Makeover Madness

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Makeover Madness

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Title: Makeover Madness


1
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2
Katie Muldoon
  • 30 years direct marketing experience
  • Worked with over 300 companies
  • Boards, awards and more
  • Author
  • Catalog Marketing
  • Direct/DM News/Catalog Age
  • Teacher
  • NYC
  • DMA
  • Business owner
  • The Muldoon Agency
  • Muldoon Baer

3
Mark Gilchrist
  • Founded Bulldog Studios in 1985
  • Principals have over 40 years combined experience
    in the creative and marketing industries
  • Full-service, award-winning creative agency
  • Catalog consulting, design and development
  • Direct mail campaigns
  • Print ad campaigns and media planning
  • Collateral materials
  • Website design and development
  • Corporate identity programsand more

4
Catalogs To Be Reviewed
  • Rumas
  • Fruit Gift Basket World
  • Plus cookies, cheeses, cakes, candies and more
  • USI
  • Full Line Catalog
  • Laminating, mounting, photo ID, presentation,
    binding, packaging, accessories and more
  • Support Plus
  • Summer 2004
  • Unique health-care products and support-wear

5
Overview of Process
  • Catalog participant profiles
  • Positioning statement
  • Demographics
  • Creative wishes per catalog

6
Disclaimer
  • All examples use some photos that legally belong
    to someone else
  • OK to use for teaching
  • Not OK to actually use, even as a knock-off, in
    your catalogs
  • Designs are the property of Mark Gilchrist
  • Not every item in each catalog covered the same
    in order to provide more points overall
  • Because covers are such an emotional and seasonal
    process, we have chosen not to redesign them

7
What Goes into a Creative Strategy
  • Target customer
  • Positioning
  • Competition
  • Merchandising/product offering
  • Creative model (we will be focusing on this
    aspect today)
  • Contact strategy

8
Target Customer
  • Demographics of house
  • Attitude
  • Key characteristics
  • Key motivations
  • Demographics of prospects (core and peripheral)
  • Attitudes
  • Key characteristics
  • Key motivations

9
Positioning
  • Differentiation
  • Positioning statement
  • Advantages/disadvantages

10
Competition
  • Major strengths/weaknesses per segment (retail,
    wholesale, mail, internet)
  • Creative
  • Merchandise selection
  • Merchandise pricing
  • Service
  • Overall positioning

11
Merchandise/Product Offering
  • Key product attributes
  • Strategy for the year
  • Value proposition
  • Offers/promotions
  • Bundles
  • Pagination (including editorial)

12
Creative Model (our concentration today)
  • Brand Statement
  • Overall tone
  • Usage and frequency
  • Body
  • Density
  • Number of pages
  • Format
  • Graphic design approach
  • Copy voice
  • Promotional influence

13
Contact Strategy
  • Relationship to other mailings
  • Theme per issue/drop/contact

14
Facilitating the Creative Process
  • Target audience
  • Customer feedback
  • Existing style guide(s)
  • Likes and dislikes
  • Budget
  • (Re)design can be a multi-step process
  • Inexpensive ideas anyone can implement type,
    color, balance, consistency
  • Avoid pitfalls
  • Dont fall in love with what you have
  • Dont stagnate stay fresh and current

15
Rumas Front Cover
  • Picture-frame design style
  • Lots of different type treatments and stacked
    copy
  • Very traditional approach

16
Rumas Inside Front Cover
17
Rumas Back Cover
  • Big assortment
  • Relatively high price point
  • Strong toll-free
  • No coding info
  • Indicia area overly large

18
Rumas Typical Page
  • Offers everything from food and wine to spa
    products
  • All in containers

19
Rumas Positioning Statement
  • Experts in fruit, Rumas has been in the produce
    business since 1900
  • All fruit is personally inspected before
    purchasing to assure top quality and condition
  • Rumas prides themselves on their attention to
    service

20
Rumas Target Market
  • Comprised of both business-to-consumer and
    business-to-business
  • Focusing on Maine and New England in the
    short-term, nationally in the long-term
  • Food products traditionally do almost all their
    business in the 4th quarter
  • Rumas has, until this year, mailed 1X/yr.
  • This year, besides that one mailing, will also
    mail 2X to B2B customers

