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Preservation Case Studies

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Letters, calls, etc. Part II: 'The Hidden Jews of New Mexico: Rekindling the Spirit' ... Update credits on dub copies. Digitize paper correspondence and photographs ... – PowerPoint PPT presentation

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Title: Preservation Case Studies


1
Preservation Case Studies
  • Aimee Castenell
  • Lindsay Herron
  • Kara Van Malssen

2
Losing It
  • A film by Sharon Greytak
  • Shot entirely on location on DVC Pro
  • Started in 1997, not completed until 2000
  • Viewed VHS copy

3
Sharon Greytak
  • Filmmaker, Artist
  • Studied as a painter at CalArts
  • Works with both documentary and fiction films
  • Focuses on or draws attention to disabled persons
    in her works. As a disabled person herself, this
    is an issue that is central to her worldview.

4
Losing It
  • Documentary
  • Filmed on location on DVC Pro
  • Features people living with disabilities in
    Siberia Hong Kong Sao Paolo, Brazil Vicenza,
    Italy and New York

5
Distribution
  • Screened at range of venues, including
  • The Walter Reade Theater at Lincoln Center
  • MoMAs Gramercy Theater
  • The Egyptian Theater in L.A.
  • The Double Take Documentary Film Festival (now
    called Full Frame)
  • Hot Springs Documentary Film Festival
  • Special screenings in Hong Kong and Siberia

6
The Production Process and Resultant Materials
7
Pre-Production
8
  • Locating interview subjects
  • Securing funds
  • Other preparations for travel

9
Materials
  • Faxes and other correspondence
  • Screener tapes (VHS)
  • Project proposal and synopsis
  • Interview questions prepared for each country

10
Location
11
  • Neatly stored labeled on bookshelf in Sharons
    apartment

12
OR
13
  • In a box (also neatly labeled) in Sharons
    apartment

14
Production/Filming
15
  • Traveling to Siberia, Hong Kong, Brazil, and
    Italy
  • Interviewing subjects
  • Filming supplemental materials (photographs)

16
Materials
  • 25 hours worth of footage
  • Still photographs from Russia
  • Additional still photos documenting process
  • Photos from Sharon Greytaks childhood
  • Photos from Marinos life (photos remain in
    Italy)
  • Production notes

17
Location
  • In a box (neatly labeled) in Sharons apartment
  • Neatly stored labeled on bookshelf in Sharons
    apartment
  • Stored in photo album

18
Postproduction/Finished Product
19
  • Editing
  • Music
  • Subtitles

20
Materials
  • DVC Pro masters
  • Beta SP masters
  • Beta copies for festivals
  • 16mm copy for Walter Reade Theater
  • DAT tapes for music and narration
  • Transcripts of responses in original language
    English translations
  • Tape with subtitles

21
Location
  • Neatly stored labeled on bookshelf in Sharons
    apartment
  • In a box (also neatly labeled) in Sharons
    apartment
  • Iron Mountain
  • special note some of the materials described
    above might be labeled The Resilient Spirit (the
    films working title) instead of Losing It.

22
Value
  • Socio-Historical Provides unique insight into
    lives of disabled in different cultures
  • May be useful to artists interested in the
    process of creating such a film
  • Ancillary materials may be useful to students of
    history
  • Unused footage demonstrates Greytaks camera
    style
  • Production notes and written materials give
    insight into directors thought process

23
Preservation Issues
  • Stores most materials in home
  • Labeled either by working or finished title, but
    all labeled
  • Copies in various formats

24
Recommendations
  • Should keep sub-masters in off-site storage
  • Keep 16mm print in climate controlled storage
    facility
  • Digitize paper objects as back-up for fragile
    material

25
For Comparison
  • Greytaks Feature Films

26
  • Hearing Voices (1991)
  • The Love Lesson (1995)
  • Both received limited theatrical release

27
Materials and Storage
  • Scripts in script collection at Margaret Herrick
    Library in L.A.
  • Script supervisors notes and production notes
    labeled and filed in Greytaks apartment
  • DAT tapes for sound and music labeled and filed
    in Greytaks apartment
  • Negatives at the lab
  • 35 mm prints, outtakes, editors notes in storage
    at Iron Mountain
  • Beta, VHS tapes distributed through Cinema Guild

28
Caveat 1-- Labels working title vs. final
title Caveat 2-- Rights News footage from
stock house
29
The Hidden Jews of New Mexico
30
The Hidden Jews of New Mexico
  • Three-part radio series
  • Benjamin Shapiro, Writer and Producer
  • Nan Rubin, Project Director
  • Stanley Hordes, Historical Consultant
  • Funding from The Corporation for Public
    Broadcasting
  • Additional support from the Nathan Cummings
    Foundation, the New Mexico Council for the
    Humanities, the Shefa Fund, National Public
    Radio, American Home Furnishings, and
    Electrovoice, a Mark IV Company

31
Part I Search for the Buried Past The Hidden
Jews of New Mexico
  • Research began in 1986
  • Aired 1988
  • Two versions
  • 12-minute version, NPRs All Things Considered
  • 30-minute version, distributed by Rubin Shapiro
  • Huge success! Letters, calls, etc.

32
Part II The Hidden Jews of New Mexico
Rekindling the Spirit
  • 500th anniversary of Edict of Expulsion
  • Dennis Duran travels to Madrid for official
    rescinding of Edict of Expulsion
  • Aired 1992
  • Huge response! Letters, calls, etc.
  • Anonymous interviewees from 1st part change their
    minds about anonymity

33
Part III The Hidden Jews of New Mexico Return
to Iberia (1995)
  • Shapiro, Rubin, unnamed cameraperson accompany
    Ramon Salas and Gloria Trujillo to Belmonte,
    Portugal
  • Salas Trujillo research their family roots in
    Spain
  • Aired 1995
  • Jay Allison credited as editorial consultant

34
Production Process and Resultant Materials
35
Production/Recording of Series
  • Interviews/actuality (on-site or in studio)
  • Narration (studio)
  • Ambient (on-site or similar location)
  • Music
  • Rowena Rivera
  • Vinyl 33s 78s
  • 1/4 tapes
  • All transferred to1/4 tape for mix

36
Materials
  • Approx. 30 hours recorded per program
  • High-quality cassettes for on-site material
  • 1/4 tape for studio material
  • All transferred to1/4 magnetic audio tape for
    editing

37
Materials (cont.)
  • Video footage of Spain/Portugal trip
  • Still photographs or slides of Spain/Portugal
    trip
  • Transcripts of interviews
  • Scripts for narration

38
Post-Production Materials
  • Administrative paperwork
  • Publicity materials
  • High-quality dub copies
  • Consumer copies made from master dubs (1,000
    copies sold)
  • Transcripts (final) available for purchase
  • Clips online

39
(No Transcript)
40
Location
  • Ben Shapiros office (location, labels,
    conditions unknown)
  • Nan Rubins office (labeled filed or boxed)

41
Value
  • Emotional resonance
  • Part of the history of Jewish identity
  • Valuable to scholars of Jewish history, colonial
    history
  • Adds new layer to history of New Mexico
  • Search for identity relevant to contemporary
    society

42
Recommendations
  • Transfer to CD immediately
  • Store original cassettes, 1/4 reels in
    climate-controlled facility
  • Update credits on dub copies
  • Digitize paper correspondence and photographs
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