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RSSS 315 SEVenth Week

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By her side stood a tall, thin man, clad in black. ... Prince Vseslav judged the people; he ruled the cities for the princes, ... – PowerPoint PPT presentation

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Title: RSSS 315 SEVenth Week


1
RSSS 315 (SEVenth Week)
  • Slavic Folklore Vampires and Werewolves

2
Today
  • Exam and papers
  • Discussion of werewolf stories
  • Next reading Rice Werewolf tales

3
Daughters of Darkness
  • http//www.youtube.com/watch?vVsz7WZuDpHU
  • http//www.youtube.com/watch?v8qGqmDB932Ifeature
    related
  • http//www.youtube.com/watch?v5NnpX0jEgfgfeature
    related

4
More Versions
  • La notte dei diavoli (Night of the Devils) 1971
  • Giorgio Ferroni

5
Humor
  • Mark of the Vampire 1935
  • The Fearless Vampire Killers 1967
  • Love at First Bite 1979

6
Film Versions The Hunger (1983)
7
Carmilla
  • Carmilla films
  • Dreyers Vampyr 1932
  • Vadims To Die With Pleasure 1960
  • Kumels Daughters of Darkness 1971
  • Tony ScottsThe Hunger 1983

8
Carl Dreyers Vampyr (1932)
  • Famous expressionist film director (Danish
    1889-1968)
  • Evil presence, atmosphere
  • Two daughters, one infected
  • Reassuring male presence

9
Film Versions of Carmilla/Bathory The Hunger
(1983)
10
Daughters of Darkness (1971)
  • Another cult classic
  • Harry Kumel
  • Combines Carmilla and Bathory

11
Interpreting Stoker
  • Religious
  • Sociological
  • Psychological
  • Formalist

12
Religious
  • Good vs Evil
  • Infectiousness of evil
  • Links with darkness, decay, death
  • Opposition to Christianity
  • Allegory
  • Example Only defense is purity of heart,
    sacrificial love

13
Formalist
  • Sources folklore and literary
  • Themes and motifs
  • Narrative technique, e.g., unreliable narrators
  • Gothic elements
  • Sources (literary and folkloric)

14
Sociological (Social, Historical, Cultural)
  • Economic
  • Capital, expanding markets
  • Monopoly on resources
  • Feminist
  • Gender roles (Mina and Lucy, Lucy in Nosferatu)
  • Patriarchy (e.g., restoration of patriarchy in
    the end)
  • Dealing the other, aliens

15
Psychological (mostly psychoanalytical)
  • Displaced sexuality
  • Oedipal themes
  • Patricide
  • Matricide
  • Incest
  • Pre-Oedipal
  • Dealing with repressed fears (about the other,
    about death)

16
Psychological (Psychoanalytical) issues (Alan
Dundes)
  • Sucking, biting, thirsting, death and rebirth
  • Links with milk and blood
  • Oral sadism
  • Attraction, repulsion ambivalence
  • Projection revenge of the dead

17
Key passages
  • Jonathan and the daughters
  • Killing of Lucy
  • Seduction of Mina

18
Chapter 21
  • He turned the handle as he spoke, but the door
    did not yield. We threw ourselves against it.
    With a crash it burst open, and we almost fell
    headlong into the room. The Professor did
    actually fall, and I saw across him as he
    gathered himself up from hands and knees. What I
    saw appalled me. I felt my hair rise like
    bristles on the back of my neck, and my heart
    seemed to stand still.

19
The scene
  • The moonlight was so bright that through the
    thick yellow blind the room was light enough to
    see. On the bed beside the window lay Jonathan
    Harker, his face flushed and breathing heavily as
    though in a stupor. Kneeling on the near edge of
    the bed facing outwards was the white-clad figure
    of his wife. By her side stood a tall, thin man,
    clad in black. His face was turned from us, but
    the instant we saw we all recognized the Count,
    in every way, even to the scar on his forehead.

20
Actions
  • With his left hand he held both Mrs. Harker's
    hands, keeping them away with her arms at full
    tension. His right hand gripped her by the back
    of the neck, forcing her face down on his bosom.
    Her white night-dress was smeared with blood, and
    a thin stream trickled down the man's bare chest
    which was shown by his torn-open dress. The
    attitude of the two had a terrible resemblance to
    a child forcing a kitten's nose into a saucer of
    milk to compel it to drink.

21
Aftermath-1
  • As we burst into the room, the Count turned his
    face, and the hellish look that I had heard
    described seemed to leap into it. His eyes flamed
    red with devilish passion. The great nostrils of
    the white aquiline nose opened wide and quivered
    at the edge, and the white sharp teeth, behind
    the full lips of the blood dripping mouth,
    clamped together like those of a wild beast.

