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Tutoring Writing

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Title: Tutoring Writing


1
Tutoring Writing
  • Suzanne Robertshaw
  • Tutor Coordinator
  • Rollins College, Florida
  • ATP on-line workshop Fall 2008
  • Meeting the Demand Strategies and
  • Techniques for Tutoring Students
  • across the Curriculum

2
Tutoring Writing
  • In this presentation Im sharing some of our
    training for the Rollins College Writing Centers
    peer writing consultants and for content tutors
    in the humanities and social sciences. Heres
    how we explain the difference to students and
    professors
  • Tutors are specialists. They usually work within
    their majors with professors they know and
    courses theyve taken. See a tutor as you adjust
    your learning style to course demandstests,
    homework, etc.
  • Writing consultants are generalists. They talk
    with writers across the curriculum at any stage
    of the writing process, from brainstorming a
    topic to structuring an argument to editing a
    final draft.
  • With early paper drafts, either a tutor or a
    consultant can help. Tutors know the courses
    big themes. Consultants question you, the
    expert. Later, use the Writing Center as you
    organize paragraphs and polish sentences.
  • I work with tutors who help with papers, but also
    those in foreign languages, quantitative and
    science courses. I also work in the Writing
    Center.

3
This presentation
  • This presentation begins with a look at the
    writing process and the kind of feedback thats
    needed at these different stages.
  • These frameworks are from Rollins College and
    from UNC Chapel Hill.
  • The next part includes a history paper assignment
    and two drafts, each with ways writing tutors can
    give appropriate feedback.
  • The final section gives examples of visual
    methods for organizing material when getting the
    writer to brainstorm material.
  • I hope youll find some interesting ideas as we
    take a stroll through the world of writing. See
    you in the discussion boards

4
What do profs complain about? ...problems
with student writing
My paper is bleeding!
  • Content issues
  • Question/assignment is not fully addressed
  • Its Rollins Writing Center mantraWhats the
    assignment?
  • Important ideas show up at the end of papers
  • When writing happens too late, students confuse
    first drafts with final ones, when they are
    really discovery drafts.
  • Ideas are only superficially treated
  • no support for assertions, no explanations
  • sources arent integrated or synthesized (you
    need to use 5 quotes)
  • Bottom line? Students dont plan the writing task
    well.
  • Grammar, mechanics, style (personal style and
    APA, MLA, Chicago, etc.)
  • Late-stage draft, sentence-level expression
    problems

5
What writing habits do we want to encourage?
  • Stretch out the writing process
  • Understand that thinking and writing take time.
  • Oppose the dictum, Think before you write.
  • Attend to one or two stages in the process at a
    time
  • See notemaking (from reading texts, class group
    discussions and consolidated study tools) as
    prewriting
  • Tutors help clients understand the importance of
    notes and discussion for studying why not for
    writing, too?
  • Understand that writing should always involve
    rewriting, as they refine their ideas
  • Realize that they need to take their drafts from
    a writer-based to a reader-based form (Because
    all writers need readers. University of Central
    Floridas Writing Center motto).

6
Getting feedback on writingfrom Chapel Hill WC
http//www.unc.edu/depts/wcweb/handouts/feedback.h
tml
  • Understanding the assignment (Do I understand the
    task? How long should it be? What kinds of
    sources should I be using? Do I have to answer
    all of the questions on the assignment sheet or
    are they just prompts to get me thinking? Are
    some parts of the assignment more important than
    other parts?)
  • Factual content (Is my understanding of the
    course material accurate? Where else could I look
    for more information?)
  • Interpretation/analysis (Do I have a point? Does
    my argument make sense? Is it logical and
    consistent? Is it supported by sufficient
    evidence?)
  • Organization (Are my ideas in a useful order?
    Does the reader need to know anything else up
    front? Is there another way to consider ordering
    this information?)
  • "Flow" (Do I have good transitions? Does the
    introduction prepare the reader for what comes
    later? Do my topic sentences accurately reflect
    the content of my paragraphs? Can the reader
    follow me?)
  • Style, grammar small errors


7
and (feedback) from whom?http//www.unc.edu/depts
/wcweb/handouts/feedback.html
  • yourself--reading your own notes and drafts is
    crucial!
  • a classmate (a reader familiar with the
    day-to-day discussions, readings, demands but not
    expert)
  • your TA (an expert, pursuing an advanced degree,
    usually familiar with daily course activities, or
    even teaching it)
  • a tutor for the course (a student expert but not
    necessarily familiar with current course)
  • the professor (a very expert reader)
  • your roommate/friend/family member (an interested
    but not familiar reader)
  • a writing tutor (an interested but not familiar
    reader, w/ special skills in the writing process
    at all stages)