21
Rumas Major Creative Desire
  • In the process of making creative changes and
    would like input on
  • Introductory page
  • Use of testimonials
  • Photographing baskets of food

22
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23
Rumas Brand Statement
  • Overall Tone
  • Traditional values based on century experience
  • Contemporary approach that shows traditional does
    not mean stodgy
  • Convey that these products bring not just food to
    the recipients, but also delicious joy

24
Rumas Overall Tone
  • Traditional Values
  • Show some produce being harvested or selected
  • Peaches in crates
  • Sell the ambiance, not just the product

25
Rumas Overall Tone
  • Contemporary approach that shows traditional does
    not mean stodgy
  • Mix in some B/W photography
  • Occasionally use photography that makes them
    smell the product

26
Rumas Overall Tone
  • People enjoying the gift, close-up

27
Rumas Overall Tone
  • Sprinkle real life photos of people enjoying
    their gifts
  • Adapt for corporate version

28
Rumas Brand Statement
  • Usage and Frequency
  • Ruma-branded foods need to
  • Be pulled out from the main photo
  • Have glamour photography
  • Create and promote gift cards in Rumas gold foil

29
Rumas Brand Statement
  • Put Rumas brand on all items associated with
    gifts

30
Rumas Body
  • Density
  • Need to increase density to average 34 items per
    page
  • Not all spreads should be the same density
  • Alternate heavy-density spreads with lighter
    density based on product sales

31
Rumas Body
  • Number of pages
  • Catalog is currently 32 pages, which is the
    minimum to be competitive in this market
  • Attempt to get to larger size (48 should be next
    step if products will allow)
  • This would allow use of lighter weight paper than
    currently being used offer more product for
    close to same in-the-mail cost
  • But must be teamed with higher density
  • Go for higher density before increasing pages

32
Rumas Body
  • Format
  • 8 1/2 x 11 size could be smaller, save on paper
    cost and not effect overall look and feel
  • May not need paper as heavy as is currently being
    used
  • If wish to do year-round business, will need
    alternate sizes

33
Rumas Body
  • Graphic design approach
  • Higher density entwined with editorial supporting
    overall tone
  • Organized to allow hero low-density spreads and
    other higher-density spreads
  • Photograph with more up-to-date lighting and
    styling
  • Boxed photos to contain multiple products within
    one product (minimal silos)
  • Sans serif typeface for editorial, modern serif
    for body copy

34
Rumas Body, Density
  • Higher density

35
Rumas Body, Density
  • Lower-density, hero spread

36
Rumas Body, Photography
  • Use lighting to
  • Bring out the texture
  • Make the item look like it is in an office or home

37
Rumas Body, Photography
  • Pull piece of product out of the product itself
  • Try shooting some items overhead
  • Prop with explanatory item (prunes for prune
    cake)
  • Almost always have something outside of the main
    item for sale

38
Rumas Body, Boxed Photos
  • Due to complexity of products sold, products
    almost always need the confinement of a box
  • Allows for higher density

39
Rumas Body, Type
  • Very up-to-date looking serif for body
  • Sans serif for editorial and headlines

40
Rumas Body, Type
  • Put benefit copy in the lead-in for the product
  • Either as the first copy block head or, as in
    this case, the second
  • Note the use of the brand name in the header

41
Rumas Body, Introductory Page
  • Minimal editorial
  • 1/8 to 1/4 page of page 2
  • Upper left hand corner of page
  • Treat rest of page as a spread
  • Lead with your best seller or seasonal newcomer
    based on best seller
  • Density about 34 items for the spread

42
Rumas Body, Use of Testimonials
  • Very effective form of communication
  • Sprinkle throughout in consistent, soft pastel
    type
  • Use quote marks and italic version of the body
    copy type
  • Use customers name and city

43
Rumas Body, Copy Voice
  • Copy voice
  • Current voice personal, exciting, relatively
    detailed and seductive
  • Example
  • This extraordinary basket begins with a
    mouth-watering selection of the freshest fruits
    available, including grapefruit, apples, oranges,
    pears and a giant pineapple. Then we add sweet
    Swiss chocolate, delicious preserves, Gouda or
    Edam cheeses, imported crackers and sweet
    sparkling cider! Our most popular line of
    baskets that will get you rave reviews!

