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Frankenstein

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Frankenstein Modern Prometheus * * * * * * * * * * * * * * * * * * * * * * * * * * * * * Setting the Scene (pp. 650-651) Creating a Legend Mary Shelley wasn t the ... – PowerPoint PPT presentation

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Title: Frankenstein


1
Frankenstein
  • Modern Prometheus

2
Setting the Scene (pp. 650-651)
  • Creating a Legend
  • Mary Shelley wasnt the first to imagine creating
    a living being out of something dead.
  • Prometheus a Titan (Greek mythology) who
    created men out of clay.
  • Jewish myth a learned rabbi creates a creature
    to protect the Jewish people.
  • Various cultures interest in creating robots.

3
PROMETHESUS
  • Promethesus was the Titan god of forethought and
    crafty counsel who was entrusted with the task of
    molding mankind out of clay.
  • His attempts to better
  • the lives of his creation
  • brought him into
  • direct conflict with Zeus

4
Science Explained
  • Mary Shelley was the first to incorporate science
    as the explanation for re-animation / creation
  • 18th century was a time of enormous scientific
    discovery
  • Isaac Newton father of modern physics laws of
    motion
  • Antoine Lavoisier great chemist
  • Benjamin Franklin inventor
  • The New Science deriving universal meaning
    by which humans understand the natural world
    through the use of scientific method.

5
Part of the Natural World
  • Writing and Science were converging and aligning
    Art and Science merged.
  • Percy Shelley passionate about science
  • John Keats studied as a doctor
  • Charles Darwins father, Erasmus, was a doctor,
    botanist, inventor, and poet.
  • Romantic Poets (Byron, Shelley, Keats, etc..)
    best displayed this fascination with
    understanding the natural world.

6
Part of the Natural World
  • Mary Shelleys novel might suggest that MAN
    should not use science to mess with the natural
    order/world. We should use science to understand
    it.
  • She dreams the idea re-animating her child by
    warming it by the fire
  • Frankenstein in modern stories (and modern
    issues)
  • Blade Runner, RoboCop, Terminator, Edward Scissor
    Hands
  • Cloning
  • Stem cell research
  • Donation of body parts and organs

7
The Romantic Age in British Prose Mary Shelley
(p. 661, 690-691)
  • A genre of fiction characterized by mystery and
    supernatural horror, often set in a dark castle
    or other medieval setting
  • Gothic Novel
  • brave heroes
  • threatening bad guys
  • vast eerie castles
  • Ghosts
  • Gloomy, eerie settings
  • evokes terror through the depiction of physical
    and, more often, psychological violence
  • fascination with mystery and supernatural
  • this ties in nicely with the Romantic Age
  • Frankenstein is a perfect example.

8
The Gothic Novel - Frankenstein
  • Mary writes Frankenstein on a dare / challenge.
  • Rainy summer vacation day in Switzerland who
    can write the scariest tale challenge by Lord
    Byron
  • Took her a while to think of something, but saw
    the story while laying in bed
  • In 1818, after its first publication, it is
    praised by famous novelist, Sir Walter Scott.
  • uncommon powers of poetic imagination

9
Literary and Political legacy
  • Writing was in Mary Shelleys blood
  • Her mother, Mary Wollstonecraft Godwin (who died
    at Marys birth), wrote one of the first feminist
    books ever published, A Vindication of the Rights
    of Woman (1792).
  • Her father, William Godwin, was a leading
    reformer, author, and political philosopher who
    attracted a following of gifted thinkers and
    disciples.
  • As a child, Mary Shelley knew some of the most
    famous writers of the day, including the poet
    Samuel Taylor Coleridge and the essayist Charles
    Lamb.

10
Exile From Her Fathers House
  • Four years after his wifes death, Godwin married
    a widow, Mary Jane Clairmont, whom his daughter
    grew to resent bitterly.
  • Although Mary Shelley adored her father, it was
    agreed that to ease the situation in the tense
    household, the girl, now fourteen, would go to
    live in Dundee, Scotland, in the home of William
    Baxter, her fathers friend.
  • After two years in Scotland, she returned to her
    fathers home in London.