8
Whose knowledge? Collaborating or cheating?
  • Learning is not solitary learners construct
    knowledge from conversations where they
    challenge each others biases and
    presuppositions. (Kenneth Bruffees
    Collaborative Learning and the Conversation of
    Mankind (College English, 1984)
  • http//www.unc.edu/depts/wcweb/handouts/feedback.h
    tml
  • Asking for help on your writing does not equal
    plagiarism, but talking with classmates about
    your work may feel like cheating. Check with your
    professor or TA about what kinds of help you can
    get legally. Most will encourage you to discuss
    your ideas about the reading and lectures with
    your classmates.
  • In general, if someone offers a particularly
    helpful insight, it makes sense to cite him or
    her in a footnote.

9
Whose knowledge (2)?
Level of knowledge, authority
lowest
highest
Professor TA SI leader tutor
classmate writing tutor friend/family
Force writers to make ideas very clear
Style of sessions
Top-down teacherly passive learning
Bottom-up facilitative active learning
Force learners to reveal and assess their
understanding and adjust strategies
10
Whats involved in writing?
  • The Rollins Writing Center consulting notes form
    sketches out our vision of the writing process.
    We hope clients will eventually realize that they
    can write better papers if they allow enough time
    for frequent revision instead of cramming all the
    tasks involved into a couple of hours.

___EARLY (IDEAS) __thesis statement __developing
ideas __supporting details __choice of sources
___INVENTION __brainstorm __freewrite __map/outlin
e __understanding assignment
___MIDDLE (STRUCTURE) __logic of argument __
organization __sentence organization in
__transitions
___LATE (REFINEMENTS) __sentence variety __style
concerns __punctuation __use of
quotations/paraphrasing
___FINAL EDIT __proofreading __citation
format __spelling __paper format
11
The writing toolkit for tutorswhats next?
  • Ways to help students understand the assignment
  • Before starting, or after writing a draft
  • Tools to help brainstorm
  • Before they start writing, so theyre already on
    the right track.
  • After a draft, when realizing they need to add
    more info.
  • Techniques to analyze student drafts for content
    and adherence to the assignment
  • Examples of feedback on grammar and mechanics
  • With a history paper assignment and two drafts to
    exemplify the techniques
  • And at the end, several visual examples of
    brainstorming techniques, to help organize
    information tutors get by careful questioning of
    student writers, at early and mid-stage drafts

12
Understand the assignment
  • The tutor can guide students in understanding the
    multiple layers of an assignment.
  • For a superb structure to follow, see the handout
    on reading assignments from The Writing Center at
    UNC Chapel Hill http//www.unc.edu/depts/wcweb/h
    andouts/readassign.html

__INVENTION __brainstorm __freewrite __map __outl
ine __understanding assignment
assignment formats overview, task, style,
addtl. material, technical details interpreting
the assignment why? to give info, to relate
it, to interpret it (think about Blooms levels
of cognitive tasks, look for
the verbs used) who is the audience?...tone,
level of info what kind of evidence?depends
on the subject area, what is authoritative
13
e.g. an assignment
  • Write a six-page film review of Pleasantville
    from a historians point of view--not like the
    Orlando Sentinel critic more like historian Alan
    Brinkley writing for The New Yorker.
  • DO NOT SUMMARIZE the plotanalyze the movie. How
    does the filmmaker portray the 1950s? What are
    the strengths and limitations of his vision?
    Refer to at least three primary or secondary
    sources in your critique. What do Jennifer and
    David, the time-traveling teenagers, learn from
    their sojourn in Pleasantville? Is this merely a
    personal lesson, or do the 1950s have something
    to teach Americans as a whole? Refer often to
    the materials we discussed in class
  • TVs the Thing and Growing Up, chapters from
    The Fifties The Way We Really Were published by
    Douglas Miller and Marion Nowak in 1977
  • The Americans, a book of photographs taken by
    Robert Frank in 1955/56
  • Pleasantville, a movie made in 1998 by
    writer/director Gary Ross
  • The American Experience, a collection of primary
    and secondary sources about major social and
    political developments after World War II
  • The Fifties (selections from it), a 1993 book by
    David Halberstam

14
One way to unpack that assignment
  • Write a six-page film review--not like the
    Orlando Sentinel critic more like Alan Brinkley
    writing for The New Yorker.
  • DO NOT SUMMARIZE the plotanalyze the movie.
  • What do Jennifer and David, the time-traveling
    teenagers, learn from their sojourn in
    Pleasantville? Is this merely a personal lesson,
    or do the 1950s have something to teach Americans
    as a whole?
  • How does the filmmaker portray the 1950s? What
    are the strengths and limitations of his vision?
  • Refer to at least three primary or secondary
    sources in your critique. Refer often to the
    materials we discussed in class.

