Title: Russian parents
1GEORGE GERSHWIN
- Russian parents
- born in Brooklyn Sept. 26, 1898
- Jacob Gershvin
- remembers listening to Rubensteins Melody in F
(1904)
- first piano in 1910 for Ira
- pupil of Charles Hambitzer
- attended concerts
- dropped out of high school
- worked for Jerome H. Remick Co. on Tin Pan
Alley for 15 per week
2GEORGE GERSHWIN
- Remick hired Gershwin as a song plugger
- George sang and played the firms songs for
customers
- first piano rolls in 1915 and more than 100 by
1926
- Swanee - played by Gershwin in 1920
- began to compose on his own with no
encouragement
- moved from Tin Pan Alley to the Broadway stage
3GEORGE GERSHWIN Broadway to Rhapsody in Blue
- Left Remick Co. in 1917
- rehearsal pianist for Miss 1917 (Kern and
Herbert)
- stayed at Century Theater as organizer and
accompanist for concerts
- 1918 offered 35 per week by Harms Publishing for
the right to publish any songs he might compose
in the future
- by the end of 1918 he had songs in 3 Broadway
shows
- first full Broadway score, La La Lucille opened
in 1919 and was given 104 performances
4GEORGE GERSHWIN Broadway to Rhapsody in Blue
- 1919-20 Lullaby for string quartet first
classical piece
- 1920 - Swanee recorded by Al Jolson became his
first hit song - more than 10,000 in royalties
that year
- 1920-1924 - composed music for George Whites
Scandals
- 1922 - second classical piece Blue Monday
(opera) included in Scandals of 1922
- 1921-1924 wrote A Dangerous Maid, Our Nell,
Sweet Little Devil, The Rainbow, Primrose, Lady,
be Good
- 1924 - was famous because of Rhapsody in Blue
5GEORGE GERSHWIN Rhapsody in Blue
- Concert organized by Paul Whiteman
- Aeolian Hall, NYC, Febr. 12, 1924
- An Experiment in Modern Music
- intended to show that jazz, considered to be
slapdash, was improved with the symphonic
arrangements which were the specialty of
Whitemans band - Questions about American music
- Rhapsody won audience approval
- Gershwin became famous overnight
- an historical figure - he brought jazz into the
concert hall
6GEORGE GERSHWIN Rhapsody in Blue
- Aeolian Hall concert divided into several
sections
- TRUE FORM OF JAZZ
- Livery Stable Blues (Nick La Rocca)
- Mama Loves Papa (Abel Baer)
- COMEDY SELECTIONS
- Yes, We Have No Bananas and
- So This is Venice (Frank Silver - Theodore
Thomas)
- CONTRAST - LEGITIMATE SCORING VS. JAZZING
- Whispering (John Schoenberger)
- RECENT COMPOSITIONS WITH MODERN SCORE
- Limehouse Blues (Philip Braham)
- Linger Awhile (Benson Rose)
- Raggedy Ann (Jerome Kern)
7GEORGE GERSHWIN Rhapsody in Blue
- THE CONCERT CONTINUES
- ZEZ CONFREY (PIANO)
- Kitten on the Keys (Zez Confrey)
- Three Little Oddities (Zez Confrey)
- Romanza, Impromptu, Novelette
- Nickel in the Slot (Zez Confrey)
- IRVING BERLIN MEDLEY
- Orange Blossoms in California
- A Pretty Girl is like a Melody
- Alexanders Ragtime Band
- IN THE FIELD OF CLASSICS
- Pomp and Circumstance (Sir Edward Elgar)
8GEORGE GERSHWIN Rhapsody in Blue
- THERES MORE TO COME!