22
After-2
  • With a wrench, which threw his victim back upon
    the bed as though hurled from a height, he turned
    and sprang at us. But by this time the Professor
    had gained his feet, and was holding towards him
    the envelope which contained the Sacred Wafer.
    The Count suddenly stopped, just as poor Lucy had
    done outside the tomb, and cowered back. Further
    and further back he cowered, as we, lifting our
    crucifixes, advanced.

23
After-3
  • The moonlight suddenly failed, as a great black
    cloud sailed across the sky. And when the
    gaslight sprang up under Quincey's match, we saw
    nothing but a faint vapor. This, as we looked,
    trailed under the door, which with the recoil
    from its bursting open, had swung back to its old
    position.

24
Mina?
  • Van Helsing, Art, and I moved forward to Mrs.
    Harker, who by this time had drawn her breath and
    with it had given a scream so wild, so
    ear-piercing, so despairing that it seems to me
    now that it will ring in my ears till my dying
    day. For a few seconds she lay in her helpless
    attitude and disarray. Her face was ghastly, with
    a pallor which was accentuated by the blood which
    smeared her lips and cheeks and chin. From her
    throat trickled a thin stream of blood. Her eyes
    were mad with terror.

25
Mina-2
  • Then she put before her face her poor crushed
    hands, which bore on their whiteness the red mark
    of the Count's terrible grip, and from behind
    them came a low desolate wail which made the
    terrible scream seem only the quick expression of
    an endless grief. Van Helsing stepped forward and
    drew the coverlet gently over her body, whilst
    Art, after looking at her face for an instant
    despairingly, ran out of the room.

26
Van Helsing
  • Van Helsing whispered to me, "Jonathan is in a
    stupor such as we know the Vampire can produce.
    We can do nothing with poor Madam Mina for a few
    moments till she recovers herself. I must wake
    him!"

27
Her account 1
  • "Then he spoke to me mockingly, And so you, like
    the others, would play your brains against mine.
    You would help these men to hunt me and frustrate
    me in my design! You know now, and they know in
    part already, and will know in full before long,
    what it is to cross my path. They should have
    kept their energies for use closer to home.
    Whilst they played wits against me, against me
    who commanded nations, and intrigued for them,
    and fought for them, hundreds of years before
    they were born, I was countermining them. And
    you, their best beloved one, are now to me, flesh
    of my flesh, blood of my blood, kin of my kin, my
    bountiful wine-press for a while, and shall be
    later on my companion and my helper. You shall be
    avenged in turn, for not one of them but shall
    minister to your needs. But as yet you are to be
    punished for what you have done. You have aided
    in thwarting me. Now you shall come to my call.
    When my brain says "Come!" to you, you shall
    cross land or sea to do my bidding. And to that
    end this!'

28
Account 2
  • With that he pulled open his shirt, and with his
    long sharp nails opened a vein in his breast.
    When the blood began to spurt out, he took my
    hands in one of his, holding them tight, and with
    the other seized my neck and pressed my mouth to
    the wound, so that I must either suffocate or
    swallow some to the . . .

29
Minas Reaction
  • Oh, my God! My God! What have I done? What have I
    done to deserve such a fate, I who have tried to
    walk in meekness and righteousness all my days.
    God pity me! Look down on a poor soul in worse
    than mortal peril. And in mercy pity those to
    whom she is dear!" Then she began to rub her lips
    as though to cleanse them from pollution.

30
Restoration of Conventional Family
  • More on Little Quincey
  • What is his parentage?

31
Werewolf Cult
  • English word at base
  • Central and Southeast Europeans had cults, but
    different terms
  • Universal changelings, animal-human relations

32
Characteristics of East European Werewolves
  • Changelings rusalki, samovily
  • Animal cults link with mysteries of universe
  • Cannibalism, eating flesh, drinking blood

33
Pre-historic times (all before 9th AD)
  • ritual wearing of wolf pelts all before 9th AD

34
Later
  • Stories of vukodlaks (and related forms) chasing
    clouds, devouring sun and moon 13th 16th
    centuries
  • Related terms (utilizing wolf as root) refer to
    vampires in South and Central Europe
  • E.g., Dark Wolf (2003) is titled Vukodlak in
    Czech
  • Linguistic changes in different areas many
    similar terms for vampires and werewolves in
    Eastern Europe, the Balkans (different language
    groups)

35
Vseslav of Polotsk Early Historical Werewolf?
  • Belarusian Prince, 1030-1101
  • Great Grand-Grandson of Vladimir
  • Werewolf-sorcerer reputation (Vseslav the
    Magician-Charodei)
  • Could turn to a grey wolf, a clear falcon or a
    deer with gold horns

