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Writing Persuasive Media Copy

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Title: Writing Persuasive Media Copy


1
Writing Persuasive Media Copy
  • Developing and writing Commercials, Promotions,
    and Announcements

2
Persuasion
  • Persuasion is a type of communication that
    interests many people
  • advertiser
  • political candidates and parties
  • public organizations such as public health
    organizations or MADD
  • religious organizations

3
Spot Lengths
  • Generally 30 seconds or 60 seconds
  • Estimating time by words
  • dime spot -20 to 25 words wall to wall
  • 30 second spot -70 to 80 words wall to wall
  • split 30 -two 15 second spots
  • 60 second -135-145 wall to wall

4
Persuasive Spots
  • Commercial Spots
  • The Public Service Announcement -PSA
  • Promo or promotional
  • Station ID
  • You are listening to
  • W-U-A-G, one-oh-three point one, Greensboro.

5
Persuasive Strategies
6
Audience Analysis
  • Demographics
  • age, gender, economic level, political
    orientation, occupation, education, ethnicity,
    geographical location
  • Psychographics
  • lifestyles, interests, attitudes, beliefs

7
Audience Analysis
  • Affirmative audience
  • Dissident audience
  • Skeptical audience
  • Apathetic audience

8
Creativity
  • Creative people will make unlikely combinations
    to make a point or draw attention
  • The same is true of copywriters

9
Persuasive Creativity
  • Writers for Trigon Blue Cross designed this spot
    for television, but the spot found its way to the
    internet, where it is passed around because it is
    so cute. What a tribute to its creators.
  • Notice how two unlikely things are paired
  • A little boy talking about a movie
  • And health care

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Rational and Emotional Appeals
  • Understanding human motivation

11
Logical and Emotional Appeals
  • Logical Appeals
  • persuasion based on facts or product claims
  • product or service fills practical needs
  • economy
  • safety
  • performance
  • maintenance

12
Logical and Emotional Appeals
  • Emotional Appeals
  • appeals to emotional needs such as power or
    prestige
  • sex appeal
  • patriotism
  • family values
  • peer acceptance

13
Appeals and Needs
  • Advertisers construct the persuasive appeals of
    commercial messages based on their perceptions of
    audience needs.

14
Human Needs
  • Abraham Maslow established the theory of a
    hierarchy of human needs, believing that human
    beings are motivated to action by unsatisfied
    needs.

15
Maslowes Hierarchy
  • Certain lower needs must be realized before
    higher needs can be satisfied, just as a person
    must cross lower stairs in order to reach the top
    step.

16
Abraham Maslow
  • According to Maslow, there are general types of
    needs (physiological, safety, love, and esteem)
    that must be satisfied before a person can reach
    self-actualization (and act unselfishly).

17
Satisfying Needs
  • Satisfying needs is healthy, blocking
    gratification of needs can makes us sick or evil.
    We are all "needs junkies" with cravings that
    must be satisfied and should be satisfied. Else,
    we become sick and dysfunctional.

18
Physiological Needs
  • Most Basic
  • Air
  • Water
  • Food
  • Sleep
  • Clothing
  • Shelter

19
Safety Needs
  • Establishing stability and consistency in a
    chaotic world
  • Safety can be Psychological
  • Safety needs can motivate religious belief
    religion can comfort with the promise of a
    secure place after we die and leave the
    insecurity of this world

20
Love Needs
  • Human beings have a desire to belong to groups,
    clubs, families, couples
  • We need nonsexual love -- to be accepted and
    appreciated by others
  • We need friends

21
Esteem Needs
  • Peer Esteem
  • Attention and recognition from others for our
    competencies
  • Can be related to desire for power
  • Self Esteem
  • Competence and mastery of tasks

22
Self-Actualization
  • The desire to reach the fullest self potential
  • Seek knowledge, inner peace, aesthetic
    experiences, oneness with God, etc.

23
Audiences and Attitudes
  • Need Driven Audiences
  • 1. Survivors
  • rooted in poverty
  • 2. Sustainers
  • fortunes drastically ebb and flow with the state
    of the economy

24
Outer-Directed Audiences
  • Belongers largest and least wealthy-- being
    accepted is extremely important to this group
    --tend to prefer heritage brands
  • Emulators want to be accepted, noticed and
    envied-will sacrifice economy and maintenance for
    looks
  • Achievers have acquired success and economic
    status but continue to push for more social prizes

25
Inner-Directed Audiences
  • I-Am-Me Audience group in transition
    unpredictable
  • Experientials securely inner-directed, concerned
    with self expression and personal goals
  • Socially conscious personal needs defined by
    social responsibility

26
Integrated Audience
  • Making up no more than two percent of the
    population, this group is so self-assured they
    can combine both inner and outer directed values
    in their preferences without self- contradiction.

27
Logical Appeals
  • Advertising appeals to needs at the basic and
    middle rungs of the hierarchy of human needs.
  • Appeals to physiological needs
  • Safety needs
  • Needs for community or belonging
  • Tend to involve claims of fact

28
SIMPLE Logical Appeals
  • S afety
  • I ndulgence
  • M aintenance
  • P erformance
  • L ooks
  • E conomy

29
Safety
  • Listeners and viewers want to know if a product
    will make them sick, ruin their plumbing or
    injure the psyches of their children
  • Consumer and industry action groups have caused
    the advertising of tobacco to be banned for
    safety reasons
  • Advertisers appealing to safety assure consumers
    that their product is safe to use

30
Indulgence
  • Traveling first class may be an indulgence more
    expensive than economy- but may also make someone
    traveling for business more productive arriving
    rested and ready to work.

