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The Artist as Teacher

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Being challenged by a friend to teach. Wondering what I could teach about ... The other half of the class is comprised of dancers, writers, and musicians. ... – PowerPoint PPT presentation

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Title: The Artist as Teacher


1
The Artist as Teacher
Unique aspects of leading a Sunday school class
for creative Christians
2
How I came to teach
  • Desiring to be an art professor
  • Applying to graduate schools
  • Being challenged by a friend to teach
  • Wondering what I could teach about
  • Teaching a class on creativity at church
  • Discovering that I was now doing what I wanted to
    do

3
Eric NykampGrow Where You Are Planted2002
4
Who attends my class
  • About half of the members are visual artists
    (though not all would call themselves Artists).
  • The other half of the class is comprised of
    dancers, writers, and musicians.
  • Most of the members have not used their gifts
    formally in ministry.
  • Members are age 16-80.

5
How is the class time structured?
  • We meet for 45-60 minutes on Sunday mornings
    around a dining room table.
  • Open in a brief prayer
  • Read lessons on creativity and Christianity for
    20-30 minutes, using the balance of the time for
    discussion.
  • We close in prayer, sometimes taking extra time
    to pray for any member that has a special need
    that day.

6
Materials used
  • I have written most of the materials myself, the
    body of which I am hoping to have published as a
    book soon.
  • This could also easily be done with existing
    books, such as Walking on Water by Madeline
    LEngle, or Seeing God in the Ordinary by
    Michael Frost.

7
What makes the class work?
  • Small class size allows for a family environment
  • Sharing our most personal creations takes
    courage, but bonds members together
  • Keeping the focus of the class on why God
    entrusted certain gifts to each member, and
    encouraging all members to use their gifts for
    God in many ways.

8
Underlying principles
  • God speaks to creative people through the use of
    their gifts
  • By encouraging people in the use of their gifts,
    they will come to grow closer to God as they grow
    in their artistic abilities
  • All creative people experience dry times, just as
    many Christians experience the dark night of the
    soul. We need travel companions during these
    times the most.

9
The members of the class share an artistic
journey together. We are each others artistic
travel companions. We belong to each other.
10
Class Dynamics
  • (What to expect when leading a group of creative
    Christians)

11
1. Many are called, but only some attend.
  • Some creative Christians deeply mistrust the
    church in general, and may be wary even of the
    churches they attend.
  • Some creative Christians would find it too
    conformist to join a group that talks about
    Christianity and creativity.
  • Many artists are solitary people and may just
    prefer to be more private.

12
2. If silence is golden, then this class is very
rich.
  • Many creative people are introverted, taking time
    to process information and answer questions.
  • The customary moment of silence, traditional
    post-question lull, pregnant pause and time
    for mental marinating.
  • Often those with verbal gifts talk first
    hmmmmm?

13
3. Do not conform to the pattern of this world,
but be transformed
  • Many creative people think outside the box, or
    have no box to think in.
  • Encourage differences of opinion anchored in
    Christian thought.
  • Emphasize the complexity of life, the diversity
    of approaches to issues, and the necessity of
    divergent thinking as the pressure to conform
    will kill creative living.

14
The four laws of leading
  • (What I learned as a group leader)

15
1. Develop Tolerance
  • People may express views critical of the church.
    In my haste to render judgment, let me not sin.
  • People may have been hurt by the church - All
    people are broken and in a process of healing
  • Healing often comes from speaking to someone who
    will only listen.

16
2. Celebrate Together
  • The importance of CHECK-IN.
  • Food
  • Remembering that the creative journey is one of
    highs and lows, dry times and harvest. Bring
    those who are creatively dry into the
    celebration, normalizing their experiences too.

17
3. Pray together
  • Pray for each others creative gifts, and the
    barriers to creativity.
  • Pray for each others lives.
  • Cry together
  • Touch each other when needed.
  • Send encouraging notes, phone calls, visits.

18
4. Love Creative People
  • This is the most important element of leading.
  • You do not have to be a creative force to love
    creative people.
  • Smile, support, speak kind words
  • Tell each member that you think that they are
    special. You may be the first person to ever do
    this. You will mirror God to them.

19
Review
  • The artistic journey is often lonely. A class
    can provide needed creative companionship.
  • Some people will not attend, others will attend
    but need encouragement to talk, but many will see
    things in a new way.
  • Leaders need to develop tolerance for divergent
    thinking, remember to celebrate each others
    achievements, encourage prayer for all members
    and most importantly demonstrate love for
    creative people.

20
All of life is artAll of art is prayerAll of
life is prayer
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