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Writing Space by Jay David Bolter

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Title: Writing Space by Jay David Bolter


1
Writing Spaceby Jay David Bolter
  • Summary of Chapters 5 6
  • Konstantinos Meintanis

2
Chapter 5
  • The Electronic Book

3
The Changing Idea of the Book (1/2)
  • The technological forms used by authors affect
    the organization, the style and the genre of the
    writing
  • The papyrus roll lacks of the sense of closure.
    Poems seems to be unbounded stories could be
    extended indefinitely (supports memory)
  • The development of codex and book supported the
    meaning of closure. The end of the book is the
    end of the text and hence the end of the story
  • Printing (especially in Renaissance) helped
    people to see the book as a complete and closed
    verbal structure

4
The Changing Idea of the Book (2/2)
  • In the centuries followed the invention of
    printing, the book obtained identity (specific
    name, visual style, subject, place and history)
  • The advert of digital technology diminished the
    sense of closure. Hybrid books (portable
    computers) have access to a great variety of
    other texts, devices and media forms.
  • The example of the Rocket eBook (supports
    features like search and internet access)

5
Great Books
  • The notion of encyclopedia (from Greek enkyklios
    paideia) has its roots in the ancient years
    where Greeks and Romans tried to collect and
    organize all the verbal knowledge in one place
  • For theologians and philosophers, it was really
    important to join the major philosophical and
    theological traditions into a convincing whole
    while western medieval scholars felt the need to
    authoritative texts by summarizing them in
    handbooks
  • In the age of print, the multiplication and
    availability of the books changed the character
    of encyclopedia from a collection of a wide
    information to a selection of accurate information

6
Encyclopedic Order (1/2)
  • The key notion in an encyclopedia is the
    organization of the knowledge (the order, the
    place and the association of information) and how
    this organization facilitates the reading process
  • The first encyclopedias (ancient years and middle
    ages) where organized based on hierarchies of
    topics (categories like poetry, natural history
    and medicine)

7
Encyclopedic Order (2/2)
  • In the Renaissance, the hierarchical structure
    became less appropriate. The printing press and
    the continuous scientific discovery contributed
    to transition from the categorization in sections
    to more neutral forms of information processing
    (alphabetization, indexing, indices)
  • Some of the encyclopedias (Encyclopedia
    Metropolitana (1849) and the 15th edition of the
    Encyclopedia Britannica (1974)) use both ways to
    organize the knowledge Alphabetical ordering and
    philosophical (associative) arrangement

8
The Electronic Encyclopedia
  • The electronic encyclopedia can be both broader
    and deeper than the printed one
  • Based on the preferences of the editors and the
    users, it can be organized in multiple ways
    Outlines or other topical arrangements can
    coexist with the alphabetical order
  • In the age of the electronic media forms, the
    encyclopedic impulse is being directed in two
    channels
  • Knowledge is stored in CD-ROM and DVDs The
    electronic version of the encyclopedia supports
    multimedia, hyperlinks and advanced search
  • Knowledge is stored in the cyberspace of the
    World Wide Web The organization is provided
    through portal sites (e.g. Yahoo)
  • the computer can hold so much information that
    there is little need to be selective

9
The Library as a Writing Space
  • The library is the physical realization of a
    cultures writing space of books
  • Until recently (and unlike encyclopedias), the
    organization of libraries was based on the
    categorization of books by topic
  • Today, a system of call numbers and addresses
    facilitates the mapping of the conceptual library
    onto the building physical hierarchy (floors,
    stacks, shelves)
  • In a fully digital library, the user can browse
    or rearrange the books based on his searching
    preferences. WWW or cyberspace itself is a library

10
Digital Libraries
  • The low cost of production and distribution of
    publishing on the WWW enables people to access a
    huge amount of knowledge (even specialized
    libraries like Perseus Project)
  • Xanadu system was the realization of the vision
    of Ted Nelson for a universal library, a plan
    for a worldwide network, intended to serve
    millions of people simultaneously
  • The change of the medium and the transition from
    the physical to the electronic collection does
    not mean that the traditional libraries will
    become obsolete
  • Culturally irrelevant texts will remain (as
    useless) in the same physical form making the
    complete remediation of the traditional library
    infeasible

