • SITUATIONAL ELLIPSIS

12
Situational Ellipsis
  • The recovery of omitted items is based on
    non-verbal context and cognitive process
  • It is exophoric the elements of reference
    being outside the text
  • This type of ellipsis is not exclusive of
    oral communication, in fact it is very common
    in writing, too

13
Some examples
  • Face-to-face conversation
  • E Want some coffee?
  • Hey, Stradlater said. E Wanna do me a big
    favour? (The Catcher in the Rye, J.D. Salinger)
  • Written texts
  • Push E. (sign on a door)
  • Do not spray E on a naked flame. (on a spray
    can of air freshener)
  • Situational ellipsis is a very specific way in
    which language interacts with its environment

14
To sum up
  • A I think Ill go and see the Coldplay.
  • B I would E, if I were you.
  • A Dont E!

15
Syntactic types of ellipsis
  • Classification of the different types of ellipsis
    on the basis of the syntactic items that are
    omitted
  • Examples for each type mainly referring to
    spoken texts, with some exceptions
  • Novels
  • Movie scripts
  • Transcriptions of spontaneous conversations
  • Diaries

16
1. Ellipsis of the Subject
  • It entails the omission of the pronoun or noun
    functioning as Subject within the Nominal group.
  • Generally, English does not allow this kind of
    omission, since the Subject is obligatory in
    English syntax. BUT, due to its stable role and
    the fact that it generally conveys given and
    redundant information, it is possible to omit it,
    especially in face-to-face conversation
  • Only when it does not lead to
    ambiguity!!

17
Some examples from spoken texts
  • Transcript (London Lund Corpus)
  • A Well, Im sorry for the other day
  • C Yes. Well, what what was so awful? I know, I
    spoke to Liz and she said that you you werent
    even doing anything else. You were just in
  • A No, E completely forgot about it
  • C It was I must have been unlucky in the time
    I phoned, you just seemed to be out
  • B mmm
  • A No, we were just out at the pub
  • C E Got this enormous lump of meat, and I
    only finished it yesterday
  • The interpretation of elliptical utterances is
    possible relying both on the linguistic and
    situational context, and it is more accessible
    to inside participants than to outside users,
    because of physical proximity, eye-contact,
    i.e. direct interaction (Merlini, 2003)

18
  • Post-cards, personal letters, e-mail
  • E Wish you were here!
  • Fiction Movie scripts (The Dead Poets Society)
  • Neil I say we go tonight. Everybody in?
  • Cameron E Sounds boring to me.
  • Fiction Novel (The Great Gatsby)
  • Neither of them cant stand the person theyre
    married to.
  • Cant they?
  • E Cant stand them.
  • The language used in these texts reproduces the
    typical informal and familiar style of speech. In
    the case of fiction, the aim is obviously to
    render the dialogues more realistic.

19
  • The use of the ellipsis of the subject depends
    also on register and style, and is associated to
    a specialized register i.e. DIARY
  • Bridget Joness Diary (H. Fielding)
  • Tues 3 Jan, 9 a.m. Ugh. E Cannot face thought
    of going to work. Only thing which makes it
    tolerable is thought of seeing Daniel again, but
    even that is inadvisable since E am fat, E
    have spot on chin, and E desire only to sit on
    cushion eating chocolate and watching Xmas
    specials.
  • The Diary of Virginia Woolf
  • Can I describe Old Cot. Yesterday. L. looked at
    the telephone, thinking he was mad. E Had been
    ill. More solitude mania, I think. E Calmed
    down. E Gave us tea on hard chairs in basement.

20
2. Nominal Ellipsis
  • It entails the omission of elements within the
    nominal group.
  • It varies according to the logical function of
    the modifier that is the Head in the elliptical
    group
  • Deictics determiners
  • Novel (The Catcher in the Rye, J.D. Salinger)
  • I felt this hand on the back of my neck, and it
    was Janes E.
  • Epithets adjectives
  • Novel (The Catcher in the Rye, J.D. Salinger)
  • I could see my mother going in Spauldings and
    asking the salesman a million dopey questions
    and here I was getting the ax again. It made me
    feel pretty sad. She bought me the wrong kind of
    skates I wanted racing skates and she bought
    hockey E.

21
  • Numeratives numerals and other quantifying
    words
  • Novel (For whom the bell tools, E. Hemingway)
  • How many men are there? He pointed at the mill.
  • Perhaps four E and a corporal.
  • And below?
  • More E. Ill find out.
  • And at the bridge?
  • Always two E. One E at each end.
  • Movie Script (Notting Hill)
  • Martin Shall I go get a cappuccino? Ease the
    pain.
  • Will Yes, better get me a half E. All I can
    afford.

