The Evolution of a Recital Program: from Significant Duo Repertoire by New England Classicists to Am

1
The Evolution of a Recital Program from
Significant Duo Repertoire by New England
Classicists to American Snapshots

• Original Idea Significant Duo Repertoire by New
  England Classicists and their Students
• John Knowles Paine (1839-1906)
• Sonata in B Minor, Op. 24 (1875)
• Arthur Foote (1853-1937)
• Sonata in G Minor, Op. 20 (1889)
• Amy Marcy Cheney Beach (1867-1944)
• Sonata in A Minor, Op. 24 (1896)
• Frederick Converse (1871-1940)
• Sonata in A Major, Op. 1 (c. 1905)
• Henry Hadley (1871-1937)
• Sonata, Op. 23 (1895)
• Daniel Gregory Mason (1873-1953)
• Sonata in G Minor, Op. 5 (1907)
• Sonata in C Minor, Op. 14 (1912-15)
• John Alden Carpenter (1876-1951)
• Sonata (1911)
• Edward Burlingame Hill (1872-1960)
• Sonatina (1951)

Jonathan McNair (b. 1959)
Arthur Foote (1853-1937)
Charles Ives (1874-1954)

• Performances
• Recital in FSUs Dohnanyi Recital Hall
• November, 2008
• College Music Societys regional conference in
  Orlando, FL
• February, 2009
• Afternoon Musicale performance in Chapman, AL
• March, 2009
• Recital at the Brevard Music Center, NC
• July, 2009
• Recording session
• August, 2009
• College Music Societys national conference in
  Portland, OR
• October, 2009
• In Progress
•  

William Grant Still (1895-1978)
Corinne Stillwell Bowman Assistant Professor of
Violin College of Music cstillwell_at_fsu.edu