15
Check the draft against the assignmentwhere to
look?
  • Often student writers throw some ideas on paper
    and assume theyre done. As a writing tutor,
    part of your job is to brace them for the
    rigorousbut rewardingwork of revision.

Some teachers call early drafts DISCOVERY drafts
because writers often DISCOVER what they mean to
say as they near the end. Dont give up if the
first couple of paragraphs seem formlessand make
sure you skim the conclusion.
I never know what I think about something until I
read what Ive written on it. William Faulkner
(Rollins WC training manual)
16
Responding to an early draft (1)
You can help students find how they are (or are
not) following the directions in the assignment.
  • summarizng?
  • David and Jennifer get into a fight over the
    remote control. Hes a geek that wants to watch
    old shows on TV. This strange repairman pulls up
    out of the middle of nowhere and gave them a new
    remote control that sends them into the TV
  • Everybodys so dumb they think geography ends
    with main street and elm. dumb and lucky. The
    guy at the coffee shop cant function, when his
    routine gets messed up. When the sister starts to
    have sex he sees a red rose.
  • (snip, snipto the last
    paragraph)
  • David learns that hes not such a dweeb.
    Jennifer learns that she has a brain so she drops
    the slut act. This is a personal lesson. In the
    end David is comforting his Mom who feels sad
    that shes 40 and divorced, maybe shes dreaming
    of a husband who says honey, Im home but
    probably shed divorce him if he did. Davids
    lesson for her at the end is that nothing in life
    is simple. Maybe thats what the movie is trying
    to say. We have a simple view of the fifties
    like Ozzie and Harriet or Leave it to Beaver.
    Nostalgia. We forget that people were worried
    about the Bomb and the War in Korea.
  • important!
  • other sources

17
Responding to a draft (followed by student
rewriting)
Rollins Writing Center consulting notes form
___EARLY (IDEAS) __thesis statement __developing
ideas __supporting details __choice of sources
___MIDDLE (STRUCTURE) __logic of argument __
organization __sentence organization in
__transitions
___INVENTION __understanding assignment
UNC Chapel Hill Getting Feedback http//www.unc.
edu/depts/wcweb/handouts/feedback.html
  • Understanding the assignment
  • Factual content
  • Interpretation/analysis
  • Organization

18
Ask students to analyze their own drafts for
content
  • Underline the thesis. Is there a thesis? Can
    the writer summarize the main idea of the paper
    in a sentence? Is it a dead- end thesis, which
    will corner the writer into obvious conclusions,
    or is the thesis a thoroughfare with interesting
    avenues to explore?
  • Gloss. Have the client write down the main idea
    of each paragraph in the margin. Do all the
    sentences in the paragraph add up to a single
    topic? Do all the paragraphs relate back to the
    thesis?
  • Use highlighters to make any kind of analysis
    stand out. After deciding what a paragraph is
    about, give those words a color. Get the writer
    to mark each different idea in a different color.
    And on the paragraph level, mark similar ideas
    in a single color. A pink idea might not belong
    in a blue paragraph.
  • (Ive demonstrated several
    ways of doing this in other slides)
  • Discuss evidence. Does the assignment offer
    guidance? What kind of support does the writer
    plan to use? How is the writer evaluating
    sources and keeping track of where supporting
    details come from?

