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The Origins of Cinema

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Distribution - how the movie gets from the production company to movie theaters. Projection - how the theater presents the movie. Audience - how audiences now ... – PowerPoint PPT presentation

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Title: The Origins of Cinema


1
The Origins of Cinema
  • The History, Development Changes in Film

2
What is Cinema?
  • Main Entry cinema Pronunciation 'si-n-m,
    British also -"mäFunction nounEtymology short
    for cinematograph1 a MOTION PICTURE -- usually
    used attributively b a motion-picture theater2
    a MOVIES especially the film industry b
    the art or technique of making motion pictures

3
FILM HISTORY
  • Early Cinematic Origins
  • The Infancy of Film
  • The Pre-Talkies and Silent Era
  • The Golden Age of Hollywood
  • The Talkies
  • The Growth of the Studios
  • The War and Post-War Years
  • The Beginnings of Film Noir
  • The Cold War and Post-Classical Era
  • The Era of Epic Films
  • The Threat of Television
  • Era Independent
  • The End of the Hollywood Studio System
  • Underground Cinema
  • The American "New Wave"
  • The Last Golden Age of American Cinema
  • The Advent of the Block-buster Film
  • Teen-Oriented Angst Films
  • The Dawn of the Sequel

4
PRESENT FUTURE
  • An Era of Mainstream Films
  • Alternatives
  • Independent Cinema
  • The Rise of CG
  • Computer Generated Films
  • The Decade of Remakes
  • Re-releases
  • More Sequels
  • The New Millennium
  • Age of Special Effects
  • The Search for the Perfect Blockbuster

5
Digital cinema affects these major areas of
movie-making
  • Production - how the movie is actually made
  • Distribution - how the movie gets from the
    production company to movie theaters
  • Projection - how the theater presents the movie
  • Audience - how audiences now view films
  • Media Format how the product is watched

6
  • VARIETY ESTIMATES THAT THE FILM INDUSTRY IS A 8
    TRILLION DOLLAR A YEAR INDUSTRY

7
Annotated Bibliography
  • Varian, H. R. (1997, June 11). The future of
    electronic journals. Paper presented at the 1997
    Scholarly Communication and Technology
    Conference. Retrieved June 27, 2001 from
    http//arl.cni.org/scomm/scat/varian.html
  • McGann, J. (1995). The rationale of HyperText.
    Retrieved June 27, 2001, from University of
    Virginia, Institute for Advanced Technology in
    the Humanaties Web site http//jefferson.village.v
    irginia.edu/public/jjm2f/rationale.html
  • Center for Reformation and Renaissance Studies.
    Ed. Laura E. Hunt and William Barek. May 1998. U
    of Toronto. 11 May 1999 lthttp//CITD.SCAR.UTORONTO
    .CA/crrs/index.htmlgt.
  • Zinn, Howard. A Peoples History of the United
    States 1492-Present 1993 New York, NY Perennial
    pp. 253-296
  • Gordon Hendricks, The Kinetoscope Americas
    First Commercially Successful Motion Picture
    Exhibitor (New York The Beginnings of the
    American Film, 1966).
  • Gordon Hendricks, The Edison Motion Picture Myth
    (Berkeley University of California Press, 1961).
    lthttp//edison.rutgers.edu/mopix/peephole.htmgt

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