44
Rumas Body, Copy Voice
  • Continue tone
  • Drop the exclamation points
  • Especially not right for business environment
  • Lead with benefit-oriented copy block head not
    just list of what it is
  • Lead with the stimulating copy
  • Break out exactly what goes in each basket in a
    separate, secondary paragraph
  • Add more editorial throughout the catalog

45
Rumas Body
  • Promotional Influence
  • Pay special attention to how prices are shown
  • Think seasonality and promote better price if
    order by date based on seasonality of product
  • Do not become overly promotional, as it does not
    fit with wholesome image

46
Rumas Promotional Influence
  • Use bold prices ending in .95
  • Do not make the whole SKU area bold
  • Gift buyers of food tend to buy on price

47
Rumas Promotional Influence
  • Think seasonality
  • Requires more frequent mailings

48
Rumas Check Out
  • In your category, nobody does it better than
    HARRY DAVID
  • Watch them like a hawk

49
Rumas Makeover Summary
  • Wanted input on
  • Introductory page
  • Testimonials
  • Photographing food
  • We also suggested
  • Type changes
  • Mixed-density spreads
  • Glamour and black-and-white photography
  • Benefit-oriented lead-ins

50
Rumas Makeover Spread 1
  • Introductory spread designed as a cohesive unit
  • Photo crosses the gutter
  • Balance achieved across the spread not on
    individual pages
  • Hero spread
  • Tint behind letter sets it apart
  • Floating toll-free slug allows for greater layout
    variety photos can bleed
  • Credit card information moved to order form

51
Rumas Makeover Spread 1, contd.
  • Glamour photography
  • Diffused lighting shadows
  • Sell the ambiance not just the product
  • Vary the backgrounds
  • Create natural environments to shoot in

52
Rumas Makeover Spread 1, contd.
  • Sans serif body and editorial copy, serif heads
  • Sans serif Frutiger
  • Serif Berkeley
  • Use of color draws attention to benefit-oriented
    lead-ins adds graphic interest

53
Rumas Before, Spread 1
54
Rumas After, Spread 1
55
Rumas Makeover Spread 2
  • Testimonial introduced
  • Mixed density spreads 23 has 4 products, 45
    has 7 products and editorial
  • Variety of backgrounds helps similar products
    stand out
  • Black-and-white photography and editorial convey
    the tradition and experience behind the company
  • Pieces of product broken out from main product
  • Prices bold, other elements not
  • Prices end in .95

56
Rumas Before, Spread 2
57
Rumas After, Spread 2
58
USI Front Cover, Full Line Catalog
  • Typical, clean grid approach
  • Monochromatic color scheme
  • Minimal copy in contemporary face
  • Logo usage too complicated for current clean
    design

59
USI Inside Front Cover
  • Well- organized
  • Fresh- looking use of color

60
USI Back Cover
  • What USI sells
  • Basic mailing and code collection information
  • Same logo as cover
  • Contemporary type

61
USI Typical Spread
  • Too much space for header
  • Professional approach

62
USIs Positioning Statement
  • USI provides quality laminating and finishing
    products to meet the varying needs of its
    customers
  • The Full Line catalog is the principal sales
    vehicle and serves as the customers buying
    reference throughout the year

63
USIs Target Market
  • Education
  • B2B
  • Dealer/distributor

64
USIs Major Creative Desire
  • Build on extremely high customer loyalty
  • Up to 82 will buy only from USI due to
  • Speed of delivery
  • Customer service
  • Convenience and ease of working with USI
  • Quality of products
  • Establish a unique brand that is easily
    recognizable and approachable to customers and
    prospects alike

65
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66
USI Brand Statement
  • Overall tone
  • Highlight USIs focus on the customer by showing
    more users and visuals of service
  • Make more current in feel but maintain
    easy-to-read and use
  • Perception well-organized B2B catalog
    well-run, knowledgeable catalog
  • Update logo and moderately stylize graphic
    approach
  • Add a graphic element that customers and
    prospects can tie in as distinctively USI

67
USI Overall Tone
  • Incorporate more real people photos
  • Preferably one photo per product category
  • Photo could highlight and lead off that category

68
USI Overall Tone
  • Highlight customer service toward the front of
    the catalog
  • Organize all ordering info in one place