  • (Rollins WC training manual)
  • thesis

19
Responding to an early draft (2)
You can get the student to categorize what is in
each part of the paper, to guide in writing the
next draft.
  • plot points
  • David and Jennifer get into a fight over the
    remote control. Hes a geek that wants to watch
    old shows on TV. This strange repairman pulls up
    out of the middle of nowhere and gave them a new
    remote control that sends them into the TV
  • Everybodys so dumb they think geography ends
    with main street and elm. dumb and lucky. The
    guy at the coffee shop cant function, when his
    routine gets messed up. When the sister starts to
    have sex he sees a red rose.
  • (snip, snipto the last
    paragraph)
  • David learns that hes not such a dweeb.
    Jennifer learns that she has a brain so she drops
    the slut act. This is a personal lesson. In the
    end David is comforting his Mom who feels sad
    that shes 40 and divorced, maybe shes dreaming
    of a husband who says honey, Im home but
    probably shed divorce him if he did. Davids
    lesson for her at the end is that nothing in life
    is simple. Maybe thats what the movie is trying
    to say. We have a simple view of the fifties
    like Ozzie and Harriet or Leave it to Beaver.
    Nostalgia. We forget that people were worried
    about the Bomb and the War in Korea.
  • thesis?
  • in the movie?

20
Using brainstorming at the beginning
  • Starting out the writing process with
    brainstorming is both a creative and structured
    way to ensure that later writing is not
    off-track.
  • and in the middle
  • When working with drafts, you can use these same
    (graphical) methods to help writers structure new
    information, as they understand the assignment
    better and/or see where their paper has gaps or
    needs clarification.

You can help the student brainstorm more about
what is in the other sources and is not in the
movie. Or about the personal lessons that point
to the problems of the fifties. Or wherever the
writers ideas go, following the assignments
path.
21
Generate ideas to fit task
  • HOW?
  • Appeal to various styles
  • WHERE FROM?
  • Pinpoint sources of info
  • written texts (books, supplementary readings,
    internet sites) notes
  • class notes
  • other consolidated notes (study tools) made in
    groups (SI, tutoring, study groups) and/or by
    individual student

__INVENTION __brainstorm __freewrite __map __outl
ine __understanding assignment
22
Wheres the beef?
  • In a mid-stage draft, you can help the writer
    evaluate following
  • Do I have a point?
  • Does my argument make sense?
  • Is it logical and consistent?
  • Is it supported by sufficient evidence?
  • And give feedback on how well the facts support
    the clients assertions
  • Understanding the assignment
  • Factual content
  • Interpretation/analysis
  • Organization

___EARLY (IDEAS) __thesis statement __developing
ideas __supporting details __choice of sources
  • http//www.unc.edu/depts/wcweb/handouts/feedback.h
    tml

23
A later draft content feedback
  • Pleasantville The Movie Review
  • Pleasantville is an entertaining
    movie about two teenagers from the 90s that
    travel back to the 50s. They are not time
    travelers like in Back to the Future however
    because Pleasantville is not a real place but a
    TV show. The director makes some good points
    about the fifties, but he is not pretending like
    Oliver Stone that he is telling real history. The
    movie relied on magic and fantasy so you knew
    this was fiction. One just has to accept that
    these two teenagers can ride the airwaves back in
    time and that the sitcom parents dont even
    recognize that there children have changed. But
    Pleasantville shows that, women and even men
    felt oppressed by the culture, this is a great
    strength of the movie. If the movie was really
    trying to teach history than we should have seen
    soldiers leaving for Korea and air-raid drills in
    school and black people marching for their civil
    rights. In my opinion one can get some history
    from the movie, but only if you all ready know
    something about the fifties. If you dont you
    might be decieved by the black and white and
    think it was a documentary which its not.
  • (the introduction to a seven-
    page paper)
  •  
  • thesis

This draft has more shape, more intention at the
outset. Using marginal glosses or highlighters,
the writer then can show you where each part of
the thesis is covered. Note that grammar
mechanics are not discussed before dealing with
the content.
24
Feedback on expression
  • In a late-stage draft, you can help the writer
    evaluate the following, (from Rollins writing
    process)
  • Or in UNCs handout

___LATE (REFINEMENTS) __sentence variety __style
concerns __punctuation __use of
quotations/paraphrasing
___FINAL EDIT __proofreading __citation
format __spelling __paper format
  • Flow
  • Style
  • Grammar
  • Small errors
  • http//www.unc.edu/depts/wcweb/handouts/feedback.h
    tml

