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Iliad

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Excellence, virtue, or what makes and individual the best or among the best; ... status among others, usually capable of being taken away (prize, booty, trophies) ... – PowerPoint PPT presentation

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Title: Iliad


1
Iliad Odyssey
  • Honors 2101
  • Unit 2 Greece

2
Rough Outline
  • Homer in Ancient Greece
  • Themes and Persons
  • Illiad
  • Odyssey
  • Closing Thoughts

3
Homer in Ancient Greece
  • Earliest Greek Literature
  • Written c. 750 BCE from oral trad. (c. 1200 BCE)
  • Recited by Rhapsodes
  • Epic dactylic hexameter or long poem on
    war/myth
  • Cultural Importance for Greeks
  • Taken as History
  • Hellenic Unity
  • Educational Texts

4
Greece and Trojan War
5
Some Themes
  • Glories of War/Adventure
  • Reasons for War
  • Realistic Descriptions
  • Ideals of Heroism
  • Areté, timé, and kleos
  • Fate Courage
  • shame culture
  • Others
  • Gods Humans
  • Individual vs. Society
  • Word vs. Deed

6
  • Areté
  • Excellence, virtue, or what makes and individual
    the best or among the best usually some
    combination of physical prowess persuasive
    speech or command.
  • Timé
  • Honor, material symbol of status among others,
    usually capable of being taken away (prize,
    booty, trophies).
  • Kleos
  • Glory or Fame, understood as public opinion, or
    what others say or remember.

7
Persons in the Iliad
  • Acheans
  • Achilles Patrocles
  • Agamemnon Menalaos
  • Odysseus, Ajax, Phoenix
  • Trojans
  • Hector Alexandros
  • Priam, Helen, Andromache
  • Gods
  • Zeus, Apollo, Aphrodite
  • Athena, Hera, Thetis

8
Iliad (Book I)
  • Wrath of Achilles, Part I
  • In medias res Trojan War Plague of Apollo
  • Menis Quarrel with Agamemnon
  • Consequences
  • Thetis Supplication of Zeus
  • Glimpse of Olympus
  • Is Achilles anger his own fault?

9
Thetis supplicant to Zeus
10
Iliad (Book VI)
  • Behind the Walls of Troy
  • Hector as Tragic Hero
  • Women and Family Life
  • Fate
  • Troy Hector
  • Trojan Women
  • Is Hector a sympathetic hero? Why or why not?

11
Iliad (Book IX)
  • Embassy to Achilles
  • Discourse among equals?
  • Odysseus plea
  • Phoenixs plea
  • Ajaxs parting words
  • Is Achilles being unreasonable? Why or why not?

12
Death and Heroism
  • The prospect of death drives the heroes to pursue
    timé (honor).
  • The hero is defined by his(her) action in the
    face of mortality, especially in combat or
    contests.
  • And resulting kleos (glory) is the heros only
    immortality.

13
Sarpedon declares to Glaukos (Book XII.322-28)
  • Man, supposing you and I, escaping this battle,
    would be able to live on forever, ageless,
    immortal, so neither would I myself go on
    fighting in the foremost nor would I urge you
    into the fighting where men win glory. But now,
    seeing that the spirits of death stand close
    about us in their thousands, no man can turn
    aside nor escape them, let us go on and win glory
    for ourselves, or yield it to others.

14
Iliad (Book XXI)
  • Wrath of Achilles, Part II
  • Death of Patrocles and Achilles Armor
  • Death of Lycaon a ruthless death
  • Death of Hector revenge
  • Is Achilles anger inhuman?

