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Principles of Film Narrative Film Art: An Introduction by

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Title: Principles of Film Narrative Film Art: An Introduction by


1
Principles of Film Narrative
  • Film Art An Introduction
  • by Bordwell and Thompson

2
What is Narrative?
  • How a film tells a story by organizing
    information.
  • chain of events in cause-effect (causality)
    relationship occurring in time and space.
  • We understand narrative by associating events
    with cause-effect, time, space.

3
Plot and Story
  • Viewer also makes assumptions or inferences about
    events not explicitly presented.
  • All events in the narrative--explicit and
    inferred by viewer--comprise the story.
  • Northwest by Northwest traffic, city, office
    environment suggests character (Thornhill) leads
    a busy life.

4
Plot and Story (cont.)
  • Plot totality of the film.
  • Everything presented visibly and audibly
  • Story events directly depicted.
  • Extraneous (implied) material that adds to story

5
Plot and Story (cont.)
  • Plot and Story overlap
  • Story exceeds plot by bringing in inferred
    information never actually seen.
  • Plot exceeds story by presenting images or sounds
    from outside story that affect understanding of
    the story.

6
Story and Plot (cont.)
Story
Plot
Presumed and inferred events
Explicitly presented events
Extraneous material from outside story
7
Plot and Story (cont.)
  • Story includes all events in the narrative
  • Filmmaker can present events directly (part of
    plot), suggest or infer events not explicitly
    presented, ignore certain events altogether, or
    add extraneous material.

8
Plot and Story (cont.)
  • Audience views only the plot, arrangement of
    material in the film as it stands, and creates
    story from cues in the plot.
  • Distinction between plot and story constitutes a
    set of tools for analyzing how narrative works.

9
Cause and Effect
  • Characters usually initiate cause-effect by
    triggering or reacting to events.
  • Character traits play causal role in narrative
  • Attitudes, skills, emotion, tastes, appearance
  • e.g., Shawshank shows Andy as reserved banker,
    serves narrative function

10
Cause and Effect (con.t)
  • Incidences can also trigger cause-effect, and
    human action develops narrative.
  • e.g., earthquake, drought, flood, economy.
  • Viewer connects events by cause-effect, inferring
    what caused it and possible responses.

11
Cause and Effect (con.t)Example of a Detective
Film
a. Crime conceived
b. Crime planned
c. Crime committed
Story
d. Crime discovered
Plot
e. Detective investigated
f. Detective reveals a, b, c
12
Time
  • Events take place in time, in chronological order
    or not, for effect.
  • Most plots do not show every detail of time.

13
Space
  • Events in narrative occur in certain places.
  • Typically the same for the story action and plot,
    but plot can make us infer other places that
    contribute to the story.
  • Screen duration (between frames) also selects
    plot spans for presentations.

14
Narration The Flow of Story Information
  • Narration is plots way to provide information to
    achieve specific effects.
  • Moment-by-moment process that guides us in
    building the story out of the plot.
  • Plot may supply information to create
    expectations or suspense, or arrange cues that
    withhold information to build curiosity or
    surprise.

15
Film Genre
  • Film Art An Introduction
  • by Bardwell and Thompson

16
Defining a Genre
  • Types of films
  • Musical, thriller, comedy, western, science
    fiction,...
  • No clear distinction about what makes a groups of
    films a genre.
  • Genre helps assure some general notions about
    films.

17
Analyzing Genre
  • A genre may share certain plot elements.
  • e.g., investigation in a mystery, revenge in
    Westerns, gangster film and price of crime...
  • Genre conventions give viewer insight into film
  • Allows information to be communicated quickly
  • Rejecting conventions can also add surprise or
    shock to viewers.
  • Genres change over time, and originate from
    combining qualities of different genres.

18
Summarizing Genre
  • Genres comprise some aspects of a film that we
    take for granted.
  • Genre categories can shape what we expect to see
    and hear, and to understand a film in certain
    ways.
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