Title: Gender Portrayals in Film Posters
1Gender Portrayals in Film Posters
2Introduction
- The art of the poster evokes the soul of a
movie. It freezes an instant of the film in the
mind of the moviegoer. It strikes the elemental
chord of the film. The poster image, a film's
key art, may linger in the mind as clearly as
any single scene from the movie.
3Why look at visual representations of gender?
- The film industry is inherently gender-oriented
and judged accordingly (Best Actor, Best Actress) - Poster images become part of pop culture, with
people collecting posters to display as works of
art the image lasts longer than the film does
in peoples minds - Posters are artifacts of culture reflect was is
important to a culture in how people and themes
are represented
4- Ernst Gombrich wrote
- an image cannot be divorced from its purpose and
requirements of the society in which the given
visual language gains currency - in other words, image cannot be divorced from
its social, economic and historical context nor
can its meaning be divorced from other images in
the surrounding culture.
5Erving Goffman
- In his 1979 book Gender Advertisements, Goffman
noted various patterns of how gender is portrayed
in ads. - Men usually are standing over women or are
greater in height than the women in the ad. - when women are pictured taller than men, the men
in the advertisement seem to be of a subordinated
social class and in a servile costume, such as a
waiter or a chef. - Women are shown lying down or reclining more
often than men, associating them with sexual
positions
6Jean Kilbourne
- In her series of videos called Killing Us
Softly Kilbourne points out various elements in
advertising images that underlie supposedly
progressive images of women - phallic imagery
- sexual innuendo
- infantilization of women
- symbolic covering of the mouth
- only showing body parts instead of a whole
woman
7- Kang (1991) did a study looking at various things
Goffman noted in his book. - the findings indicate that the images of women
in 1991 advertisements did not significantly
change from images found in 1979 advertisements.
However, distribution or dispersion of
stereotypical portrayal of women did change
(Kang, 1991).
8Sample
- Academy Award nominated films from 1991-2000
9What was examined
- How many posters show just a man alone, how many
show just a woman as the sole character? - Are there differences in how these images are
constructed? (ie. gaze, stance, positioning) - How are women and men portrayed together in
posters? - How are groups of women and groups of men
portrayed in posters? - How do the taglines of the posters reinforce a
deeper message within the image?
10Findings (out of 50 posters)
- Men were portrayed as the lone character in 17
posters - Women were portrayed as the lone character in 6
posters - A woman and man were portrayed together as the
main focus in 12 posters (all but one had
romantic overtones) - One or more men in a poster 7 posters
- One or more women in a poster 2 posters
11Men Alone - Warriors
12Gladiator
- Tagline
- A Hero Will Rise.
13Braveheart
- Tagline
- Every man dies, not every man really lives.
14Men Alone - Freedom
15The Shawshank Redemption
- Tagline
- Fear can hold you prisoner. Hope can set you free
16Men Alone Laughing, Carefree
17As Good As It Gets
- Tagline
- Brace yourself for Melvin
18Jerry Maguire
- Tagline
- The rest of his life begins now
19Men Alone Pensive/Tense Moment
20Conclusions on Men Alone
- Men are independent heroes, brave and strong to
be alone is to be a true man - Important decision making
- Messages of freedom and hope, starting a new life
- Carefree attitude
- Important to note lack of a direct gaze
21Women Alone Staring at the Viewer
22Pulp Fiction
- Tagline
- Girls like me don't make invitations like this to
just anyone! - Lying on a bed, sexual overtones
- Gun in front of her, but not held dangerous
association
23The Crying Game
- Tagline
- play at your own risk
- Refers to the title of the film, but in this
context, it has a another connotation
24Elizabeth
- Words in the background of the poster
- Betrayal
- Murder
- Intrigue
- Traitor
- Assassin
- Queen
- Inclusion of this last word connects the queen
with these negative words - Slightly reclined position
25L.A. Confidential
- Tagline
- Everything is suspect...
- everyone is for sale...
- and nothing is what it seems.
- By foregrounding Kim Basinger, the implication is
the subject of the tagline
26Erin Brockovich
- An exception
- She is not looking at the viewer
- However, she is holding a child instead of
standing on her own. Her role in this poster is
a mother, not a crusader of justice
27Women Alone
28Conclusion regarding women
- Women alone are dangerous and/or deadly
- Women alone are not what they seem and shouldnt
be trusted - Women alone are playing games and/or are a pawn
in a game - Direct and seductive gaze at the viewer implies
availability - Women are just a body part, not a whole
- Women are symbolically muted
29Women and Men Together
Bugsy Glamour was the disguiseChocolat One
Taste is all it Takes
30Women and Men Together
31Women and Men Together
- An exception (of sorts)
- There is still a romantic overtone, but she is
disinterested
32Crouching Tiger, Hidden Dragon
- An exception
- Though there is a romantic element to the movie
between these characters, this is not implied in
the poster - Interesting to note, however, that she is looking
directly at the viewer, while he is not
33Groups of Men War/Military
34Groups of Men Camaraderie
35Groups of Women
36Future Research
- Further research needs to be done to see how this
carries over in a greater sample size - Future research
- Do international film posters and/or films differ
from American posters in their gender portrayals? - How do DVD covers differ from movie poster ads?
- What effect does this have on which movies people
are attracted to? (which films have the highest
box office total?)
37Conclusion
- Gender is portrayed quite differently in film
posters in this sample - When women are alone, they are dangerous
- When men are alone, they are heroes, carefree and
brave - When women are portrayed together, they are up to
no good - When men are portrayed together, they are
fighting for the country and all the stronger