36
Igor Tale
  • In the seventh age of Troian, Vseslav cast lots
    for a girl,         a maiden he desired for
    himself.Sustained by cunning, he mounted a horse
    and galloped to Kiev,         touched the shaft
    of his spear on the gold Kievan throne.He leapt
    away from them at Belgorod        like a wild
    beast at midnight wrapped in a blue mist. Three
    times he grasped good fortune, opened the gates
    of Novgorod,        smashed the glory of
    Iaroslav, and as a wolf leapt to the Nemiga. He
    blew clean the threshing floor.On the Nemiga
    sheaves are spread like heads         they
    thresh them with damask flails.On the threshing
    floor they lay down life and winnow souls from
    bodies. The Nemiga's bloody banks were sown with
    evil,        sown with the bones of the sons of
    Rus.Prince Vseslav judged the people he ruled
    the cities for the princes,         but at night
    he roamed as a wolf.From Kiev, before the cock's
    crow, he could lope to Tmutorokan         as a
    wolf he crossed the path of great Horus.They
    rang the bells for him at matins, early at St.
    Sophia, in Polotsk         he heard the sound
    in Kiev.And though his wizard's soul journeyed
    in another body,         still he often suffered
    misfortune.Of him the wizard Boian first spoke
    well-devised words        "Neither the skillful
    one nor the craftiest creature,        not even
    the cleverest bird, will escape the Judgment of
    God." 0 groan, Russian land, recalling the first
    time and the first princes.

37
Our Readings
  • Peter Stubbe (Peter Stumpf), 1525-89
  • Setting near Cologne Germany
  • 1590 account
  • Werewolfs Daughter (Slovakia)
  • Difficult to date
  • Clearly a folk tale
  • Many more tales, especially from France and
    Germany

38
Whats the Message Here?
  • Werewolves are vicious, bloodthirsty, lust driven
  • Some change form with magic devices
  • They can be destroyed, especially when they are
    not in wolf form.

39
Folklore Sources
  • German
  • Klein krams werewolf
  • Greifswald werewolves
  • Kornwolf
  • Wolf wives
  • Brothers Grimm collection

40
French Werewolves
  • Gevaudan monster
  • Loup-garou stories
  • Bisclaveret (Brittany magic transform)

41
Other related stories
  • Beauty and the Beast (originally werewolf)
  • French version de Beaumont
  • Redemption by love of virtuous maiden
  • Cocteau, Walt Disney, TV series in late 80s

42
More BB
43
Dr. Jekyll and Mr. Hyde
  • Based on true story businessman thief
  • Stevenson 1886 The Strange Case of .
  • Beast within human psyche
  • Numerous plays and films

44
Little Red Riding Hood Perrault, Bros. Grimm
  • Originally tragic ending both eaten
  • Grimm woodsman to the rescue

45
Classic Films
  • The Wolf Man, 1941

46
Tradition Continues
  • Frankenstein meets the Wolf Man 1943
  • House of Frankenstein 1944
  • House of Dracula 1945
  • Abbot and Costello Meet Frankenstein 1948

47
A Story for Children?
48
Varied forms..
49
Werewolf features
50
Accounts
  • Folklore
  • Fairy tales
  • Cautionary tales
  • Most productive Little Red Riding Hood
  • Films blend different genres

51
Ambivalence?
52
General interpretations of werewolves
  • Psychological
  • Sociological
  • Ideological

53
Agnes Murgoci
  • 1875-1929
  • Not much supporting evidence
  • Wrote it after Stokers Dracula. Influence?
  • Credibility accomplished ethnographer

54
Werewolves
  • World folklore
  • Slavic and E European folklore

55
Map
56
(No Transcript)
57
Near Dark
  • Kathryn Bigelow, 1987
  • Transformation of the vampire tradition
  • American SW setting

58
Forensic bases
  • Burial practices
  • Decomposition features
  • Decomposition duration
  • Possible to explain vampires

59
Key facts
  • Shallow or no graves
  • Bloating during decomposition
  • Fluids expelled during decay
  • Dead bodies make noises
  • Decomposition generates heat
  • Skin shrinks back
  • Corpses attract wolves
  • Puncturing is the best treatment for bloat

60
More on Reality-Based Vampires
  • Perkowskis Psychic vampires
  • Psychology of sucking, biting, thirsting, death
    and rebirth
  • Links with milk and blood
  • Oral sadism
  • Attraction, repulsion ambivalence
  • Projection revenge of the dead
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