Kent State eMedia Lecture 7-March-2011

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Kent State eMedia Lecture 7-March-2011

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Advanced eMedia Management Lecture of March 7, 2011. – PowerPoint PPT presentation

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Title: Kent State eMedia Lecture 7-March-2011


1
Advanced EMedia Management
2
Anti-Cybersquatting Consumer Protection Act
  • Creates a cause of action that is confusingly
    similar to or dilutes a trademark or name.
  • Must show a bad faith intent to profit from
    similar domain.

3
Anti-Cybersquatting Consumer Protection Act
Evidence of Bad Faith
  • Intent to divert consumers
  • Domain is not used with legitimate business
  • Offer to sell domain with no intent to use it
  • Distinctiveness of original mark or name

4
Bad Faith Diverting Customers
5
Bad Faith For Sale
6
Anti-Cybersquatting Consumer Protection Act No
Bad Faith
  • Consists of same name, e.g. McDonaldsPlumbing.com
  • Prior use in bona fide offering of service

7
Why is this OK?
http//www.nydailynews.com/index.html
http//www.dailynews.com/
http//www.thedailynews.com/
8
Advertising KeywordsProblems with Buying
Keywords,and selling Keywords
9
Buying Keywords Sample
  • Automobiles, Akron, hybrid, fuel-efficient

10
Keywords Results
  • Automobiles, Akron, hybrid, fuel-efficient

11
1-800 Contacts vs. Lens.com
12
1-800 Contacts
Keywords Contact lenses
13
1-800-Contacts v. Lenses.com
  • Mark used in commerce, even though invisible.
  • If link did not incorporate 1-800 Mark, likely no
    confusion.

14
1-800-Contacts
  • Here are the problems
  • 1-800 Discount Contacts wwwLens.com Great
    Prices. Huge selection. Free Delivery.
  • 1-800 Contacts Simple online ordering of lenses.
    Compare our prices and save. www.JustLenses.com.

15
1-800 Contacts Review
  • Lens purchased 8,016 keywords
  • 800c Contacts, 800 Lense, 1-800-Lens
  • Agency bought 1800 contact lenses, etc.
  • 1800Contacts. Heres the ad
  • Name brand contacts, low prices.
    www.justlenses.com.

No use of 1800Contacts in ad!
16
Buying Keywords
  • Binder vs. Disability Group

17
Exception to Copyright Infringement
  • Fair Use

18
Exception to Copyright Infringement
  • Fair Use
  • the purpose and character of your use.
  • Is it used for commercial use?
  • Is it uses for news or criticism?
  • Is it used for education?

19
Exception to Copyright Infringement
  • Fair Use
  • the nature of the copyrighted work.
  • Are you copying expression?
  • E.g. Fiction novel?
  • Song?
  • Are you copying facts fact?

20
Exception to Copyright Infringement
  • Fair Use
  • the amount and substantiality of the portion
    taken.
  • Most significant portion?
  • Only small portion to make a point?

21
Exception to Copyright Infringement
  • Fair Use
  • the effect of the use upon the potential market.
  • Original author could have monetized it.
  • Transformative. It doesnt compete.

22
Exception to Copyright Infringement
Is it TRANSFORMATIVE?
23
Satire is NOT Fair Use
24
Exception to Trademark Infringement
  • There is no way to readily identify a kind of
    product without using the trademarked name AND
  • Only as much of the mark is used as is reasonably
    necessary AND
  • There is no suggestion of sponsorship or
    endorsement by the trademark owner.

25
Summary - ExceptionsTrademark Nominative or
fair Use of mark a defense
Is reproducing the screen shot OK?
26
Summary Exceptions
27
Summary Exceptions
  • Digital Millennium Copyright Act
  • Protects Internet Service Providers if
  • Involves user generated content
  • No actual knowledge
  • Notice and take down process
  • Prompt take-down
  • Did not have direct commercial benefit with
    direct control over activity

28
(No Transcript)
29
Summary Excceptions
  • Communications Decency Act
  • Immunity for Tort liability (defamation, invasion
    of Privacy, etc.) for
  • User generated content
  • No actual knowledge
  • It does not apply to copyrights and trademarks

30
Conveying Rights
31
Contracts
  • Meeting of the Minds
  • Offer and Acceptance
  • Mutual Consideration
  • Performance
  • Note Action can create contract

32
Step One Conveying Rights in Content
  • Three Models
  • Assignment Selling it.

33
Step One Conveying Rights in Content
  • Three Models
  • Assignment Selling it.
  • Owners sells copyright to a new owner.
  • Hybrid Commission Work (assignment included)

34
Step One Conveying Rights in Content
  • Three Models
  • Assignment Selling it.
  • Owners sells copyright to a new owner.
  • Hybrid Commission Work (assignment included)
  • License Rents the Work, but keeps ownership.

