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Macrophotography

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Nikon 1.5 crop = 1.5:1 ratio. Curvilinear Distortion ... Nikon Micro. 105mm f/2.8 VR. Sigma 150mm. f/2.8 Macro. Kenko extension. tube set. Velbon Macro Rail ... – PowerPoint PPT presentation

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Title: Macrophotography


1
Macrophotography
  • FDCC - May 2008

2
macrophotography
  • Strict definition - From life size to limit of
    unaided visibility
  • Loose definition - about 1/3 life size to limit
    of unaided visibility

3
Magnification
  • Magnification is usually represented as a ratio
  • Life size 11
  • Half life size 12
  • Twice life size 21
  • A lens magnification is based on a full-frame
    sensor/film camera
  • On a crop camera, the effective ratio is
    magnified
  • Canon 1.6 crop 1.61 ratio
  • Nikon 1.5 crop 1.51 ratio

4
Curvilinear Distortion
  • The outer surface of all distal lens elements are
    curved
  • This curvature results in slightly different
    focal distances to the sensor plane
  • For objects feet or more away, this has very
    little impact on focus
  • However, for macrophotography it can have a
    dramatic impact on focusing
  • Focus on center, periphery is out of focus
  • Focus on periphery, center is out of focus
  • Dedicated macro lenses are corrected for this
    phenomenon

5
Tools of Macrophotography
  • Conventional lenses with macro capabilities
    (i.e., close focusing)
  • Dedicated macro lenses
  • Extension tubes
  • Bellows
  • Macro ring flash
  • Macro rail

Kenko extension tube set
Nikon Micro 105mm f/2.8 VR
Sigma 150mm f/2.8 Macro
Nikon bellows
Canon MP-E 65mm f/2.8 1x to 5x magnification
Nikon E-TTL ring flash
Velbon Macro Rail
6
Conventional Lenses
  • Many conventional lenses have macro capabilities
    that provide up to 12 (half life size)
    magnification
  • Generally, they tend to suffer optical
    distortions at macro settings
  • However, they are typically inexpensive

Sigma 17-70 f/2.8-4.5 Macro
7
Dedicated macro lenses
  • Usually provide 11 magnification to infinity
    focus
  • Have high-quality lens elements specifically
    designed for high magnification
  • Tend to be extremely sharp
  • Many portrait photographers use macro lenses
  • Fixed focal length
  • Substantially more expensive

Pentax 100mm f/2.8 Macro with hood
8
Extension tubes
  • Fit between camera body and lens
  • Have no optics
  • Increase the distance of the lens to the sensor,
    thus increase magnification
  • Lose infinity focus
  • More expensive ones maintain electrical
    communication between camera and lens
  • Maintains autoexposure, focus and TTL flash

9
Bellows
  • Similar to extension tubes, but variable
    extension
  • Do not maintain electrical communication between
    camera and lens
  • Lose autofocus, autoexposure and TTL
  • Generally not used today

10
Macro Ring Flash
  • Magnification reduces the amount of light that
    strikes the sensor, thus flashes are often needed
  • Shoe-mounted or pop-up flashes cannot illuminate
    a macro subject because the lens impedes the
    light path
  • Macro ring flashes mount on the end of the lens
    to provide flash illumination
  • Some provide E-TTL, while others do not

Sigma EM-140 Ring Flash
11
Macro Ring Flash
  • Conventional flashes can be used with brackets
    and diffusers
  • Need off-camera cable to preserve E-TTL

Delta Flip Flash Bracket II
12
Aperture Diffraction
  • Aperture diffraction occurs when the aperture is
    very small
  • The result is softness of the image
  • This phenomenon is magnified with macro
    photography
  • Thus, the optimal aperture for most dedicated
    macro lenses is around f/11
  • Larger apertures have thin focal plane, thus have
    narrow depth of field
  • Smaller apertures have diffraction, thus the
    image is soft

13
Purchasing Macro Lenses
  • Optically, all dedicated macro lenses will be
    about the same
  • The differences in prices include
  • Brand name
  • Fast autofocusing (ultrasonic motors)
  • Internal focusing (lens does not change length)
  • Included accessories
  • Lens hood
  • Case
  • Tripod collar

14
Macro Technique
  • Moving object
  • Monopod or free-hand
  • Rails often of little use
  • Manual focus
  • Focus on a point, then move towards that point
  • Repeat
  • Stationary object
  • Tripod
  • Mirror lock-up
  • Manual focus
  • Rails help significantly

15
Focus stacking
  • A lack of depth of field is the principal problem
    with macro photography
  • Focus stacking is the process of taking several
    shots at different focal planes, then using the
    in-focus regions of those images to make a single
    image thats in focus throughout
  • Avoid changing the lens focus as this also
    changes the magnification
  • Helicon Focus is a software package that provides
    this technique
  • Focus rails are excellent for stacking
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