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The Legend of Faust

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His pact with the evil spirit (Mephostophiles) ... 11. Further pranks played on all manner of people horse traders, inn keepers, ... – PowerPoint PPT presentation

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Title: The Legend of Faust


1
The Legend of Faust
  • Early Modern Period in Germany (1350-1600) also
    gave rise to legends.
  • Early Modern Legends are folk heroes, not
    warriors or chieftains. Different society.
  • Like earlier legends, folk heroes also exist on
    the margins of recorded history.
  • Examples Till Eulenspiegel
  • Johann Faust

2
The Legend of Faust
  • The historical Georg Faust is a shadowy
    character, probably lived c. 1480 1538.
  • He is a contemporary of Martin Luther.
  • Historical documents mention a Faust in
    Heidelberg, Knittlingen, Wittenberg, etc., but
    may refer to different individuals.
  • Faust seems to have been an astrologer and
    alchemist of ill-repute not uncommon!

3
The Legend of Faust
  • Faust was a Renaissance Man, one active in all
    branches of arts and sciences.
  • Many similar characters from the period
  • Theophrastus Bombastus von Hohenheim (Paracelsus)
  • Leonardo da Vinci and Galileo Galilei (Italian)
  • Cornelius Agrippa (German)
  • John Dee (English)
  • Copernicus (Czech)
  • Unlike these, Faust seems to have been more of a
    swindler than a real scientist.

4
The Legend of Faust
  • The Faust Legend is a conglomeration of these
    characters and earlier medieval accounts of
    Wizards and Sorcerers
  • Merlin the Magician
  • Simon Magus
  • Theophilus
  • The Faust Legend arose about 70 years later
    as a loose collection of stories associated with
    Faust. Oral Transmission.

5
The Legend of Faust
  • First Version of Faust was published by Johann
    Spies in Frankfurt in 1587
  • Historia von
  • D. Johann Fausten
  • dem weitbeschreyten Zauberer und Schwarzkünstler
  • An independent manuscript version from Nürnberg
    may be slightly older.
  • Spies presented a moralistic tale from a staunch
    protestant perspective.

6
The Legend of Faust
  • The one defining element of all versions of the
    legend is the Pact with the Devil.
  • An ancient idea, found in a number of classical
    and medieval works.
  • Faust fascinated Renaissance audiences because
    his pact called into question the great advances
    of the age humanism, science, art, philosophy.

7
The Legend of Faust
  • The Spies Chapbook of 1587 (Volksbuch) presents
    Fausts life as a warning not to seek forbidden
    knowledge or experience.
  • The Chapbook constructed as a frame tale
  • opening chapters discuss his sinful pact w/
    Mephisto
  • concluding chapters discuss the consequences
  • Inside chapters list Fausts adventures.
  • Very episodic, entertaining, little moralizing.

8
The Legend of Faust
  • The Spies chapbook established a number of
    elements that are conventionally retained in
    other versions of the legend
  • Fausts career as a scholar and astronomer
  • His frustration with limitations of human
    knowledge
  • His turn toward necromancy to aid his search for
    knowledge
  • His pact with the evil spirit (Mephostophiles)
  • Cosmological discussions of and journeys to
    heaven and hell
  • Visitations by various demons and spirits for
    amusement
  • Travel through European countries and capital
    cities

9
The Legend of Faust
  • A visit to the Imperial Court of Charles V. as a
    Magician
  • A visit to the Pope in Rome, where he mocks the
    Pontiff
  • 10. Pranks played on the other courtiers of
    Charles V.
  • 11. Further pranks played on all manner of people
    horse traders, inn keepers, peasants, Jewish
    peddlers, etc.
  • Riotous living with his students drinking and
    carousing!
  • The conjuration of classical heroes, esp. Helen
    of Troy
  • Failed attempts by pious men to return Faust to
    the Lord
  • A marriage to (a demon in the form of) Helen of
    Troy
  • Fausts despair as his appointed time draws to a
    close
  • Fausts gruesome death presented as a warning to
    others

10
The Legend of Faust
  • The Spies chapbook was, to judge from
    translations and new editions, very popular.
  • English Version (EFB) appeared in 1592
  • The
  • Historie
  • of the damnable life, and deserved death of
  • Doctor John Faustus,
  • Newly imprinted, and in convenient places
    imperfect matter amended according to the true
    Copie, printed at Franckfort, and translated into
    English by P. F. Gent.leman.

11
The Legend of Faust
  • A selection of chapters from The Damnable Life
    (EFB) is printed on pp. 92-145 of the Signet
    Classic edition of Marlowe.
  • Suggested Reading for class!
  • The EFB is a close translation of Spies, but it
    contains new material used by Marlowe.
  • New versions of the legend typically add new
    episodes appealing to later societies.

12
The Legend of Faust
  • Marlowes drama cannot be dated exactly he may
    have used the German version, or only the
    English, or some combination
  • The Tragicall History of
  • the Life and Death
  • of Doctor Faustus.
  • Marlowe died in 1593, but the first printing of
    Doctor Faustus was in 1604. A later printing in
    1616 contained a number of differences.

13
The Legend of Faust
  • After Marlowe, a number of other editions were
    written in Germany
  • 1599 Expanded Chapbook edition by Widmann
  • 1674 New additions by Pfitzer (love for a village
    girl)
  • 1725 The well-meaning Christians childrens
    story
  • 1650-1750 English comedians presented a version
    based on Marlowe throughout Germany this was
    also the basis for the beloved Faust puppet play.
  • 1759 G. E. Lessing wrote fragments of a Faust
    drama this was the first version to save Faust
    from damnation!

14
The Legend of Faust
  • Later versions of Faust legend in Germany
  • (Storm-and-Stress to Classicism)
  • 1778 Fausts Life by Maler Müller
  • 1791 Fausts Life, Deeds, and Ride to Hell by
    Klinger
  • 1770-1808 Faust, Part One, by J. W. Goethe
  • 1833 Faust, Part Two by Goethe (publ.
    posthumously)
  • Goethes work is a masterpiece of world
    literature, extremely influential on all
    subsequent versions of the legend.
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