11
Love and Loss
  • Upon her return, Mary Shelley (then still named
    Godwin) met her future husband, Percy Bysshe
    Shelley (currently married).
  • Shelley was a radical young poet who had become
    William Godwins admirer after reading his book
    Political Justice.
  • Mary Godwin, only sixteen, fell in love with her
    fathers follower.
  • The two ran away together to the continent and
    later married.
  • Eventually, the couple settled in Italy, where
    they lived blissfully for an all-too-short time.
    (Their great friend, Lord Byron, also lived in
    Italy at the time.)
  • Within a few years, the Shelleys suffered the
    death of two of their children.
  • Then, tragedy struck again. In 1822, only eight
    years after Mary Shelley had first met him, Percy
    Shelley drowned, leaving the twenty-four-year-old
    Mary and their two-year old son penniless.

12
A Career of Her Own
  • After Percys death, Mary returned to England,
    where she continued writing to support herself
    and her son.
  • She produced other novels, including
  • Valperga (1823) and
  • The Fortunes of Perkin Warbeck (1830), which are
    historical works
  • The Last Man (1826), a tale of a great plague
    that destroys the human race
  • The Last Man is believed by many to be her best
    work, although she is usually remembered for
    Frankenstein.
  • the autobiographical Lodore (1835) and
  • Falkner (1837), a mystery tale.

13
A Lasting Legacy
  • At the age of forty-eight, Mary Shelley became an
    invalid. She died six years later of a brain
    tumor.
  • It is ironic that Shelley, author of a work
    warning of the dangers of technology, died in the
    opening year of The Great Exhibition, a fair
    celebrating technological progress.
  • In Frankenstein,
  • Shelley dramatically
  • questioned the cost of
  • technology to the human
  • soula theme writers
  • continue to explore today.

14
Embryonic Stem Cell Research
  • Stem cells have the potential to develop into
    many different cell types in the body during
    early life and growth. In addition, in many
    tissues they serve as a sort of internal repair
    system, dividing essentially without limit to
    replenish other cells as long as the person or
    animal is still alive.
  • Embryonic stem cells, as their name suggests, are
    derived from embryos. Most embryonic stem cells
    are derived from embryos that develop from eggs
    that have been fertilized in vitroin an in vitro
    fertilization clinicand then donated for
    research purposes with informed consent of the
    donors.
  • Potential cures for spinal cord injuries,
    multiple sclerosis, diabetes, Parkinson's
    disease, cancer, Alzheimer's disease, heart
    disease, hundreds of rare immune system and
    genetic disorders and much more
  • Destroying a life to safe a life
  • Are we pushing it?

15
Human Cloning
  • If the vital organs of the human body can be
    cloned, they can serve as backup systems for
    human beings.
  • solution to infertility
  • reproduce a certain trait in human beings
  • hampers the diversity in genes
  • weaken our ability of adaptation
  • deliberate reproduction of undesirable traits
  • Are humans saying they have the ability to
    create?
  • Who decides what is a desirable trait?

16
Historical Context of Frankenstein
  • Ambiguous Waltons letters dated 17- with no
    reference to anything specific to pinpoint the
    date.
  • It is set in the latter part of the 18th century,
    at the end of the Enlightenment and the beginning
    of the Romantic period.
  • It critiques the excesses of the Enlightenment
    and introduces the beliefs of the Romantics.
  • Reflects a shift in social and political thought
    from humans as creatures who use science and
    reason to shape and control their destiny to
    humans as creatures who rely on their emotions to
    determine what is right.