15
Hector at the Gates of Troy
  • Achilles was coming closer, like Enyalius,?the
    warrior god of battle with the shining helmet.?On
    his right shoulder he waved his dreadful
    spear?made of Pelian ash. The bronze around him
    glittered?like a blazing fire or rising sun. At
    that moment, as he watched, Hector began to shake
    in fear.?His courage gone, he could no longer
    stand there.?Terrified, he started running,
    leaving the gate.?Peleus' son went after him,
    sure of his speed on foot.?Just as a mountain
    falcon, the fastest creature?of all the ones
    which fly, swoops down easily?on a trembling
    pigeon as it darts off in fear, the hawk speeding
    after it with piercing cries,?heart driving it to
    seize the prey in just that way?Achilles in his
    fury raced ahead

16
Hector faces Achilles
  • When they'd approached each other, at close
    quarters,?great Hector of the shining helmet
    spoke out first"I'll no longer try to run away
    from you, son of Peleus, as I did before,
    going?three times in flight around Priam's great
    city.?I lacked the courage then to fight with
    you,?as you attacked. But my heart prompts me
    now?to stand against you face to face once
    more,?whether I kill you, or you kill me.?So come
    here. Let's call on gods to witness,?for they're
    the best ones to observe our pact,?to supervise
    what we two agree on.?If Zeus grants me the
    strength to take your life,?I'll not abuse your
    corpse in any way. I'll strip your celebrated
    armour off, Achilles, then give the body back
    again?to the Achaeans. And you'll do the same."
  • Swift-footed Achilles, with a scowl, replied
    "Hector, don't talk to me of our
    agreements.?That's idiotic, like a faithful
    promise?between men and lions. Wolves and
    lambs?don't share a common heart they always
    sense?a mutual hatred for each other.?In just
    that way, it's not possible for us, for you and
    me, to be friends, or, indeed, for there to be
    sworn oaths between us,?till one or other of us
    falls, glutting Ares,?warrior with the bull's
    hide shield, on blood.?You'd best remember all
    your fighting skills.?Now you must declare
    yourself a spearman,?a fearless warrior. You've
    got no escape. Soon Pallas Athena will destroy
    you?on my spear. Right now you'll pay me
    back,?the full price of those sorrows I went
    through when you slaughtered my companions. With
    these words, he hefted his long-shadowed
    spear,?then hurled it.

17
Achilles abuses Hectors body
  • Then on noble Hector's corpse?he carried out a
    monstrous act. He cut through?the tendons behind
    both feet, from heel to ankle,?threaded them with
    ox-hide thongs, and then tied these?onto his
    chariot, leaving the head to drag behind.?He
    climbed up in his chariot, brought on the
    splendid armour,?then lashed his horses. They
    sped off eagerly, ?dragging Hector. A dust cloud
    rose above him,?his dark hair spread out round
    him, and Hector's head,?once so handsome, was
    covered by the dust, for Zeus?had given him to
    his enemies to dishonour?in his own native land.
    So all his head grew dirty.
  • From Book XXII, translated by Ian Johnston
    http//www.mala.bc.ca/johnstoi/homer/iliad_title.
    htm

18
Abuse of Hectors Body
19
Iliad (Book XXIV)
  • Priams Plea
  • Achilles grief
  • What moved Achilles to release Hectors body?
  • Has Achilles finally come to his senses?

20
Questions about the Iliad
  • What are the chief motivations for war or
    conflict in the Iliad?
  • Compare/Contrast Achilles and Hector as
    representing heroic ideals.
  • Does the character of Achilles develop over the
    course of the Iliad?
  • If the Iliad is about the wrath of Achilles, what
    is the lesson to be learned, if any?
  • What relevance, if any, does the Iliad have for
    us now?

21
(No Transcript)
22
The Odyssey
  • Journeys
  • Disguise, Deception Craftiness
  • Fantastic Voyages
  • Women in the Odyssey
  • Homecoming Loyalty Order
  • Concluding Remarks

23
Two Journeys in One Story
  • Odysseus and Telemachus
  • Fantastic and Worldly
  • Narrative Thread Time and Memory
  • Theme Heroic Struggles
  • Gods/immortality (Bk. V)
  • Monsters
  • Finding home
  • Theme Xenia
  • generosity and courtesy towards strangers