11
Refashioning the Book of Nature
  • Hypertextual encyclopedias and digital libraries
    remediate (refashion) the vision of the world
    mirrored in a great book (the whole knowledge
    under control)
  • In the late age of print, the hierarchical
    division of knowledge has been replaced by the
    less rigid structures of the electronic medium.
    Hence, there is no single, linear way to move
    through the hierarchy of cyberspace
  • In other words, cyberspace blurs the distinction
    between nature and our networked culture

12
Chapter 6
  • Refashioned Dialogues

13
The Reading Path (1/2)
  • Reading differs from listening in the sense that
    listeners simply allow words to come to them
    while readers give meaning to the writing units.
    That interpretation triggers expectations and
    allusions
  • In most books as in the papyrus roll, the reader
    has to follow a dominant, fixed and linear way of
    reading. Only references and footnotes interrupt
    the linearity of the text
  • In the oral texts like the Homeric poems the
    storyteller can adjust the tale in order to
    satisfy the wishes of the audience. Hence,
    although the story is strictly linear, the teller
    is free to deviate from the storyline
  • The audience has a measure of control too over
    the progress of the tale

14
The Reading Path (2/2)
  • Plato in his dialogues combined the permanence of
    writing with the apparent flexibility of
    conversation
  • The oral philosopher Socrates on the other hand
    alleges that written words are dead things that
    cannot answer questions or adjust themselves to
    various readers
  • Platonic Dialogues were not product of nostalgia
    of the spoken word but a consciously literary
    attempt to imitate philosophical conversation
  • Plato was never sure that the reader was
    following his mind. Socrates on the other hand
    could adjust his reasoning to the audience

15
From Dialogue to Essay to Web Page (1/2)
  • Except some branches of philosophy, ancient texts
    where strongly linear
  • The invention of the paged book and later the
    printing standardized the hierarchical structures
    of the text (paragraphs, table of contents,
    format, layout etc.)
  • Linearity and hierarchy are still the two
    fundamental structural characteristics of the
    scholarly, scientific, business and technical
    writing since they provide carefully controlled
    reading

16
From Dialogue to Essay to Web Page (2/2)
  • The structure of the electronic writing is based
    on the idea of network. Like the references and
    the allusions of a paged book, anchor phrases
    enable readers to travel through a network of
    associations
  • The dispute of the linear argument started long
    before the advert of the electronic
    communication. Writers like Barthes, Kierkegaard,
    Nietzsche and Wittgenstein challenged the idea of
    the single path writing
  • For Derida and his topographical writing, textual
    space is as fluid as the electronic medium

17
The Hypertextual Essay
  • Most of the scholars are reluctant to replace
    their linear writing with a more hypertextual
    structure
  • It is significant that even the debate over the
    meaning and value of hypertext itself has been
    conducted in print
  • Instead of a single linear argument, a
    hypertextual essay enables writer to present many
    and possibly conflicting arguments that help him
    to share (or postpone) the responsibility of the
    outcome
  • What makes us to prefer the hypertextual medium
    from the dialogue (and the other oral forms that
    facilitate the multidimensional argumentation) is
    the fact that the former provides a space for
    multimediated writing with high visual appeal

18
Educational Dialogue (1/2)
  • Teachers of writing and reading have been willing
    to exploit digital technologies and redefine the
    practices into they initiate their students
  • Modern educating methods combine hypertext and
    hypermedia in order to reinforce the perspectives
    of cultural studies
  • The digital forms of dialogue range from purely
    verbal (MOOs, discussion groups and chat rooms
    such as Daedalus) to highly visual (web sites and
    hypermedia applications such as Web Crossing)

19
Educational Dialogue (2/2)
  • Many hypertextual applications have been also
    deployed to remediate forms like the anthology,
    commentary and textbook (e.g. the hypermedia
    textbook The Victorian Web)
  • Hypermedia textbooks help students to
  • realize the importance of the hypertextual
    writing as a cooperative effort
  • use multimedia in their digital writing

20
Multiple Dialogs
  • Web is not a refashioned version of the book.
    Relying heavily in the graphic design provides a
    fertile basis for a great variety of different
    applications (ads, education, entertainment,
    reports etc.)
  • Through the personal home page, users have their
    own presence in the cyberspace
  • Web also allows individuals to make an uncoerced
    contribution just as they benefit from the
    contribution of others
  • Web designing challenges the ideal of purely
    verbal communication
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