31
Maintenance
  • Some things involve more upkeep from the consumer
    than others
  • A product that is useful for a long time or a
    service with long term benefits may overcome a
    higher sticker price
  • A product that must be replaced, fixed or
    repaired often may not command as high a value.

32
Performance
  • Will the product or service function in the way
    the consumer expects?
  • Does it meet a consumers need?

33
Looks
  • Often considered an emotional attraction the
    least rational
  • Evaluates on how appealing something is to the
    eye
  • For example, it is rationally important that
    paint look good its primary function is visual.

34
Economy
  • Deals directly with costs
  • If something is expensive, is it worth what you
    pay for?
  • Is an activity wasteful?

35
Rational Appeal Supercuts
36
Rational Appeal Supercuts
37
Rational Appeal Supercuts
38
Rational Appeal Supercuts
39
Rational Appeal Supercuts
40
Rational Appeal Supercuts
41
Rational Appeal Supercuts
42
Rational Appeal Supercuts
43
Rational Appeal Supercuts
44
Emotional Appeals
  • Deal with needs on the middle to upper rungs of
    the hierarchy.
  • Human desire for amusement and pleasure.

45
Emotional Appeals
  • PLEASURE
  • P eople Interest
  • L aughter
  • E nlightenment
  • A llurement
  • S ensation
  • U niqueness
  • R ivalry
  • E steem

46
Emotional Appeals
  • People Interest nosiness, human curiosity about
    others
  • Laughter human enjoyment of humor
  • Enlightenment need for information
  • Allurement sex appeal
  • Sensation senses --sight, sound, taste, smell,
    touch
  • Uniqueness -novelty
  • Rivalry the drama of conflict
  • Esteem snob appeal

47
Emotional Appeal Fruit of the Loom
48
Emotional Appeal Fruit of the Loom
49
Emotional Appeal Fruit of the Loom
50
Emotional Appeal Fruit of the Loom
51
Emotional Appeal Fruit of the Loom
52
Emotional Appeal Fruit of the Loom
53
Commercial Noncopy Data Block
  • A standardized memorandum keeps track of
    scripted messages and their scheduling
  • Dates
  • Submitted for review
  • Revision submitted
  • Revision approved
  • production

54
Noncopy data block
  • Agency
  • Client line firms official corporate
    designation
  • Product line- specific product/service being
    advertised
  • Spot title
  • Length run time of the spot
  • Specific script number for specific ID and
    correspondence can id the originating agency,
    client or company for which the spot is written,
    location in the total number of spots that agency
    produced for that client, year aired, medium,
    length
  • Example BE-167-04R (BE chemicals, 167 treatment
    for that client, aired in 2004, radio)

55
Types of Radio Commercials
  • Univoice (straight) commercial
  • Multivoice commercial
  • Both voices speak directly to the listener- not
    each other
  • Dialogue Commercial
  • little radio drama
  • Musical Commercial
  • Pseudo-sound effect
  • Slogan/sales point enhancer
  • Backdrop
  • Lyric vehicle

56
Ad-lib spot
  • Use only with known talent, strong on-air
    personality or DJ with a wide listener following
  • Writer prepares not copy but a fact sheet
  • Radio stations that have top D-Js ad-lib copy
    often charge a premium for that service

57
The Music Spot as Pseudo-SFX
  • MUSIC IMPRESSIVE DRUM ROLL
  • ANNCR In 1985, an old American soft drink
    changed its formula.
  • MUSIC BRASSY FANFARE STARTS, WINDS DOWN TO A
    PITIFUL STOP
  • ANNCR You were not amused.

58
Musical Spots
  • Slogan or sales point enhancement
  • Music bed or backdrop
  • Lyric Spot
  • open donut --spot begins with lyric followed by
    announcer copy, lyric is not reintroduced
  • closed donut --spot begins with lyric, followed
    by announcer copy, lyric concludes the spot.

59
Tenets of good radio copy
  • Stay conversational
  • Remain present and active
  • Keep humor in bounds
  • Stress sponsor identification
  • Conclude with energy
  • Call for action

60
Things to Avoid
  • Question Lead-ins
  • Clichés
  • Superlatives
  • Talking down to audience
  • Confusing statements
  • Offensive language/visuals

61
Question lead-ins
  • Avoid lead-in questions that invite a yes or no
    answer or invite audiences to mentally argue with
    you.
  • POOR Are you looking for an inexpensive way to
    cool your home?
  • BETTER Heres an inexpensive way to cool your
    home.

62
Avoid Clichés and Superlatives
  • Clichés
  • Conveniently located...
  • Stop in soon...
  • The next time youre in the mood for
  • But wait! Theres more!
  • For all your ___needs.
  • Superlatives
  • fantastic
  • unbelievable savings
  • lowest possible prices
  • outstanding
  • tremendous
  • super

63
Political Persuasion
  • Political advertising has become a critical part
    of any candidates campaign
  • Here is Robert Goodman, who specializes in
    Republican candidates, discussing two of his
    successful spots
  • A successful spot is one that gets your candidate
    (client) elected.

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Political Persuasion
  • Political advertising has become a critical part
    of any candidates campaign
  • A successful spot is one that gets your candidate
    (client) elected.

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Production in Advertising
  • This spot has all the production values of a
    Hollywood film, though produced in Europe.
  • What gives the spot its impact?

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Humor in Advertising
  • As you might tell from the examples used in
    this presentation, humor can play a powerful role
    in advertising. But the joke must never interfere
    with the message. What is the message of this
    spot?

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Persuasion
  •  To induce someone to act by argument, entreaty,
    appeal.
  • To develop or change an opinion
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