- FLAVORING A SELECTION WITH BORROWED THEMES
- Russian Rose (Ferde Grofe/Peter DeRose)
- ADAPTIONS OF STANDARD SELECTIONS TO DANCE RHYTHM
- Pale Moon, An Indian Love Song (Frederick Knight
Logan)
- To a Wild Rose (Edward MacDowell)
- Chansonette (Rudolf Frimil)
- A SUITE OF SERENADES (all by Victor Herbert)
- Spanish Serenade
- Chinese Serenade
- Cuban Serenade
- Oriental Serenade
9GEORGE GERSHWIN Rhapsody in Blue
- FINALLY! (MusicMasters MMD 60113T)
- RHAPSODY IN BLUE (George Gershwin)
- sources of original parts
- Whiteman Archive at Williams College
- Gershwins pencil 2-piano score for Grofe - LC
- Grofes orig. piano and orch score
- 6/10/24 recording of G w/W
- GEORGE GERSHWIN (piano) A Rhapsody in Blue -
Accompanied by the Orchestra
- Clarinetist Ross Gorman did gliss
- Victor Herbert said I wish I had written that
10GEORGE GERSHWIN Rhapsody in Blue
- Within a year three different American composers
created their own piano-jazz concerti
- Copland Concerto No. 1
- Antheil Jazz Symphony
- James P. Johnson Yamekraw A Rhapsody in Black
and White (scored by WGS)
- 1924 - 1934 received more than 250,000 from
performances, recordings and rental fees of
Rhapsody
11GEORGE GERSHWIN Years of Celebrity and
Expansion
- Began collecting works of art
- Picasso,Modigliani, Utrillo
- Became a painter
- 1937 - exhibit in NYC
- Continued to compose (10 full scores between
1926-1935)
- studied with
- Rubin Goldmark
- Wallingford Riegger
- Henry Cowell
12GEORGE GERSHWIN Years of Celebrity and
Expansion
- 1925 composed Concerto in F for Piano and
Orchestra (comm. Damrosch)
- 1928 composed An American in Paris
- 1929contracted to compose a Jewish opera by
the Met.(not fulfilled)
13GEORGE GERSHWIN Years of Celebrity and
Expansion
- An established composer
- 1927 Strike Up the Band
- 1930 Girl Crazy
- 1931 Of Thee I Sing
- 1934-5 Radio program Music by Gershwin
- Signature
- Of Thee I Sing Overture
- The Man I Love
- I Got Rhythm
- Commercial
- Swanee Sign-Off
- 1937 Shall We Dance
14GEORGE GERSHWIN Years of Celebrity and
Expansion
- 1932 - Cuban Overture
- 1934 - variations on I Got Rhythm
15George Gershwins PORGY AND BESS
- Opened in Boston - Sept. 30, 1935
- Ran 16 weeks in NYC
- on the road for 3 months
- revived in 1938, 1942 in commercial theaters
- Copenhagen in 1943
- Europe with an all-black cast in 1952 and the
U.S. in 1952-53
- Russia 1955
16George Gershwins PORGY AND BESS
- In rehearsal July 19, 1935
- Introduction Summertime - sung by Abbie
Mitchell
- A Woman is a Sometime Thing - sung by Edward
Matthews
- Act I, Scene 1 Finale
- My Mans Gone Now - sung by Ruby Elzy
- Bess, You Is My Woman Now - sung by Todd Duncan
and Anne Brown
17Various Works by Gershwin
- An American in Paris
- Blue Monday
- Concerto in F
- Cuban Overture
- A Damsel in Distress
- Film Music
- The George Gershwin Songbook
- Girl Crazy
- I Got Rhythm Variations
- Letem Eat Cake
- Lullaby for String Quartet
- Music of Gershwin
- Of Thee I Sing
- Oh Kay!
- Overtures
- Pardon My English
- Piano Music
- Porgy and Bess
- Preludes
- Promenade
- Rhapsody in Blue
- Rialto Ripples
- Second Rhapsody
- Skys the Limit
- Songs
- Strike Up the Band
- Ten London Solos for Piano
- Three-Quarter Blues for Piano
- Who Cares?