35
Model 1 Assignment
  • Exclusive rights transfer of ownership, or
    giving an exclusive license, must be in writing.
  • No writing required for non-exclusive right, but
    you should do it anyway.

36
Assignment
  • When used? A commissioned work, e.g., an artist
    creates a logo for a company that will be used as
    a trademark.
  • Photographer or writer is creating a custom item
    of content.

37
Sample Assignment Language
  • FOR GOOD AND VALUABLE CONSIDERATION, receipt
    John Doe ("Assignor"), located at 123 Main
    Street,
  • hereby irrevocably transfers and assigns to Jane
    Doe ("Assignee) all right (whether now known or
    hereinafter invented), title, and interest,
    throughout the world, including any copyrights
    and renewals or extensions thereto, in the
    manuscript It Aint Love But It Aint Bad

38
Work Made for Hire Idaho
  • Author and College intend this to be a contract
    for services and each considers the products and
    results of the services to be rendered by Author
    hereunder (the Work) to be a work made for
    hire.

39
Work Made for Hire
  • If for any reason the Work would not be
    considered a work made for hire under applicable
    law, Author does hereby sell, assign, and
    transfer to College, all right, title and
    interest in and to the copyright in the Work

40
Model 3 Licenses
  • License An agreement that gives a user the right
    to use copyright work.
  • In other words, a lease, or rental.

41
Types of Licenses
  • Exclusive.
  • Must be in writing.
  • Non-Exclusive.
  • Can farm out content to multiple users.
  • Implied (by actions).

42
Exclusive License
  • 2. GRANT OF LICENSE. Subject to the terms and
    conditions of this Agreement, LICENSOR hereby
    grants to LICENSEE the exclusive license to use,
    market, distribute and sell the EDUCATIONAL
    MATERIALS in the TERRITORY and the exclusive
    right to sublicense others to market, distribute
    and sell the EDUCATIONAL MATERIALS in the
    TERRITORY. This grant is to the exclusion of
    others, including the LICENSOR.
  • Why Exclusive?
  • Right to control use and misuse of works.
  • Could be for limited time, get all rights back.
  • Get paid more for exclusive right.

43
Non-Exclusive License
  • Owner hereby grants Organization a non-exclusive
    right to copy certain materials described in
    Attachment A (the Material), in whole or in
    part, and to incorporate the Material, in whole
    or in part, into other works (the Derivative
    Works) for Organizations internal use only.
  • Why Non-Exclusive?
  • Useful for republishing rights content may
    already have appeared elsewhere.
  • Pay less for non-exclusive use.

44
Implied License
45
Tribune Freelance Agreement
46
Tribune Freelance Agreement
  • Step 1 The Recital
  • BACKGROUND

47
Tribune Freelance Agreement
  • 1. PROVISION AND PUBLICATION OF THE WORK. The
    Photographer shall provide the Work to KRT via
    email, FTP, or any agreed-upon electronic method
    by the deadline set forth above.

48
Tribune Freelance Agreement
  • 2. GRANT OF LICENSE. . . . You agree that your
    works are works for hire, and you hereby assign
    and transfer to the Publisher an undivided,
    one-half ownership interest to your works that
    you submit to the Publisher from time to time..

49
Tribune License Agreement
  • The Publisher will not be obligated in any way to
    pay or otherwise account to you for any
    royalties, fees or other payments received by the
    Publisher in connection with the Publishers use,
    sale, license, distribution or other transfer of
    the works covered by this letter. (Hmm..Joint
    Author language??)

50
Tribune Freelance Agreement
  • Similarly, you will not be obligated in any way
    to pay or otherwise account to the Publisher for
    any royalties, fees or other payments received by
    you in connection with your use, sale, license,
    distribution or other transfer of the works
    covered by this letter that are permitted by the
    terms of this letter.

