The AllInterval Tetrachord A Musical Application of Almost Difference Sets PowerPoint PPT Presentation

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Title: The AllInterval Tetrachord A Musical Application of Almost Difference Sets


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The All-Interval TetrachordA Musical Application
ofAlmost Difference Sets
  • Paul Hertz
  • University of Wyoming

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(No Transcript)
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Intervals and half-steps
  • Intervals are ratios of pitch frequencies
  • Also called the distance between pitches
  • Upward intervals are 1, downward
  • The octave has a ratio of 2 1 (or 1 2)
  • The half-step (or semitone) is the smallest
    interval commonly used
  • In 12-tone equal temperament (the chromatic
    scale), there are twelve half-steps per octave

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Pitch-classes and integer notation
  • Pitches separated by one or more octaves
  • (in a 2n 1 ratio for some integer n) are
    members of the same pitch-class, or pc
  • The set of all Cs (Ds, Es, Fs, Abs etc.) is a pc
  • Pitch-classes are equivalent to note names
  • There are 12 pitch-classes, which we can write as
    the integers 0, 1, 2, ,11.
  • We usually let C (i.e. the set of all Cs) be 0

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Numbering of pitch-classes
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The pitch-class circle
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Intervals between pitch-classes
  • If we consider intervals separated by one or more
    octaves to be equivalent, there are twelve
    intervals from one pitch-class to another
  • We can then write intervals as 0, 1, 2, ,11.
  • The interval denoted by n is the result of going
    up n half-steps (or down 12 n half-steps)
  • The interval from a pc p to a pc q is q p
    (order matters!)

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Interval classes
  • The distance between two pitch-classes depends on
    which pc you choose to start measuring from
  • To eliminate this problem, the interval class
    ic(p,q) between two pcs p and q is defined as
  • ic(p,q) min(p q, q p)
  • There are seven possible interval classes
  • Interval classes are the shortest distance from
    one pitch-class to another on the
  • pitch-class circle

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The interval vector
  • Sets of pitch-classes are called pc sets
  • The interval vector of a pc set tells us about
    its intervallic content
  • For any pc set S, consider the multiset of all
    interval classes ic(p,q) p,q in S
  • The kth entry of the interval vector is the
    number of times k appears in Ss interval class
    multiset
  • Interval vectors have six entries

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All-interval tetrachords
  • AITs have an interval vector of 1,1,1,1,1,1
  • Each nonzero interval class is represented
    exactly once
  • Composers first used AITs around 1910, but they
    first based entire compositions on them in the
    1950s or 60s
  • Music theorists named them in the 1960s
  • Two examples are 0,1,4,6 and 0,1,3,7

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Transposition and inversion
  • The transposition of the pc set p1, , pk by
    the interval n is the pc set p1 n, , pk n
  • The inversion of the pc set p1, , pk is the
    pc set 12 p1, , 12 pk
  • Transposition and inversion do not change the
    interval vector
  • Any combination of transpositions and inversions
    of an AIT will produce another AIT

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AITs and the pitch-class circle
  • Transposition by the interval n is clockwise
    rotation by n pitch-classes
  • Inversion is reflection across the vertical line
    from C (0) to F/Gb (6)
  • On the pitch-class circle, each of the edges and
    diagonals of an AIT has a different length
  • Rotations and reflections of a pc set polygon
    remain congruent to the original polygon
  • Any two congruent pc sets have the same interval
    vector

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The all-interval tetrachord 0,1,4,6
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The all-interval tetrachord 0,1,3,7
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The Z-relation and multiplication
  • 0,1,4,6 and 0,1,3,7 cannot be transposed or
    inverted into each other
  • Their polygons are not congruent
  • Music theorists call pc sets with identical
    interval vectors that are unrelated through
    transposition or inversion Z-related
  • All Z-related pc sets are related under
    multiplication by 5
  • 0, 1, 4, 6 5 0, 5, 20, 30
  • 0, 5, 8, 6 5, 6, 8, 0 5 0, 1, 3, 7

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Groups
  • A set which is closed under a
  • binary operation
  • The operation is associative
  • There is an identity element
  • Every element has an inverse
  • A subgroup of a group G is a subset of G which is
    a group under Gs operation

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Pitch-class and interval groups
  • The operation is addition modulo 12
  • The identity is 0
  • The inverse of x is 12 x
  • The inverse of a pitch-class p is the inversion
    of p
  • The interval from p to q is the inverse of the
    interval from q to p
  • This is Z12, the cyclic group of order 12

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Almost difference sets
  • A subset D of a group G
  • Let N be a subgroup of G
  • The difference multiset
  • d1 d2 d1, d2 in D and d1 ? d2
  • contains every nonidentity element of N
  • ?1 times and every element of G not in N
  • either ?2 ?1 1 or ?2 ?1 1 times
  • If ?1 ?2, D is a difference set (DS)

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AITs are almost difference sets
  • AITs contain every interval class once
  • 0 and 6 are the only intervals that are their own
    inverses
  • 0, 6 is a subgroup of Z12
  • Intervals are differences
  • An AIT, therefore, is an ADS of Z12 where
  • 6 occurs twice in the difference multiset and
    all other nonzero intervals occur once

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All-interval sets in microtonal scales
  • The definition of AIT can be extended to include
    any number of pitches per octave
  • These are known as microtonal scales
  • If the number of pitches per octave is even, an
    all-interval set is an ADS if odd, a DS
  • ADS are generally harder to find than DS
  • The Prime Power Conjecture states that DS only
    exist in groups with order pn, p prime
  • Therefore all-interval sets for 15, 21, 33, 35,
    39, 45, 51 etc. pitches per octave do not exist

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