Title: PERSPECTIVE
1PERSPECTIVE
2Perspective the illusion that an image has
depth and 3-dimensional space (volume)
3TRICKS/TECHNIQUES
OVERLAPPING (ORDER) RELATIVE (diminishing)
SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR
(ONE OR TWO POINT)
4VERTICAL PLACEMENT OVERLAPPING
INTERPRETED AS 3 RECTANGLES
5NOT
6RELATIVE SIZE
7SASSETTAThe Meeting of St. Anthony and St.
Paulabout 1440Wood
8TRICKS/TECHNIQUES
OVERLAPPING (ORDER) RELATIVE (diminishing)
SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR
(ONE OR TWO POINT)
9Atmospheric
Imitation of atmospheric effects hues more
bluish more pale outlines less precise small
details lost color contrasts muted sfumato
(vaporous) gradual transition
10David Hockney, Portrait of an Artist (Pool with
Two Figures), 1971
11astronauts got disoriented on the moon because of
. . .
12the lack of atmospheric perspective.
13TRICKS/TECHNIQUES
OVERLAPPING (ORDER) RELATIVE (diminishing)
SIZES VERTICAL PLACEMENT ATMOSPHERIC LIGHT LINEAR
(ONE OR TWO POINT)
14LINEAR PERSPECTIVE
Vanishing point
One point central
15Canaletto (Giovanni Antonio Canal), The Campo di
Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2
in
16Canaletto (Giovanni Antonio Canal), The Campo di
Rialtoc. 1758-63 Oil on canvas, 46 7/16 x 72 1/2
in
17Vanishing points at horizon
picture frame
18After 600 years of perspectivist tricks, a return
to the flat surface in the 20th Century . . .
19(No Transcript)
20Frank Stella, Wolfeboro II, 1966
21Frank Stella, Wolfeboro II, 1966
a hint of perspective . . .
22Gustav KlimtPortrait of Adele Bloch-Bauer
I1907138 x 138 cm
23The dawn of perspective
24Cimabue, Madonna Enthroned, 1280-90
NO PERSPECTIVE
flat pictorial space similar to Ancient
Byzantine works
TEXTBOOK p. 185
25GIOTTOMadonna in Gloryc. 1311Tempera on
panel128 x 90 1/2 in.
suggestions of PERSPECTIVE in a GOTHIC ERA work
PERSPECTIVE is a major development of the
RENAISSANCE (key words in BOLD)
26. . . in music?
Yes! Can you tell the difference between a loud
sound far away and soft sound nearby?
Psycho-acoustic effects of near and far (reverb,
TDOA, spectral roll-off, timbre, etc.) - used in
film music, electronic music, and some orchestral
music, particularly MAHLER
27In retrospect . . .
- notice perspective, lack of perspective, and
suggestions of perspective in 2-D work