25
A later draft grammar feedback
Punctuation Further coded by type of error?
  • Pleasantville The Movie Review
  • Pleasantville is an entertaining
    movie about two teenagers from the 90s that
    travel back to the 50s. They are not time
    travelers like in Back to the Future however
    because Pleasantville is not a real place but a
    TV show. The director makes some good points
    about the fifties, but he is not pretending like
    Oliver Stone that he is telling real history. The
    movie relied on magic and fantasy so you knew
    this was fiction. One just has to accept that
    these two teenagers can ride the airwaves back in
    time and that the sitcom parents dont even
    recognize that there children have changed. But
    Pleasantville shows that, women and even men
    felt oppressed by the culture, this is a great
    strength of the movie. If the movie was really
    trying to teach history than we should have seen
    soldiers leaving for Korea and air-raid drills in
    school and black people marching for their civil
    rights. In my opinion one can get some history
    from the movie, but only if you all ready know
    something about the fifties. If you dont you
    might be decieved by the black and white and
    think it was a documentary which its not.
  •  

spelling
Tutors can identify patterns of errors,
especially in the first part of a paper.
Highlights in different colors help.
26
Brainstorming from the Creativity Web, Australia
http//members.ozemail.com.au/caveman/Creative/Te
chniques/brainstorm.htm
  • The term brainstorming has become a commonly
    used word in the English language as a generic
    term for creative thinking....other people's
    remarks act to stimulate your own ideas in a sort
    of chain reaction of ideas.
  • The generation phase is separate from the
    judgment phase of thinking.
  • Someone writes down all the ideas as they occur,
    as another facilitates
  • Suspend judgment
  • Every idea is accepted and recorded
  • Encourage people to build on the ideas of others
  • Encourage way-out and odd ideas
  • Michael Morgan, Creative Workforce Innovation,
    cited on the Creativity Web

27
Graphic Organizers
Not encouraged by MS Power Point!!
Categories from the Center for the Advancement of
Learning (CAL) website

http//muskingum.edu/cal/database/organization.ht
mlMatrices
  • Brainstorming webs
  • What we remember from k-12
  • Mind-mapping
  • Links between ideas are not specified
  • Concept maps
  • Links are spelled out relationships are clear
  • Matrixes
  • a.k.a. charts/tables
  • Flow charts
  • If, then processes, business writing
  • Those auto-shapes in MS word

28
Brainstorming Web
http//www.graphic.org/money.html
Web -- Money -- Initial Brainstorming Contributor
Jennifer KeiserJennifer is the webmaster at
Inspiration Software. UsesWhat do sixth graders
think about money?Teacher collects information
in an initial discussion on "what they know"
about money.
29
Mind-mapping
  • Used in K-12
  • Appeals to visual and kinesthetic learners
  • http//members.ozemail.com.au/caveman/Creative/Mi
    ndmap/index.html

30
Concept Maps
Unlike with brainstorming webs, links between
concepts are named, with verbs
The Biology Teaching webpage has many examples of
biology concepts mapped out, along with
justification for their use, especially in
science. http//www.fed.cuhk.edu.hk/johnson/misco
nceptions/concept_map/concept_maps.html
Digestion
The U. of Victoria (Canada) website explains the
process gives readers a chance to practice and
compare to U Vics map. http//www.coun.uvic.ca/le
arn/program/hndouts/map_ho.html
Maps are for thinkingto summarize and understand
readings, and to generate ideas for writing.
http//www.graphic.org/concept.html
31
Concept Maps 2
  • This rich website shows different types of
    concept maps
  • Spider, hierarchy, flow-chart, systems.
  • http//classes.aces.uiuc.edu/ACES100/Mind/CMap.htm
    l

A concept map of concept mapping--gt
32
Matrixes--tables
  • from a paper/essay Q, decide which categories are
    crucial
  • then gather information in chart/table/matrix
    format
  • students can study info for short/long essay
    tests, and/or write paper from the visual
  • The Learning Strategies Database of the The
    Center for the Advancement of Learning (CAL),
    Muskingum College, Ohio is an exceptional
    resource.

http//muskingum.edu/cal/database/organization.ht
mlMatrices
33
Flow charts
  • Flow charts describe processes, from beginning
    to end.
  • They include instructions (rectangles) and
    decisions (diamonds) to be made at crucial
    juncture points.

http//www.ex.ac.uk/cimt/mepres/book8/bk8i1/bk8_1i
2.htm
34
Many thanks to Sylvia Whitman, former Rollins
Writing Center coordinator, now at Georgetown U.,
for her help in the middle- and late-stages of
the writing process, and for the use of her
history assignment and successive drafts. Check
out the Rollins Writing Center web site at
http//www.rollins.edu/wc And dont hesitate to
contact me. http//www.rollins.edu/tpj/tutoring S
usie Robertshaw 407 646-2652 srobertshaw_at_rollins.e
du
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