17
The Age of Enlightenment belief in the power of
human reasoning
  • 18th Century
  • Science concentration on logic
  • Everything was based on logic, reason, and
    rationality
  • Didactic constant search for truth, answers.
    Always studying
  • Focus on the practicality and utility
  • Masculine emphasis on the intellect
  • Everything, including human relationships, was
    studied through a scientific approach
  • Favored a social hierarchy
  • Nature should be controlled by humans

18
Important Revolutions
  • American and French Revolution (call for
    individual freedom and an overthrow of rigid
    social hierarchy)
  • Industrial Revolution social system challenged
    by change from agricultural society to industrial
    one with a large, impoverished and restless
    working class

19
Romantic Movement a reaction to the Enlightenment
Creative expressions of literature and the arts
  • Based on imagination and intuition
  • Creativity new form of expression
  • Saw nature as unspoiled
  • Focus on creativity and self-expression
  • Emphasis on emotion, rather than reason and
    intellect
  • Feminine emotion, creativity, etc.
  • Spontaneity and individuality
  • Focus on nature and the supernatural /inner dream
    world that is thought to be more picturesque and
    magical than the current world (industrial age)

20
Characteristics of Romantic Period
  • Belief in individual liberty rebellious attitude
    against tyranny
  • Fascination with nature perception of nature as
    transformative
  • Concerned with common people
  • Favored democracy
  • Desired radical change
  • Nature should be untamed

21
Style Gothic Novel
  • Frankenstein is generally categorized as a Gothic
    novel, a genre of fiction that uses gloomy
    settings and supernatural events to create and
    atmosphere of mystery and terror.
  • Shelley adds to her development of the plot the
    use of psychological realism, delving into the
    psyches of the characters in and attempt to
    explain why they react as they do and what drives
    them to make their decisions.

22
Structure and Point of View
Frame Story
Epistolary carried by letters
23
Major Characters
  • Victor Frankenstein protagonist, product of an
    idealistic Enlightenment education fueled by
    possibilities of science and a desire for
    acclaim becomes obsessed with creating life from
    spare body parts. Rational demeanor dissolves and
    by storys end, consumed by primitive emotions of
    fear and hatred.

24
Major Characters
  • The Creature - never named is Victors
    doppelganger (alter ego) Creature rationally
    analyzes the society that rejects him
    sympathetic character, admires people and wants
    to be a part of human society only results in
    violence when he is repeatedly rejected

25
Major Characters
  • Henry Clerval Victors childhood friend true
    romantic, wants to leave mark on the world, but
    never loses sight of the moral relations of
    things
  • Elizabeth adopted as an infant by Victors
    family marries Victor
  • Robert Walton Arctic explorer whos obsessed
    with gaining knowledge and fame rescues Victor
    in the Arctic tells the story

26
Themes
  • Consequences of irresponsibility in the pursuit
    of knowledge
  • Consequences of pride
  • Consequences of societys rejection of someone
    who is unattractive
  • Destructive power of revenge
  • Parent-child conflicts
  • Sympathy

27
Other Literary Elements
  • Irony 2 major ironies
  • Creature is more sympathetic, more imaginative
    and more responsible to fellow creatures
  • Creature has many pleasing qualities but is an
    outcast because hes not physically attractive

28
Symbols
  • White/light knowledge
  • Water knowledge
  • Ice danger
  • Lightning natures power
  • Nature acceptance, nurturing, calm
  • Mountains sublime in nature

29
Antithesis-Contrasts of ideas, characters,
themes, settings or moods
  • Victor/creation
  • Passion/reason
  • Natural/unnatural
  • Known/unknown
  • Civilized/savage
  • Masculine/feminine
  • Beautiful/ugly
  • Good/bad
  • Light/dark
  • Heat/cold

30
Allusion
  • Paradise Lost by John Milton story of mans
    fall from innocence to painful knowledge Victor
    can be compared to Adam, Satan, and Eve
  • The Rime of the Ancient Mariner by Samuel Taylor
    Coleridge, like narrator, tells story as a
    warning and a confession
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