Title: Live Sound Tool Kit
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2 Live Sound Toolkit
3 Live Sound Toolkit
Seven road-rugged reasons we're serious about
live sound processing. Each with advanced 24-bit
digital technology inside and intuitive, hands-on
analog controls outside.
4Why analog-controlled digital?
- Analog familiarity and real-time ease of use
digital accuracy and repeatability - Allows features that are impossible or
cost-prohibitive to do with analog - Improved circuit designs are less susceptible to
interference
5Target customers
- Regional and touring sound companies
- Live music venues
- Houses of worship
- Retail opportunities
- Contractors and consultants
6C4 Quad Compressor/Limiter
7C4 Quad Compressor/Limiter
Each Channel Features
- Independent Compressor and Limiter sections with
extensive metering - Auto mode for fast setup
- Adjustable compressor knee
8C4 Quad Compressor/Limiter
Each Channel Features
- Internal or External side-chain (auto) with
Listen and PEQ - Dynamic EQ True de-essing
9C4 Quad Compressor/Limiter
- Whats so special about the C4s Dynamic EQ
feature? - Relative threshold detection allows for accurate
processing during level changes during live
performances (best de-essing for live
applications)
10C4 Quad Compressor/Limiter
Result Dynamic EQ performance stays the same
regardless of input level.
11C4 Quad Compressor/Limiter
More Features
- Adjacent channels link for stereo operation
- Balanced, auto-switching TRS side-chain inputs
- Internal, universal power supply
12G4 Quad Gate/Ducker/Expander
13G4 Quad Gate/Ducker/Expander
Each Channel Features
- Gate, Duck, Expand modes
- Internal or external side-chain with EQ and
Listen - Complete envelope control
- Extensive metering
14G4 Quad Gate/Ducker/Expander
More Features
- Adjacent channels link for stereo operation
- Balanced TRS side-chain inputs
15G4 Quad Gate/Ducker/Expander
Whats so special about a gate with look-ahead
ramping?
16MM 42Personal Monitor Processor
17MM 42Personal Monitor Processor
How is it used?
18MM 42Personal Monitor Processor
How is it used?
19MM 42 Personal Monitor Processor
Key Features
- 4 line-level inputs
- Process single stereo or two independent mono
mixes - Shelf/cut filters, 3-band rms compressor, 5-band
PEQ, 3-band brick wall limiter on each mix
20MM 42 Personal Monitor Processor
Key Features
- Factory presets for many popular earphones
- Built in headphone amp
- On-board cue bus links devices
- Sub output
21DEQ 60 DEQ 60L Graphic EQ with Perfect-Q
22DEQ 60 DEQ 60L Graphic EQ with Perfect-Q
Key Features
- Perfect-Q and Proportional-Q modes, 12 dB or 6
dB - Unique A/B switches permit stereo linking or two
EQ curves - Tone controls, cut filters and I/O levels
23DEQ 60 DEQ 60L Perfect-Q Graphic Equalizer
Meet the DEQ 60L
- same great feature set as DEQ 60, only with
longer faders(45 mm) - -12 dB or -6 dB Cut Only mode
24DEQ 60 60L Perfect-Q Graphic Equalizer
Whats so special about Perfect-Q?
25DEQ 60 60L Perfect-Q Graphic Equalizer
What are users saying about the DEQ? From an
independent GEQ shootout best resistance to
fader interaction very good required less
cutting for same SPL Best must have faders
consistently placed at the top or near the
top of every trial This EQ is new to the
market and promises to make a big dent.
26PEQ 55 Parametric Equalizer
27PEQ 55 Parametric Equalizer
Key Features
- 5 fully overlapping frequency bands per channel,
with overload indicator - Shelf mode on bands 1 and 5 of each channel
- 5- or 10-band operation
28PEQ 55 Parametric Equalizer
Key Features
- Unique A/B switches permit stereo linking or two
EQ curves - Tone controls, cut filters, and I/O levels
29AC 24 Stereo Crossover
30AC 24 Stereo Crossover
- Every feature users have ever requested
- Stereo 3- or 4-way
- Automatic phase compensation
- Limiter and delay per output
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