Title: Deeper Insights into Alternative and
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2Deeper Insights into Alternative and
Active Rock Prepared for Jacobs Media Rock S
ummit
3Agenda
- Historical perspective How did we get here?
- Defining and differentiating the Alternative and
Active brands
- Defining and differentiating the Alternative and
Active music products
- Evidence of convergence
- Strategic options going forward
4How did we get here?
Two formats born of different strategic
circumstances
Alternative vs. Active Rock
5How did we get here?
Two formats often serving different strategic
roles
Alternative vs. Active Rock
6How did we get here?
Two formats often serving different strategic
roles
Alternative vs. Active Rock
7Different brand meanings and values
The Alternative brand
- Essence has been about new, cutting edge,
Alternative music forms
- Reflects contemporary alternative culture
- Makes for a good deal of fluidity and sonic
variety, as culture moves through Rock, Pop and
Mainstream periods
- Attracts trendsetters with malleable, fluid
tastes reflecting relatively broad musical
sensibilities More critical, cynical- burn
out on music more quickly
8Different brand meanings and values
The Active Rock brand
- Essence has always been about Rock
- Reflects Rock feel or attitude, rather than
cutting edge culture
- Emphasis on Rock produces less sonic variety
than Alternative
- Attracts listeners who are somewhat slower to
embrace new music trends Retain fondness for
older music
9Comparing the music mixes
Era breadth is major differentiator between
formats
10Comparing the music mixes
Current/Recurrent content is another
differentiator
11Comparing the music mixes
Alternative features greater sonic variety
12Comparing the music mixes
Parallels CHR/Hot AC relationship
13Comparing the music mixes
Parallels CHR/Hot AC relationship
14Comparing the music mixes
Parallels CHR/Hot AC relationship
15Comparing the music mixes
Parallels CHR/Hot AC relationship
16Comparing the music mixes
Parallels CHR/Hot AC relationship
17Comparing the music mixes
Parallels CHR/Hot AC relationship
18Comparing the music mixes
Parallels CHR/Hot AC relationship
19Comparing the music mixes
Parallels CHR/Hot AC relationship
20Comparing the music mixes
Parallels CHR/Hot AC relationship
21Comparing the music mixes
Parallels CHR/Hot AC relationship
22Evidence of convergence
Formats sharing most Currents/Recurrents
23Evidence of convergence
Formats sharing most Currents/Recurrents
24Strategic options going forward
- How fast to embrace the cutting edge
- How to balance Cume and TSL sounds
Alternative stations face challenging issues...
25How to balance Cume and TSL sounds
Balance Top 100 songs with smallest Cume/TSL Ma
x score differential
TSL Top 100 songs with decidedly stronger TSL M
ax than Cume scores
Cume Top 100 songs with decidedly stronger Cume
than TSL Max scores
26Sound Code DistributionTotal Test vs. Balance
Quadrant
27How to balance Cume and TSL sounds
Balance Top 100 songs with smallest Cume/TSL Ma
x score differential
TSL Top 100 songs with decidedly stronger TSL M
ax than Cume scores
Cume Top 100 songs with decidedly stronger Cume
than TSL Max scores
28Sound Code DistributionTotal Test vs. Cume
Quadrant
29How to balance Cume and TSL sounds
Balance Top 100 songs with smallest Cume/TSL Ma
x score differential
TSL Top 100 songs with decidedly stronger TSL M
ax than Cume scores
Cume Top 100 songs with decidedly stronger Cume
than TSL Max scores
30Sound Code DistributionTotal Test vs. TSL
Quadrant
31Strategic options going forward
- Alternative stations face challenging issues...
- How fast to embrace the cutting edge
- How to balance Cume and TSL sounds
32Should Grunge be left to Active Rock?
33Should Grunge be left to Active Rock?
34Strategic options going forward
- How to balance need for music variety while
retaining new music credibility
- How much Gold and how old that Gold should be
- Which contemporary styles are compatible with Gold
Active Rock stations face challenging issues as
well...
35Building the optimal format coalition
36Building the optimal format coalition
What is the potential of an Hard Active-based,
contemporary approach to Active Rock?
37Building the optimal format coalition
What is the potential of an older, 80s- and
early 90s-based approach to Active Rock?
38Looking ahead
- If convergence continues, whoever wins the image
for the shared music will win the audience
- Hard Active nature of shared Currents favors
Active Rock, given its Rock essence
- Long term, a Hard Active Rock music convergence
probably better for Active Rock format because
the status quo favors the more gold based,
consistently Rock textured format
Implications of convergence
39Looking ahead
- Alternative can win if it has Hard Active Rock
music image credibility (or superiority), if
Active Rocks images do not evolve and lag too
much in older 70s/80s AOR or if Current music
diverges - Emergence of new sound in Alternativeespecially
if Mainstream or Pop in naturewill break current
music convergence and formats will diverge to
more unique, distinct positions again - If all remains equal, then non-music attributes
will key victory
Implications of convergence
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