From Manuscript to Printing Press to Computer Chip Studying Early Music in Digital Format - PowerPoint PPT Presentation

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From Manuscript to Printing Press to Computer Chip Studying Early Music in Digital Format

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Title: From Manuscript to Printing Press to Computer Chip Studying Early Music in Digital Format


1
From Manuscript to Printing Press to
Computer ChipStudying Early Music in Digital
Format
  • Susan Forscher Weiss
  • Johns Hopkins University
  • Ichiro Fujinaga
  • McGill University

2
Outline
  • History Research Pedagogy
  • Databases
  • Computer Applications
  • Conclusions / Future

3
Music Research Pedagogy
  • Old way
  • Primary sources mss, prints (travel,
    permissions)
  • Books, periodicals, microfilms, photocopies
  • Slides, handouts, overhead transparencies
  • Analog recordings, video, scores

4
(No Transcript)
5
Music Research Pedagogy
  • Intermediate solutions
  • Local database (on-line library catalogues)
  • E-mail, mailing lists
  • CD, DVD, CD-ROM

6
Peabody Renaissance CD-ROM
7
Peabody Renaissance CD-ROM
8
Peabody Renaissance CD-ROM
9
Peabody Renaissance CD-ROM
10
Peabody Renaissance CD-ROM
11
Peabody Renaissance CD-ROM
12
Music Research Pedagogy
  • New way
  • Web-based courses
  • Web databases
  • Web resources
  • Web portals

13
Course Pages
  • MusL 242 Music of the Middle Ages and
    Renaissance (C. Cyrus, Vanderbilt)
  • MUSIC 310 Ancient and Medieval Music (T. Ward,
    UIUC)
  • The Gregorian Chant Home Page(P. Jeffery,
    Princeton)
  • Music 2223 Renaissance Music (G. Callon, Acadia)
  • Music 610.311 Music History I (S. F. Weiss,
    Johns Hopkins)

14
WebCT (S. Weiss)
15
Wegman Demonstration of Borrowing
16
Three Types of Databases
  • General references
  • Specialized metadata
  • Music databases
  • Indices
  • Text
  • Facsimile

17
General references
  • Grove Music Online

18
Grove Music Online (2nd ed., opera, jazz)45,000
articles, 6000 contributors
19
General references
  • Grove Music Online
  • RILM (Répertoire International des Littérature
    Musicales)

20
Music article abstracts after 1996(329,000 items
from 6200 journals)
21
General references
  • Grove Music Online
  • RILM (Répertoire International des Littérature
    Musicales)
  • RISM (Répertoire International des Sources
    Musicales)

22
Index to music manuscripts after 1600456,000
items by 18,000 composers
23
General references
  • Grove Music Online
  • RILM (Répertoire International des Littérature
    Musicales)
  • RISM (Répertoire International des Sources
    Musicales)
  • RELICS (Renaissance Liturgical Imprints A Census)

24
RELICS (books on worship, 13,882 entries)
25
RELICS on MIRLYN
26
General references
  • Grove Music Online
  • RILM (Répertoire International des Littérature
    Musicales)
  • RISM (Répertoire International des Sources
    Musicales)
  • RELICS (Renaissance Liturgical Imprints A Census)
  • RIPM (Répertoire International de la Presse
    Musicales)
  • Music Index
  • International Index to the Performing Arts
  • Online journals
  • Early Music, Music Quarterly, etc.
  • JSTOR (back issues all major music journals!)

27
Early Music (Christopher Page)
28
Specialized metadata Composers
  • Dufay
  • Hildegard of Bingen
  • Ockeghem
  • Josquin
  • Dowland
  • Lawes
  • Machaut

29
Machaut on the Web
30
Specialized metadata Portals
  • Classical Music Resources (Duke University)

31
Classical Music Resources (Duke University)
32
Specialized metadata Portals
  • Classical Music Resources (Duke University)
  • Cecilia (UK and Ireland)
  • Ufficio Ricerca Fondi Musicali di Milano
  • Early Music FAQ (medieval.org)

33
Early Music FAQ (medieval.org)
34
Early Music Composers (medieval.org)
35
Specialized metadata Sound Recordings
  • WorldCat (OCLC 1.7M recordings, 1.2M scores)
  • SONIC (LC 2.5M recordings)
  • National Sound Archives (BL 3M recordings)
  • allclassical.com
  • 100K albums
  • 250K compositions
  • 20K Medieval/Renaissance compositions
  • amazon.com

36
Music databases (indices)
  • Themefinder (Stanford and Ohio State)

37
(No Transcript)
38
Music databases (indices)
  • Themefinder (Stanford and Ohio State)
  • CANTUS (U. of Western Ontario, Canada)

39
CANTUS (200K entries from 50 sources)
40
Music databases (text)
  • Center for the History of Music Theory and
    Literature (Indiana)
  • Thesaurus Musicarum Latinarum (TML)
  • Texts on Music in English (TME)
  • Traités français sur la musique (TFM)
  • Saggi musicali italiani (SMI)
  • Thesaurus musicarum italicarum (TMI)

41
Music databases (facsimile)
  • Scribe (La Trobe University, Australia)

42
Scribe database
43
Music databases (facsimile)
  • Scribe (La Trobe University, Australia)
  • Digital Image Archive of Medieval Music (Oxford)

44
DIAMM (Oxford, Royal Holloway)
45
Music databases (facsimile)
  • Scribe (La Trobe University, Australia)
  • Digital Image Archive of Medieval Music (Oxford)
  • Early English Books Online

46
Early English Books Online (W. Byrd)
47
Music databases (facsimile)
  • Scribe (La Trobe University, Australia)
  • Digital Image Archive of Medieval Music (Oxford)
  • Early English Books Online
  • Dowland MS

48
Dowland MS Project
49
Music databases (facsimile)
  • Scribe (La Trobe University, Australia)
  • Digital Image Archive of Medieval Music (Oxford)
  • Early English Books Online
  • Dowland MS
  • Acadia Early Music Facsimile Archive

50
Examples of Computer Applications in Early Music
  • Analysis of notational signs in 12th C.
    manuscripts
  • Comparison of motets with questionable
    attributions
  • Transcription of tablatures
  • Automatic fingering of English keyboard music
  • Divergence study by superimposing scanned images
    of printed music
  • Watermark study using digital image processing
  • Virtual restoration of manuscripts

51
Palimpsest Digital restorationCorpus Christi
College, Oxford MS 144
52
Challenges and Solutions
  • Challenges
  • Three types of music information
  • Metadata
  • Symbolic (text, scores, MIDI)
  • Audio
  • Non-standards formats
  • Disorganized Web
  • Possible solutions
  • Harvesting
  • Web Services
  • P2P audio distribution
  • Optical music recognition

53
Optical Music Recognition (OMR)
  • Commercial software
  • SmartScore
  • SharpEye
  • Finale Sibelius
  • Shareware software
  • OMeR
  • Open-source software
  • Gamera

54
Thresholding(screenshot in Linux)
OMR Preprocessing
55
Staff removal Lute tablature
56
Staff removal Lute tablature (detail)
57
Classifier Lute tablature
58
Staff removal Neumes
59
Classifier Neumes
60
Conclusion / Future
  • Full-text, full-search scores
  • Public-domain recordings
  • Music portals with search
  • Weve come a long way
  • but
  • we still have a long way to go.
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