22
3. Verbal Ellipsis
  • It entails cases of omission within the Verbal
    group
  • It can be of two types

Lexical Ellipsis It involves the omission of the
lexical verb, so that the verbal group consists
only of the operator expressing modality (can,
will, would, may, might) or tense (be, have, do)
Operator Ellipsis It involves the omission of
the operator, so that the lexical verb is always
explicit. Generally, the Subject is also omitted
from the clause
23
A) Lexical Ellipsis Examples
  • Novel (The Catcher in the Rye, J.D. Salinger)
  • Hey, I said, is it ok if I sleep in Elys bed
    tonight? He wont be back till tomorrow night,
    will he E? I knew I damn well he wouldnt E.
    Ely went home damn near every weekend. I dont
    know when the hell hes coming back, Ackley
    said. Boy, did that annoy me. What the hell do
    you mean you dont know when hes coming back? He
    never comes back till Sunday night, does he E?
    No, but for Chrissake, I cant just tell
    somebody they can sleep in his goddam bed if they
    want to E.
  • TV series script (Friends)
  • Monica Well honestly ever since we got engaged,
    I have been waiting for something to to flip you
    out.
  • Chandler Honestly? Me too.
  • Monica Really?
  • Chandler Yeah. Yknow, I keep thinking that
    something stupid is gonna come up and Ill go
    all Chandler. But nothing has E.

24
B) Operator Ellipsis Examples
  • Novel (The Catcher in the Rye, J.D. Salinger)
  • Hows your brother? Hes fine. Hes in
    Hollywood. In Hollywood! How marvellous! Whats
    he doing? I dont know. E Writing.
  • Whatre ya gonna do E sleep in Elys bed?
    Ackley said. He was the perfect host, boy.
  • Transcript (London Lund Corpus)
  • B will you have a drink?
  • C oh thats all right then its just as well
    (laughs) yes, E love one.
  • Newspaper headline (The Times)
  • Migrants E found dead on trailer.

25
4. Ellipsis of Subj. Lexical Verb
  • It entails the omission of the Subject and
    Lexical Verb.
  • It generally relates to BE as a copular verb.
  • Movie Script (Notting Hill)
  • Max Well, I dont know. Look at William. E
    Very unsuccessful professionally. E Divorced.
    E Used to be handsome, now E kind of squidgy
    around the edges and E absolutely certain not
    to hear from Anna again after shes heard that
    his name at school was Floppy.
  • Notice (on a container of curry powder)
  • E Suitable for the preparation of aromatic
    dishes.
  • TV series script (E.R.)
  • Lucy Do you remember her?
  • Carter E Not a clue. Its a nice card though.

26
5. Clausal Ellipsis
  • It entails the omission of other elements of the
    clause belonging to the verbal group.
  • It is frequent in question-and-answer sequences
    and other rejoinder sequences, i.e. where more
    than one speaker is involved.
  • This type of ellipsis allows to convey only the
    focus component of the response.
  • Some examples

27
  • Novel (The great Gatsby, F.S. Fitzgerald)
  • Shes a nice girl, said Tom after a moment.
    They oughtnt to let her run around the country
    this way. Who oughtnt to? inquired Daisy
    coldly. Her family E.
  • Movie script (The Dead Poets Society)
  • Nolan Your family moved into that new house, Mr.
    Overstreet?
  • Knox Yes E, sir. E About one month ago.
  • Movie script (Notting Hill)
  • William Would you like a cup of tea before you
    go?
  • Anna No E, thanks.
  • William E Coffee?
  • Anna E No.
  • TV series script (E.R.)
  • Lucy E Pacer pads?
  • Carter E Third drawer on the left.

28
6. Ellipsis of Predicate Nominal
  • It entails the omission of the Subject Complement
    in a clause, so it always occurs when BE is
    present and functions as copula.
  • Novel (The great Gatsby, F.S. Fitzgerald)
  • This idea is that were Nordics. I am E, and
    you are E, and you are E.
  • Novel (The Catcher in the Rye, J.D. Salinger)
  • Id double-dated with that bastard a couple of
    times, and I know what Im talking about. He was
    unscrupulous. He really was E.
  • Transcript (London Lund corpus)
  • A Hello
  • C Hello sorry Im late
  • A Thats all right are you E?
  • C Yes I said half past seven

29
7. Ellipsis of the Object
  • It entails the omission of the Object in the
    clause
  • This type of ellipsis contributes to the
    identification of a specific text-type that
    belongs to the register of instructional writing
    i.e. the RECIPE
  • Aunt Dots Brunswick Stew
  • Bring water to boil in a saucepan add potatoes
    and boil E until tender (about 15 minutes).
  • Pour the potatoes and the water used to boil them
    into a large pot. Stir E in onion, peas, corn,
    tomatoes, ground turkey and bacon. Bring E to
    boil. Cover E, reduce heat to medium-low, and
    simmer E for 2 hours, stirring E
    occasionally.

30
Other types of instructional writing
  • Notices, signs, instructions on containers of
    household products and manufacturers labels on
    goods
  • Sign on a door
  • Push E
  • Notice on a container of curry powder
  • Store E out of direct sunlight.
  • Instructions on a bottle of lavatory cleaner
  • Spray E onto surface. Leave E for a few
    seconds. Wipe E away with a damp sponge.

31
Conclusion
  • Ellipsis is a linguistic phenomenon which mainly
    characterises spoken language and orality
  • Ellipsis is very complex (7 syntactic types)
  • So
  • When you analyse a text, mind the gap!

32
Thank you!
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