Gender Portrayals in Film Posters

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Gender Portrayals in Film Posters

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Title: Gender Portrayals in Film Posters


1
Gender Portrayals in Film Posters
  • Jennifer Mintzer

2
Introduction
  • The art of the poster evokes the soul of a
    movie. It freezes an instant of the film in the
    mind of the moviegoer. It strikes the elemental
    chord of the film. The poster image, a film's
    key art, may linger in the mind as clearly as
    any single scene from the movie.

3
Why look at visual representations of gender?
  • The film industry is inherently gender-oriented
    and judged accordingly (Best Actor, Best Actress)
  • Poster images become part of pop culture, with
    people collecting posters to display as works of
    art the image lasts longer than the film does
    in peoples minds
  • Posters are artifacts of culture reflect was is
    important to a culture in how people and themes
    are represented

4
  • Ernst Gombrich wrote
  • an image cannot be divorced from its purpose and
    requirements of the society in which the given
    visual language gains currency
  • in other words, image cannot be divorced from
    its social, economic and historical context nor
    can its meaning be divorced from other images in
    the surrounding culture.

5
Erving Goffman
  • In his 1979 book Gender Advertisements, Goffman
    noted various patterns of how gender is portrayed
    in ads.
  • Men usually are standing over women or are
    greater in height than the women in the ad.
  • when women are pictured taller than men, the men
    in the advertisement seem to be of a subordinated
    social class and in a servile costume, such as a
    waiter or a chef.
  • Women are shown lying down or reclining more
    often than men, associating them with sexual
    positions

6
Jean Kilbourne
  • In her series of videos called Killing Us
    Softly Kilbourne points out various elements in
    advertising images that underlie supposedly
    progressive images of women
  • phallic imagery
  • sexual innuendo
  • infantilization of women
  • symbolic covering of the mouth
  • only showing body parts instead of a whole
    woman

7
  • Kang (1991) did a study looking at various things
    Goffman noted in his book.
  • the findings indicate that the images of women
    in 1991 advertisements did not significantly
    change from images found in 1979 advertisements.
    However, distribution or dispersion of
    stereotypical portrayal of women did change
    (Kang, 1991).

8
Sample
  • Academy Award nominated films from 1991-2000

9
What was examined
  • How many posters show just a man alone, how many
    show just a woman as the sole character?
  • Are there differences in how these images are
    constructed? (ie. gaze, stance, positioning)
  • How are women and men portrayed together in
    posters?
  • How are groups of women and groups of men
    portrayed in posters?
  • How do the taglines of the posters reinforce a
    deeper message within the image?

10
Findings (out of 50 posters)
  • Men were portrayed as the lone character in 17
    posters
  • Women were portrayed as the lone character in 6
    posters
  • A woman and man were portrayed together as the
    main focus in 12 posters (all but one had
    romantic overtones)
  • One or more men in a poster 7 posters
  • One or more women in a poster 2 posters

11
Men Alone - Warriors
12
Gladiator
  • Tagline
  • A Hero Will Rise.

13
Braveheart
  • Tagline
  • Every man dies, not every man really lives.

14
Men Alone - Freedom
15
The Shawshank Redemption
  • Tagline
  • Fear can hold you prisoner. Hope can set you free

16
Men Alone Laughing, Carefree
17
As Good As It Gets
  • Tagline
  • Brace yourself for Melvin

18
Jerry Maguire
  • Tagline
  • The rest of his life begins now

19
Men Alone Pensive/Tense Moment
20
Conclusions on Men Alone
  • Men are independent heroes, brave and strong to
    be alone is to be a true man
  • Important decision making
  • Messages of freedom and hope, starting a new life
  • Carefree attitude
  • Important to note lack of a direct gaze

21
Women Alone Staring at the Viewer
22
Pulp Fiction
  • Tagline
  • Girls like me don't make invitations like this to
    just anyone!
  • Lying on a bed, sexual overtones
  • Gun in front of her, but not held dangerous
    association

23
The Crying Game
  • Tagline
  • play at your own risk
  • Refers to the title of the film, but in this
    context, it has a another connotation

24
Elizabeth
  • Words in the background of the poster
  • Betrayal
  • Murder
  • Intrigue
  • Traitor
  • Assassin
  • Queen
  • Inclusion of this last word connects the queen
    with these negative words
  • Slightly reclined position

25
L.A. Confidential
  • Tagline
  • Everything is suspect...
  • everyone is for sale...
  • and nothing is what it seems.
  • By foregrounding Kim Basinger, the implication is
    the subject of the tagline

26
Erin Brockovich
  • An exception
  • She is not looking at the viewer
  • However, she is holding a child instead of
    standing on her own. Her role in this poster is
    a mother, not a crusader of justice

27
Women Alone
28
Conclusion regarding women
  • Women alone are dangerous and/or deadly
  • Women alone are not what they seem and shouldnt
    be trusted
  • Women alone are playing games and/or are a pawn
    in a game
  • Direct and seductive gaze at the viewer implies
    availability
  • Women are just a body part, not a whole
  • Women are symbolically muted

29
Women and Men Together
Bugsy Glamour was the disguiseChocolat One
Taste is all it Takes
30
Women and Men Together
31
Women and Men Together
  • An exception (of sorts)
  • There is still a romantic overtone, but she is
    disinterested

32
Crouching Tiger, Hidden Dragon
  • An exception
  • Though there is a romantic element to the movie
    between these characters, this is not implied in
    the poster
  • Interesting to note, however, that she is looking
    directly at the viewer, while he is not

33
Groups of Men War/Military
34
Groups of Men Camaraderie
35
Groups of Women
  • Secrets and Lies

36
Future Research
  • Further research needs to be done to see how this
    carries over in a greater sample size
  • Future research
  • Do international film posters and/or films differ
    from American posters in their gender portrayals?
  • How do DVD covers differ from movie poster ads?
  • What effect does this have on which movies people
    are attracted to? (which films have the highest
    box office total?)

37
Conclusion
  • Gender is portrayed quite differently in film
    posters in this sample
  • When women are alone, they are dangerous
  • When men are alone, they are heroes, carefree and
    brave
  • When women are portrayed together, they are up to
    no good
  • When men are portrayed together, they are
    fighting for the country and all the stronger
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