69
USI Overall Tone
  • Make more current, stylized graphics
  • Will cover under Graphics
  • Unclutter and standardize logo usage
  • Need style guide

70
USI Overall Tone
  • Add a memorable graphic element
  • MUST be up-to-date style
  • Make it part of a customer-focused editorial
  • Could evolve into icon or spokesperson

71
USI Brand Statement
  • Usage and frequency
  • Concentrate on and promote USI-branded items in
    editorial and with close-up photography

72
USI Brand Statement
  • Use regular editorial and close-up photography of
    brand name
  • Logo on product must match masthead

73
USI Body
  • Density
  • Appropriate number of items/photos
  • Needs more clarity/differentiation between
    sections

74
USI Body
  • Hello Direct uses one image/message to lead off
    its phone section

75
USI Body
  • Number of pages
  • For B2B, bigger books usually higher retention
  • Increase pages as much as is economically
    possible
  • Currently have used perfect-bound and, though
    small, have managed a spine with lettering
  • Good use of copy on spine
  • Company name
  • Company tagline
  • Date

76
USI Body
  • Format
  • Maintain traditional, easy-to-file format (8 x 10
    1/8)
  • Paper weight and type (glossy) is appropriate as
    provides good repro
  • Some bleed-through but acceptable
  • Some of the recommended graphics can help
    overcome bleed-through

77
USI Body
  • Graphic design approach
  • Control floating photos
  • Adapt newer, more stylized layout techniques
  • Use design to better separate category sections
  • Maintain type combo of sans serif heads and serif
    body for up-to-date, attractive and professional
    look
  • Simplify type treatments used

78
USI Body
  • Corral photos for better organized, more
    up-to-date flavor
  • Occasionally, use glamour photo
  • Bars hold floating silos

79
USI Graphics, Stylized
  • Use either shadows, tints or boxes to hold
    photographs to the page
  • Floating silos only work in small sizes all
    neatly lined in a row

80
USI Graphics, Stylized
  • Compare this USI page to previous slide with even
    more items
  • Allow for additional type space by not having so
    much white space at top (of previous page)
  • Cross reference good idea but so strong takes
    away from product

81
USI Graphics, Stylized
  • Alternate grid approach is to pull all copy under
    silo
  • Copy grounds silo
  • Works best if
  • Header pulls main point of purchase together
  • Editorial supports overall reason-to-purchase

82
USI Graphics, Stylized
  • Another alternate is to mix boxed photos with
    silos, but in a contemporary, organized manner
  • Space by sales
  • Non-silos stand out more
  • Use for better sellers or products that set the
    mood for the grouping

83
USI Graphics, Stylized
  • USIs current category headers bold but not
    definitive
  • Users do ID with color per category
  • Keep major categories in same color field so TOC
    not rainbow
  • Catalog becomes boring if all heads of pages are
    black
  • Pagination should try to keep all headers on
    upper right-hand side(so facing left page must
    be same category)

84
USI Graphics, Stylized
  • Call-outs which point up specific product
    features
  • If possible, use on hero product in half or full
    page

85
USI Graphics, Stylized
  • Comparison of products, such as laminators

86
USI Graphics, Stylized
  • Organized, boxed photos
  • Clear, contemporary charts
  • Illustrations that attract attention and explain
    product differences

87
USI Graphics, Stylized
  • Use pale tints to help readability

88
USI Body
  • Copy Voice
  • Currently very dry
  • Needs more benefit popped-up

89
USI Body
  • Sign Banner Color Kits
  • Safe, quick, odorless without bleed through
  • USIs water-based color kits are non-flammable,
    fast-drying, with no odors and no bleed-through.
    11- or 15-piece kits include paint pots, 3
    different size pens for each pot, 1-quart ink
    bottles for each color plus a handy carrying
    tray.