24
6. Aeolias Island 7. Laestrygonians 8. Circe
s Kingdom
9. Land of the Dead 10. Sirens
11. Scylla Charybdis 12. Calypso 13. Ithaca
1. Mt. Olympus 2. Troy 3. Cicones 4. Lotus
Eaters
5. Cyclops
25
Disguise, Deception and Craftiness
  • Odysseus is polutropan
  • of many twists (Bk. I, Proem)
  • Odysseus arete
  • Cf. Achilles Hector
  • Examples
  • Nausicaa (Bk. VI)
  • Polyphemus (Bk. IX)
  • Circe (Bk. X)
  • Homecoming (Bk. XXIII)

26
Fantastic Voyages
  • Horrible and Seductive
  • Cyclops (Bk. IX)
  • Circes Island (Bk. X)
  • Land of the Dead (Bk. XI)
  • Sirens, Scylla and Charybdis (Bk. XII)

27
Women in the Odyssey
  • Seduction and Symbol
  • Cf. Women in the Iliad
  • The Women
  • Calypso
  • Nausicaa ( mother)
  • Circe
  • Penelope

28
Land of the Dead (Bk. XI)
  • Rites of the Dead
  • Vision of the Underworld
  • The Message

29
Homecoming (Bk. XXIII)
  • Disguises at Ithaka
  • Now Athena
  • Killing the Suitors
  • Xenia?
  • Penelope Telemachus
  • Loyalty and Order

30
Concluding Remarks Iliad Odyssey
  • Heroic Ideals arete, time, kleos
  • Gods and Humans mortality or fate
  • Moral and Social Order xenia, arete, women
  • Place of Homer in Greece

31
Some Paper Topics(See also slide 20)
  • Compare the areté of Odysseus with Achilles (or
    hector, Gilgamesh, Moses, etc.). How does the
    quest for honor and glory account for their
    actions? How important is the recognition of
    mortality?
  • Compare the women characters from the Iliad and
    Odyssey. Clearly the women characters are more
    prominent in the Odyssey, but in what way are
    they similar or different? What role do women
    play in each epic work?
  • What is the role of women in Homer? Clearly they
    represent domestic ideals, but they also
    represent other important values and features in
    the narrative. Explicate what you think of
    Homers us of women characters in the Iliad and
    Odyssey. Are there any interesting modern
    parallels?
  • The Odyssey is best known for the fantastic
    series of adventures the Odysseus undergoes. Pick
    one or two episodes and draw modern parallel.
    What is the significance of this episode? Does it
    teach us a lesson or reveal something important
    about the human condition (or just archaic Greek
    values)?
  • Odysseus is constantly trying to get home to
    Ithaka. He forsakes a goddess (Calypso) and other
    alluring women (e.g., Circe), so why does he seek
    out home and a reunion with Peneolpe? What does
    this tell us about the virtues of Odysseus?

32
  • How does Homer portray the relationship between
    gods and humans in the Iliad and Odyssey? What
    roles do the gods play in human life? How does
    this make a difference in the storylines?
  • In what way does Odysseus character develop
    during the course of the narrative? Does he
    develop at all? Compare other characters (e.g.,
    Achilles, Gilgamesh, etc.).
  • An important cultural concept in the Odyssey is
    xenia generosity and courtesy to strangers,
    especially travelers form afar. What role does it
    play in the narrative? How is it established as a
    key value? Why might hospitality have held more
    significance in Homers time than it does today?
  • Draw a comparison between the themes presented in
    any two of the works we have read thus far (Epic
    of Gilgamesh, Genesis, Exodus, Job, Iliad,
    Odyssey). Pick a theme that spans both works and
    discuss how it is similar and/or different, but
    also tell us why this is interesting or
    revealing. Use specific examples to illustrate
    the theme(s) and your main point about its
    treatment in the stories.
  • In the Odyssey and the story of Gilgamesh have
    given us two visions of the underworld. What is
    the picture of the underworld we are given in
    these works? Does it resonate with modern
    versions of the underworld? Why is water so
    important? Blood?
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