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Skill Themes in Dance

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The ability to use their bodies to express feelings and attitudes about themselves and others. ... Locomotor Skills: walking, running, hopping, skipping, and galloping ... – PowerPoint PPT presentation

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Title: Skill Themes in Dance


1
Skill Themes in Dance
  • Charles Silvan
  • HPE-480
  • Independent Study

2
What should dance in the elementary school
provide for children?
  • The ability to use their bodies to express
    feelings and attitudes about themselves and
    others.
  • A sense of self-satisfaction that can be derived
    from effectively using ones body as an
    instrument of expression.
  • Enjoyment and appreciation of dance as a
    worth-while experience for all, not for just a
    few.
  • An appreciation of dance as an art medium that
    can have value for both the participant and the
    spectator.
  • The ability to interpret and move to different
    rhythms.

3
Three Dance Forms
  • Folk, Ethnic Dances
  • Square Dances
  • Creative Dances

4
How do these forms of dance fit into a curriculum?
  • Dance can be coordinated with American History
    (pioneer period), ancient Greek culture. This
    includes Ethnic and Folk dance.
  • Creative dance allows for individual creativity
    and there are no right and wrong answers. This
    allows for individual self-expression.
  • Traditional Folk dances and group rhythmic
    experiences call for a correct response.

5
Skill Theme Concepts In Dance
  • Locomotor Skills walking, running, hopping,
    skipping, and galloping
  • Nonmanipulative Skills turning, twisting,
    rolling, balancing, transferring weight, jumping,
    landing, stretching, and curling
  • Movement concepts are used to heighten a childs
    ability to express feelings and emotion through
    movement.

6
What is the focus of expressive dance?
  • The focus in expressive dance is not simply on
    executing a particular movement, a turn, or
    balance, but on performing the movement so that
    it communicates the message the child intends it
    to.
  • Once children are able to perform turns
    efficiently, they can begin to experiment with
    different qualities of turning.

7
What is sequencing?
  • Children can begin to structure their
    communicative movements into organized forms.
    (utilization level)

8
Dance Making-structuring several sequences or
phrases into a whole, is the focus at the
proficiency level.
  • Procedures For Dance Making
  • Selection of the purpose, idea, or theme of a
    dance.
  • Identification of appropriate movements and
    movement concepts to express the intended idea,
    attitude, feeling, or theme.
  • Design of a powerful opening statement for the
    dance.
  • Design of a series of actions rising to a climax.
  • Design of the portion of the dance that is to be
    the climax or peak of the action.
  • Design of the resolution or concluding statement
    of the dance.

9
Evaluating dance making examines all movement
skills and concepts the teacher and children have
incorporated into the dance.
  • Beginning location and pathway of each
    youngster-how the children choose to locate
    themselves at the beginning of the dance and
    pathway.
  • Selection of travel skills, (leaping, skipping)
    and the quality with which theyre performed
    whether the children are using a variety of
    travel skills and executing them clearly and
    precisely as intended.
  • Flow of the dance and how the parts of the dance
    are connected to give a unity of expression.
  • Relationship of the children to one another and
    whether the children are reacting to one another
    with sensitivity and whether the timing,
    strength, and speed of the responses are
    appropriate.

10
The Role Of Imagery
  • Imagery is the use of creative catalyst for
    movement.
  • The content of expressive dance is movement,
    imagery a helper.
  • Children must be provided with the tools of
    dance, the ability to use a variety of movements
    effectively. Only when children have developed
    these skills can they successfully combine the
    movements into dances that express what they want
    to communication.

11
Reference
  • Graham,George. Hale,Ann Holt,Shirley. Parker,
    Melissa. (2004).
  • Children Moving.(6), 610-626
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