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Emily Dickinson 18301886

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The Poems of Emily Dickinson (1955), 3 volume, ed. Thomas Johnson. The Manuscript Books of Emily Dickinson (1981), 2 vol, ed. Ralph Franklin. William Dean Howells ' ... – PowerPoint PPT presentation

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Title: Emily Dickinson 18301886


1
Emily Dickinson 1830-1886
2
At HomeAmherst, Massachusetts
  • Most prominent family in Amherst
  • Attended Amherst Academy, founded by her
    grandfather
  • 1847-8 Mount Holyoke Female Seminary
  • refused to profess Christianity

3
Edward Emily Norcross Dickinson
4
The Homestead
5
The Evergreens
6
Evergreens interior
7
Interior as Public Space
  • Commerce btw the 2 family houses
  • Btw Homestead Amherst Academy
  • Bedroom as private but sweeping views
  • Retired but overlooking the main street, the
    Evergreens, the railway and the burial ground

8
Dickinsons Bedroom
9
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10
Walter Benjamin, "A Small History of Photography"
(1931)
  • The first people to be reproduced entered the
    visual space of photography with their innocence
    intact, uncompromised by captions. . . . The
    human countenance had a silence about it in which
    the gaze restedThere was an aura about them, an
    atmospheric medium.A strange weave of space and
    time the unique appearance or semblance of
    distance, no matter how close the object may be.

11
Diana Fuss, Interior Chambers
  • Ultimately, all of the mythologizations of
    Dickinson are based on the same twin premise
    Dickinson fashioned a radical interior life by
    shunning a conventional exterior one.
  • differences 10.3 (1998)
  • Project Muse

12
Dickinsons Fascicles1858-64
  • 40 Hand-stitched booklets
  • plus 400 poems arranged but unstitched
  • Cameron, Choosing Not Choosing (92) demonstrated
    the fascicles were deliberately ordered mini-books

13
  • 1775 poems
  • 1147 fair copies in bedroom cabinet
  • 833 bound in fascicles
  • 10 poems published anonymously without consent in
    her lifetime
  • Thousands of letters, 1100 published

14
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16
Called Back
17
Posthumous editions
  • Poems by Emily Dickinson (1890, 91, 96)
  • Letters, 1894
  • 1920s family editions
  • The Poems of Emily Dickinson (1955), 3 volume,
    ed. Thomas Johnson
  • The Manuscript Books of Emily Dickinson (1981), 2
    vol, ed. Ralph Franklin

18
William Dean Howells
  • "if nothing else had come out of our life but
    this strange poetry we should feel that in the
    work of Emily Dickinson America, or New England
    rather, had made a distinctive addition to the
    literature of the world"
  • Comment on 1890 edition

19
Dickinson as Lyric Poet
  • Poem as Miniature economy of scale
  • Intimate address I/you self/other
  • Stanza Room (Italian)
  • Spatial and architectural metaphors
  • Sophisticated reader, your scholar
  • loved 17th century metaphysical lyrics, Keats,
    Elizabeth Barrett Browning

20
Lyric Time
  • Aesthesis suspension

21
  • All things swept sole away
  • This is immensity
  • (P1512)

22
Style and Grammar
  • Idiosynctatic punctuation
  • Dash Exclamation mark
  • Syntactic inversion
  • Deixis (location, reference)
  • Metaphorical compression
  • Semantic density
  • Abstract Nouns

23
ED as Manuscript Poet
  • Conservation of paper, thoughts, poetic fragments
  • Recycling of Envelopes, Shopping Lists
  • Poems embedded in letters, a form of manuscript
    publication, sociability

24
Poems without Titles
  • The greatest expression of Dickinson's
    linguistic skepticismis her decision to not
    supply titles for her poems. If names are a poor
    substitute for more immediate knowledge of
    objects and phenomena, so are titles a poor
    substitute for knowledge of her poems.
  • John Mulvihill, EDJournal 5.1.1996

25
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