90
USI Body
  • Promotional Influence
  • Keep promotions in other, more frequently mailed
    versions

91
USI Check Out
  • One of the best-of-the-best in B-to-B, DELL

92
USI Makeover Summary
  • Wanted input on
  • Taking advantage of customer loyalty
  • Creating a recognizable, approachable brand
  • We also suggested
  • Style guide
  • More differentiation between sections
  • Simplified type selection
  • Smaller heads
  • Better organization
  • Distinct graphic element
  • Highlight USI brand
  • Callouts

93
USI Makeover Spread 1
  • Emphasis on customer service
  • Lifestyle photographs
  • Testimonial
  • All ordering info in one place
  • Moved guarantee up from order form
  • Color-coded sections
  • Less space used for table of contents
  • Close-ups of products highlighting USI logo
  • Balance across the spread

94
USI Before, Spread 1
95
USI After, Spread 1
96
USI Makeover Spread 2
  • Simplified typeface selection
  • Sans serif Agenda
  • Serif Galliard
  • Smaller page head
  • Large photo used to introduce section, however,
    less overall space taken up by section opening
  • Small silos presented in grid fashion for
    comparison
  • Re-introduced Tech Tip good use of editorial
    and acts as distinct graphic element
  • Callouts
  • Alternating, tinted price lines

97
USI Before, Spread 2
98
USI After, Spread 2
99
Support Plus Front Cover
  • Warm and friendly
  • Shows product depth and seasonality
  • Succinct tag line
  • Well-organized
  • Call-to-action

100
Support Plus Inside Front Cover
101
Support Plus Back Cover
  • Jam-packed but a little too busy
  • Good share-with-a-friend message
  • Sale message somewhat buried by so many other
    elements

102
Support Plus Typical Spread
103
Support Plus Also Has Ads
  • Long copy ad looks little like the catalog
  • Different type, charts
  • Combo packaging and illustration
  • No eye flow

104
Support Plus Positioning Statement
  • The source for unique health care products and
    supportive shoes for the older market
  • Helpful, friendly, knowledgeable customer
    service agents
  • Trained by vendors
  • Reps are easy to reach via phone or internet
  • Quality at a good value

105
Support Plus Target Market
  • Median age 62
  • One of the fastest-growing segments in America
  • Female
  • 17 living alone
  • Conservative, religious, charitable, enjoy life
  • Concerned about their health and mobility
  • Lower to middle, middle class economically
  • Mostly family incomes around 34M

106
Support Plus Creative Desire
  • An organized, standardized catalog that is easy
    to browse
  • Not too crowded
  • Dont want to sacrifice larger, more readable
    type in order to have higher density
  • Spreads must look like spreads, not individual
    pages
  • A phone icon on at least every two out of three
    spreads
  • We do not shout at our customers no exaggeration
    or puffery

107
Support Plus Unique Considerations
  • Older audience
  • Catalog paginated by category
  • While Support Plus (left) layouts are cleaner,
    FootSmart (right) looks too similar

108
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109
Support Plus Brand Statement
  • Overall tone
  • Comfortable environment with framing white
    space for
  • Easy readability
  • Even fresher, cleaner, more contemporary look
  • Purer feeling
  • Use of color only when it has a real marketing
    benefit
  • More organized layouts, but mixed so not every
    page the same

110
Support Plus Brand Statement
  • Overall tone
  • Friendly, traditional, but not old-fashioned
  • Must appear to have latest in medical knowledge
  • Show the company behind the customer service
  • Use consistent illustrations to stand out

111
Support Plus Brand Statement
  • Living life to the fullest
  • Active older audience
  • Go for younger audience without losing current,
    older market

112
Support Plus Overall Tone
  • Comfortable environment with framing white
    space
  • Move type slightly further away from squared
    photos to create frame effect

113
Support Plus Overall Tone
  • Use of color only when has a real marketing
    reason
  • Benefit heading
  • Editorial

114
Support Plus Overall Tone
  • More organized layouts
  • More use of boxed photos
  • Tie-in copy next to photo or with clear key codes

115
Support Plus Overall Tone
  • Organized, boxed photos

116
Support Plus Overall Tone
  • Mix up the layout style
  • When possible with silos, organize under one main
    photo that represents the entire line
  • To save copy space, summarize benefits and
    features of common product group and reduce
    individual copy blocks

117
Support Plus Overall Tone
  • Friendly, traditional but not old-fashioned
  • Serif headlines
  • Sans serif body
  • Some illustrationsfor drama

118
Support Plus Overall Tone
  • Living life to the fullest and appearing to have
    the latest in medical knowledge
  • Add more small pictures of active adults
  • Products in use
  • Editorials

