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Dialogues with Hollywood: The Matrix

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Manga and Osama Tezuka: (Astro Boy 1963) Implications ... Ghost in the Shell. Can one possess a soul in an increasingly technological age? ... – PowerPoint PPT presentation

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Title: Dialogues with Hollywood: The Matrix


1
Dialogues with HollywoodThe Matrix Ghost in
the Shell
2
aesthetic cross-pollination(?)
  • Exploring the anime aesthetic
  • Origins
  • Buddhist/Zen scroll makers
  • Ukiyo-e woodblock printing
  • Manga and Osama Tezuka
  • (Astro Boy 1963)
  • Implications
  • Aesthetic borders and national transgressions

3
anime style
  • Ghost in the Shell

4
anime style
  • Akira (1988)

5
anime style
  • Akira (1988)

6
aesthetic cross-pollination(?)
  • The Matrix (1999)
  • points of aesthetic intersection
  • Ghost in the shell (1995)

7
aesthetic cross-pollination(?)
  • Bullet time the quiet before the anime-ted
    storm.

8
thematic dialogues
  • Ghost in the Shell
  • Can one possess a soul in an increasingly
    technological age?

9
thematic dialogues
  • status of the body in Ghost in the Shell
  • ningyo
    (puppet/doll)

10
thematic dialogues
  • status of the body in The Matrix
  • Corruption of the
  • body by
  • technology.
  • Humans become
  • coppertops

11
thematic dialogues
  • Kusanagi seeks a path out of the self to regain
    her interiority
  • Neo seeks a path back to the private self to
    regain his interiority the return to the body as
    the last resort against advancing technology.
  • Reclaiming the body as a site of humanity as
    opposed to fleeing it

12
a constellation of post-
  • is the cyborg a creature in a post-gender
    world?
  • Ambiguous sexual identity

13
a constellation of post-
  • Does Kusanagi become a truly post-gender entity
  • Kusanagi and the puppet master marriage or
    merging?
  • If the puppet master is truly genderless why does
    he inhabit a female body and speak with a male
    voice? Boundary blurring.

14
a constellation of post-
  • Neo post-gender/ethnic/national?
  • Neo and
    Trinity as doubles.
  • Androgyny
  • of the futuristic

15
a constellation of post-
  • Keanu Reeves as Neo
  • Chinese, Caucasian Hawaiian genetic heritage
    (post-ethnic/national)
  • Reeves status as a passive object occupies
    cameras gaze (traditionally feminine role)

16
a constellation of post-
  • Kusanagi is hardly genderless but is typed by her
    role as assassin.
  • She, like Neo, is at once
  • vulnerable and powerful
  • object and subject

17
falling into a new mode of existence
  • Kusanagi
  • a series of dazzling sequences that track
    Kusanagis body and mind through a series of
    falls. (Napier)
  • fall 1 the body (presence absence)
  • fall 2 diving into the water (through a glass
    darkly)
  • fall 3 dive into the mind of the puppet master
    (questioning body identity)

18
falling into a new mode of existence
  • Neo
  • Preconscious waking in the Matrix and then in
    his pod in the desert of the real. This
    heralds
  • Conscious his fall from the building as Morpheus
    attempts to free his mind
  • Superconscious the apparent fall in to death
    Neo must shed his old self so that he can see in
    a new way

19
The new
  • The Matrix an allegory about life as we lived it
    around 1999?
  • Neo is the new man who mediates the arrival of
    the future into the present. Discuss
  • Fusion of humanity and technology as one of
    ambiguous value in Hollywood.
  • The protagonists dehumanisation by the alienating
    powers of technology (does this change in The
    Matrix?
  • Anime also underlines the ambivalence inherent to
    our relationship with technology is this true,
    however, in Ghost in the Shell?

20
So where do I go from here?
  • Consider the last words spoken by both Kusanagi
    and Neo.. Where are we going from here?
  • What lies beyond the threshold?
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