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Introduction to Dental Radiology

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Introduction to Dental Radiology Dr. FJ Owotade. Historical Perspectives In late 1895, a German physicist, W.C. Roentgen was working with a cathode ray tube in his ... – PowerPoint PPT presentation

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Title: Introduction to Dental Radiology


1
Introduction to Dental Radiology
  • Dr. FJ Owotade.

2
Historical Perspectives
  • In late 1895, a German physicist, W.C. Roentgen
    was working with a cathode ray tube in his
    laboratory, when he accidentally discovered x
    rays.
  • Roentgen found that the X-ray would pass through
    the tissue of humans leaving the bones and metals
    visible. One of Roentgens first experiments late
    in 1895 was a film of his wife Bertha's hand with
    a ring on her finger.
  • The news of Roentgens discovery spread quickly
    throughout the world.

3
Wilhelm Conrad Roentgen.
4
  • In July 1896, Dr. C.E. Kells became the first man
    in the world to hold a dental clinic (held in
    Asheville, N.C.) using an X-ray machine .
  • His story as recounted by Buddy Stall is attached
    as an appendix.

5
The radiographic image.
  • Radiographs often referred to as the clinicians
    main diagnostic aid.
  • Understanding the radiographic image is central
    to radiology.
  • The image is produced by x-rays passing through
    an object and interacting with the photographic
    emulsion on a film.
  • The extent to which the emulsion is blackened
    depends on the no of x-rays reaching the film
    which depends on the density of the object.

6
  • The final image can be described as a 2-D picture
    made up of a variety of black, white and grey
    superimposed shadows referred to as a shadowgraph
    or radiograph.
  • Understanding the nature of the shadowgraph and
    interpreting the information requires a knowledge
    of the following.
  • The radiographic shadow.
  • The 3-D anatomical tissues.
  • The limitations imposed by a 2-D picture and
    superimposition.

7
The radiographic shadow
  • The white or radiopaque shadows on a film
    represents the various dense structures in the
    object which have totally stopped the x-ray beam.
  • The black or radiolucent shadows represents areas
    where the x-rays passed through the object and
    has not been stopped at all.
  • The grey shadows represent areas where the x-ray
    beam has been stopped to a varying degree.

8
The final shadow of any object is thus affected
by
  • The specific type of material of which the object
    is made.
  • The thickness or density of the material.
  • The shape of the object.
  • The intensity of the x-ray beam used.
  • The position of the object in relation to the
    x-ray beam and the film.
  • The sensitivity of the film.

9
The 3-D anatomical tissues.
  • A sound anatomical knowledge is a prerequisite
    for radiological interpretation.
  • When viewing a 2-D radiographic image, the 3-D
    anatomy responsible for the image must be
    considered.

10
The limitations imposed by a 2-D picture and
superimposition.
  • The main limitation of viewing the 2-D image of a
    3-D object are.
  • Appreciating the overall shape of the object.
  • Superimposition and assessing the location and
    shape of structures within an object.
  • To appreciate the overall shape of the object, it
    must be viewed from several different positions.

11
Postioning the Film, Object and X-ray beam.
  • The position of the x-ray beam, object and film
    needs to satisfy certain basic geometrical
    requirements. These include
  • The object and the film should be in contact or
    as close as possible.
  • The object and the film should be parallel to one
    another.
  • The xray tube head should be positioned so that
    the beam meets both the object and the film at
    right angles.

12
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14
X-ray beam characteristics.
  • The ideal x-ray beam for imaging should be
  • Sufficiently penetrating, to pass through the
    patient and react with the film emulsion and to
    produce good contrast between the different
    shadows.
  • Parallel (non divergent) to prevent magnification
    of the image.
  • Produced from a point source to reduce blurring
    of the edges of the image (Penumbra effect).
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