119
Support Plus Overall Tone
  • Replace existing editorial with simple health
    tips
  • Create a series that runs through the catalog and
    changes per issue
  • Discontinue editorials that consist of long, not
    easy-to-digest copy

120
Support Plus Brand Statement
  • Usage and frequency
  • Some confusion due to multiple brand choices
  • Promote own brand over others, even if others are
    now better known
  • Create new name for own brand that is not the
    same as the catalog name
  • Create and promote new brand throughout catalog
  • Because so many other logos are shown, use your
    own logo at bottom of page, not just type

121
Support Plus Body
  • Density
  • Currently appear to offer 48 items per page
  • While density changes, look and feel of layouts
    do not
  • Density is correct layout feeling needs to have
    more dramatic change from spread to spread
    (similar to what was shown for Rumas)
  • A more grid-like layout, with more boxed photos,
    can help allow more density variation

122
Support Plus Body
  • Number of Pages
  • 64 pages is appropriate for a summer catalog
  • Shows extensive breadth of line

123
Support Plus Body
  • Format
  • Continue 8 x 10 1/2 format
  • Economical, comfortable for customers to use

124
Support Plus Graphics
  • Replace colored top banners and category headers
    with fresh, new approach
  • This design allows for up to 1 category and 2
    sub-categories
  • Reduce long categories to category and sub
  • Also note good tip

125
Support Plus Graphics
  • Standardize position/design of all
    icons/logos/charts
  • Now being done with vendor logos
  • Also try to create one identifiable style of
    illustration
  • Now have variety of styles

126
Support Plus Graphics
  • Use cleaner graphics and color type to walk
    reader through a page/spread
  • One idea Support Plus top five (or recommended)
    walking shoes for women

127
Support Plus Graphics
  • Models
  • Dont just use older models but show a range
  • Appeal to under 60
  • Appeal to vanity and confidence of over
    60-year-old

128
Support Plus Copy Voice
  • Copy is generally excellent
  • Lead-in inconsistent
  • Sometimes benefit-oriented, sometimes not
  • Go for the benefit!

129
Support Plus Promotional
  • Older market tends to be very price conscious
  • Prices are inconsistent, but this is OK because
  • Feels like these are the real prices
  • Makes multiples appear to be of even higher value
  • Continue promotional aspect, just standardize for
  • More contemporary feel
  • Easier spotting by readers
  • Impact will still allow merchandise to shine

130
Support Plus Promotional
  • Occasionally, use large, colored type to
    highlight savings
  • And color choices (if relevant)
  • Note use of colored type to hype extended,
    narrow, wide sizes

131
Support Plus Check Out
  • Nobody
  • The field is yours!

132
Support Plus Makeover Summary
  • Wanted input on
  • Organizing and standardizing
  • Spreads designed as a unit
  • Toll-free placement
  • We also suggested
  • More white space
  • More contemporary feel
  • Consistent use of color
  • Simplified editorial
  • Promote Support Plus brand emphasize logo
  • New page heads
  • Also appeal to younger audience

133
Support Plus Makeover Spread 1
  • Unlike previous two makeovers, tried to keep all
    elements the same between before and after
  • Balance across the spread
  • Product crosses gutter
  • More white space, separation between products
  • Modern, more readable type
  • Serif PMN Caecilia
  • Sans serif Myriad MM (multiple master)

134
Support Plus Makeover Spread 1 (contd)
  • Type comparison new and old

135
Support Plus Makeover Spread 1 (contd)
  • Same density, more organized, visually simpler
  • Strict 3-column format
  • Still affords flexibility but creates consistency
  • Kept rules between columns but thinner and black
  • Replaced some photos with simpler ones from
    Website
  • Replaced color gradient headers with simple
    2-color type treatment shorter names
  • Uniform color palette throughout
  • Main product shots bigger, secondary shots
    smaller, removed or replaced with illustrations

136
Support Plus Before, Spread 1
137
Support Plus After, Spread 1
138
Support Plus Makeover Spread 2
  • Same 3-column format but used alternate
    keyed-grid approach
  • More square-ups, fewer silos
  • Same color scheme
  • Floating toll-free slug
  • No credit card icons
  • Support Plus icon and logo
  • Added editorial element

139
Support Plus Before, Spread 2
140
Support Plus After, Spread 2
141
Thank You!
  • Any further questions?

142
(No Transcript)
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