51
Tribute License Agreement
  • You agree not to assert any moral rights or
    similar rights against the Publisher with respect
    to such works.

52
Tribune Freelance Agreement
  • The Photographer grants KRT a worldwide
    non-exclusive, perpetual, royalty-free license to
  • (i) reproduce, distribute, publicly perform and
    publicly display the Work, in any media, whether
    now known or hereafter created (including,
    without limitation, electronic distribution and
    inclusion in archival databases) etc.

53
Tribune Freelance Agreement
  • Section 3 In every copy of the Work, KRT agrees
    to give credit to the Photographer, in the same
    manner as it accords credit to all other artists
    and copyright owners whose works are included in
    KRT services.

54
Tribune Freelance Agreement
  • 4. PHOTOGRAPHERS REPRESENTATIONS AND WARRANTIES.
    The Photographer represents and warrants that
  • (i) he or she has the right and authority to
    enter into this Agreement (Legal capacity)
  • (ii) . . . the Work . . . will not infringe upon
    or misappropriate the intellectual property or
    other proprietary rights of any third party

55
Tribune Freelance Agreement
  • 4. PHOTOGRAPHERS REPRESENTATIONS AND WARRANTIES.
    The Photographer represents and warrants that
  • (iii) the Work does not contain any matter that
    is defamatory or that otherwise violates the
    privacy or publicity rights of any person
  • (iv) the Photographer will use his or her best
    efforts to ensure that the Work is true and
    accurate and
  • (iv) the Photographer is not now, nor will he or
    she be during the term of this Agreement, under
    any obligation to a third party that prohibits,
    limits or otherwise adversely affects his or her
    ability to perform his or her obligations under
    this Agreement.

56
Tribune Freelance Agreement
  • 5. INDEMNITY. Each party will defend, at each
    partys expense, any claim, suit, or proceeding
    brought against the other based on a claim that
    arises out of or is related to its breach of any
    warranty or representation under this Agreement,
    and will pay all damages, costs, and expenses
    incurred by the other party in connection with
    such claim.

57
Tribune Freelance Agreement
  • 6. PAYMENT TO PHOTOGRAPHER AND EXPENSES. In full
    and final consideration of the rights granted to
    KRT in this Agreement, KRT will pay the
    Photographer the fees, if any, set forth in
    Exhibit A on the terms set forth therein.

58
Tribune Freelance Agreement
  • 7. TERM AND TERMINATION. This Agreement shall
    remain in effect for one year from the effective
    date, and shall renew for additional one-year
    periods, unless
  • terminated by either party upon 30 days written
    notice prior to the end of the then-current term.
  • Either party may terminate this Agreement with or
    without cause, upon 30 days prior written notice.
  • Note short, 30-day cut means theres no need to
    have breach of contract provision.

59
Tribune Freelance Agreement
  • Boilerplate Terms Choice of law
  • 8. MISCELLANEOUS. This Agreement shall be
    governed by and construed in accordance with the
    substantive laws of the United States and the
    State of California, without regard to or
    application of Californias conflicts of law
    principles.
  • Note Parties can agree to venue.

60
Tribune Freelance Agreement
  • Merger Clause
  • This Agreement constitutes the entire agreement
    between the parties with respect to the subject
    matter of this Agreement . . .

61
Tribune Freelance Agreement
  • Amendment Clause
  • Any . . .amendment or other modification . . . of
    this Agreement shall be effective only if in
    writing and signed by both parties.

62
Tribune Freelance Agreement
  • Independent Contractor
  • This Agreement shall not be construed as creating
    an agency, partnership, joint venture or any
    other form of legal association between the
    parties and each party is an independent
    contractor.
  • Why? No vicarious liability right to control.

63
Tribune Freelance Agreement
  • Successor clause
  • This Agreement shall be binding upon and inure to
    the benefit of the parties and their respective
    successors . . .
  • (Assignment Clause) that Photographer may not
    assign any of its rights, obligations, or
    privileges under this Agreement without the prior
    written consent of KRT.

64
Tribune Freelance Agreement
  • Severability Clause.
  • If any court of law, having the jurisdiction to
    decide on this matter, rules that any provision
    of these Terms is invalid, then that provision
    will be removed from the Terms without affecting
    the rest of the Terms. The remaining provisions
    of the Terms will continue to be valid and
    enforceable.
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