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Announcements

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A dot following a note adds half the value of that note to its value. ... Intervals are altered by chromatic half steps to move up or down the chart. 1, 4, 5, 8: ... – PowerPoint PPT presentation

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Title: Announcements


1
Announcements
  • Mini Homework 4 due Friday.
  • Quiz 1 Wednesday, September 18.
  • Hearing 1 Friday, September 20.
  • (Drill sections will not meet on September 20.)

2
Rhythm and Meter
  • Major classifications of time signatures (a.k.a.
    meters)
  • Simple meters have two subdivisions per beat.
  • Compound meters have three subdivisions per beat.

3
Rhythm and Meter
  • In simple meters
  • The top number (2, 3, or 4) indicates the number
    of beats in one measure.
  • The bottom number indicates the type of note that
    gets one beat. (Refer to p. 17 for note types.)
  • Rhythmic Trees on p. 98 show how shorter or
    longer durations can be derived.
  • (Drill work on p. 106)

4
Rhythm and Meter
  • Dotted notes
  • A dot following a note adds half the value of
    that note to its value.
  • How many quarter notes in a dotted half note?
  • There are two quarters in a normal half note
  • So half the value of a half note is one quarter
  • So a dotted half note is as long as three quarter
    notes.

5
Rhythm and Meter
  • In compound meters
  • The beat value is typically a dotted note of some
    sort.
  • The top number (6, 9, or 12) must be divided by
    three to tell how many beats are in the measure.
  • The bottom number indicates the type of note that
    gets one subdivision of the beat.
  • (Drill work on p. 107)

6
Other rhythmic topics...
  • Ties
  • Dots
  • Common and cut time
  • Anacrusis (pick-up notes)
  • Conducting!

7
INTERVALS Parts and Procedures
  • The term interval refers to the distance in
    pitch between any two notes.
  • Intervals get larger as notes get further apart
    on the keyboard.
  • Intervals get smaller as notes get closer
    together on the keyboard.
  • There are two parts to any given interval
  • an ordinal number (two exceptions)
  • a qualitative name
  • When identifying or building intervals, follow
    the procedure given hereespecially the ORDER!

8
How to identify intervals
  • 1. Figure out the ordinal number.
  • count lines and spaces from the first note to
    the second.
  • ALWAYS COUNT THE FIRST NOTE AS 1!

9
Some Practice...
10
2. Figure out the intervals family
  • Seconds
  • Thirds
  • Sixths
  • Sevenths
  • Unisons
  • Fourths
  • Fifths
  • Octaves

11
3. And now, the quality of the interval
  • IF the HIGHER note is in the LOWER notes major
    scale, then the interval is MAJOR or PERFECT.
  • If the interval is a 2, 3, 6, or 7, then its
    major (M).
  • If the interval is a 1, 4, 5, or 8, then its
    perfect (P).
  • Theres no such thing as a P2, P3, P6, or P7.
  • Likewise, theres no such thing as a M1, M4, M5,
    or M8.
  • (Drill work with intervals)

12
Interval Quality Control(also in packet, p. 46.)
  • 1, 4, 5, 8
  • Augmented (A or )
  • PERFECT (P)
  • Diminished (d or )
  • 2, 3, 6, 7
  • Augmented (A or )
  • MAJOR (Mcapital M!)
  • Minor (mlowercase m!)
  • Diminished (d or )
  • LARGER intervals appear at the TOP of this chart.
  • SMALLER intervals appear at the BOTTOM of this
    chart.
  • Intervals are altered by chromatic half steps to
    move up or down the chart.

13
Two ways to alter an interval
  • Alter the top note
  • lowering the top note makes the interval smaller.
  • raising the top note makes the interval larger.
  • Alter the bottom note
  • lowering the bottom note makes the interval
    larger.
  • raising the bottom note makes the interval
    smaller.
  • ALWAYS KEEP THE SAME LETTER NAMESUSE CHROMATIC
    HALF STEPS!
  • (Drill work with intervals)

14
Hints and Reminders
  • For the moment were only concerned with Perfect,
    Major, and Minor intervals.
  • DHS m2, DWS M2
  • Three-step process
  • 1. Figure out the ordinal number.
  • 2. Place the interval in a family.
  • 3. Assign it a quality using knowledge of major
    scales.
  • (Try some more)

15
Application / Synthesis
  • Mozart Concerto 3 for Horn, K.447, II (course
    packet, p. 97)
  • Identify interval between two pitches
  • Find and label all minor 3rds in mm. x-y
  • Other activities?

16
Announcements
  • Mini Homework 4 due Friday.
  • Quiz 1 Wednesday, September 18.
  • Hearing 1 Friday, September 20.
  • (Drill sections will not meet on September 20.)
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