Title: PowerPointPrsentation
1 Broadway
In the Past
Today
Annika Schrandt, Isabell Harmuth, Andrea Lindner,
Yvonne Kaboth
2Contents
- Broadway in the Past
- 1.1 1900 1940
- 1.2 1940 - 1970
- Broadway today
- 2.1 The Lyceum Theatre and the Empire Theatre
- 2.2 Off- and Off-Off-Broadway
- 2.3 How a Broadway Show is Produced
3Broadway in the Past
1905
1904 Times Square
1890 Union Square
41920s
51940s
1930s
1950s
6What is Broadway?
7What is Broadway?
- worlds most famous street (over 25km in length)
- stretches from 41st to 53rd street
8(No Transcript)
9What is Broadway
- not only a geographical location
- ? theatre district
- ? has become a billion dollar industry (Pun
Bandhu, producer) - ? a Broadway theatre (simply called Broadway) is
any theatre that is above 499 seats - ?there are also Broadway theatres outside of the
district
101900-1917 The Era of Good Feelings
- history of Broadway dates back to the 18th
century but it was established in the beginning
of the 20th century as we now it today - in the early 1900s theaters started settling near
The Times Square - Great White Way
111900-1917 The Era of Good Feelings
- As of 1900 there were thirty-three legitimate
Broadway theatres, and many more were built
within the next decade - theatre district attracted a large audience,
predominantly of the middle class - exploding population increasing mobility
conduced to success, praise and popularity
121900-1917 The Era of Good Feelings
- - most famous actor, singer, dancer, writer,
director, manager and powerful producer was
George M. Cohan - Give My Regards to Broadway is considered one
of the national anthems of the Broadway - he introduced the song format the AABA form
13Give my Regards to Broadway
Click
141900-1917 The Era of Good Feelings
- 1909 The Man Who Owned Broadway was performed
- At that time George M. Cohan truly owned
Broadway (by Robert Rusie) - he opened the Cohans Theater in 1911
151900-1917 The Era of Good Feelings
- competition of two musical traditions
- 1915 Musicals made their debut on Broadway Very
Good Eddie - ? credited as the first show that incorporated
songs as part of action - ? feature was continued and 1927 fully realized
in Showboat
16World War I
- ? Irving Berlins show Yip, Yip, Yaphank as
entertainment for soldiers - Ziegfeld Follies girls wear costumes in the
colour of the American Flag and a picture of the
leading actress reportedly helped to recruit
French soldiers - Broadway stars organized food drives, promoted
Liberty Bonds on stage and raised money for the
Red Cross
17World War I
Poster by Winsor McCay Liberty Bond commercial
paper to finance a war
18Passing Show introduced hit song On the
back cover of that Good Bye Broadway, Hello
France sheet (among other songs)
19Post-War Period
- in 1918 worldwide flu epidemic reached the US
- ?theaters reached the brink of economic ruin
- in in 1919 Actors Equity Association went on a
strike for a month demanding better working
conditions for members - ? achieved 30.00 per week minimum wage ( 5.00
fee for playing out of town) and four week limit
on unpaid rehearsals - ? first-ever strike in the history of the
American theatre - Â
-
20The Roaring Twenties
- in 1921 Shuffle Along was the first Broadway show
that was produced and performed by black actors
for white audience - ? encouraged the Harlem Renaissance
- in 1925 The Golden Age of the American musical
began - ? four hits opened within a period of seven days
-
21The Roaring Twenties
- 1926 Eva LeGallienne opened the Repertory Theater
- ? with this theatre she associated a school where
young and promising newcomers would lern the best
possible skills of theatrical art - ? prices were affordable for every part of the
population
22The Roaring Twenties
- in 1926 the musical Sex was performed
- ? it was defined as nasty red-light district
show - ? actress Mae West was arrested for impropriety
of her performance - ? result the Wales Padlock Law
- prohibited plays depicting or dealing with
sex degeneracy or sex perversion
23The Roaring Twenties
- 1927 Show Boat by Oscar Hammerstein, Otto Harbach
and Jerome Kern (and producer Flo Ziegfeld) - ? first musical form as we know it today
- ONeill owned the Broadway in the twenties as
Cohan did in the teens
24The Roaring Twenties
- 1928 was the climax of Broadways most
production-packed decade - ? approximately fifty new musicals opened in a
single season - ?people paid up to 3.50 a seat
- more than 80 theatres
- 1929 stock market crash
- ? led to the Great Depression
25 Playbill listing from 1928
26The Great Depression
- stock market crash had great effects on Broadway
- ? approximately 25,000 people in the theatre
community lost their job - ? prices dropped to 25-cent minimum, and 1.00
maximum for the best seats - ? the fall in new productions continued until 1939
27The Great Depression
- ? producers suffered from a series of flops
- ? many of the producers rushed into the film
industrie (app. 75) - ? many theatres were closed
- ? many of the Broadway theatres were owned by an
entertainment organisation and presented the new
talking pictures (movies)
28The Great Depression
- in 1930 Pleasure Man
- ? Mae West was arrested again and 52 members of
the cast, some of them were men in drag - ? amendment to the Wales Padlock Law writers and
producers, but not actors, were responsible for
obscenity - the theatre that was the most up-town of
theatres less than 50 years ago, had become the
most downtown
29The Great Depression
- in 1931 foundation of the Group Theater
- ?a group of young talent created a theatre with a
closer relationship to art
- no star system
- existed 10 years
- in 1935 Dead End and film version in 1937 with
Humphrey Bogart
30Humphrey Bogart in Dead End
31The Great Depression
- 1935 the Theater Works Project by LeGallienne and
Hallie Flanagan national programme with
chapters - ? each chapter was to include a school at which
new talent could learn the skills of theater - ?The Living Newspapers (socially significant
themes) - ? existed 4 years, till 1939 distributed 46
million, financed 1,200 productions and provided
employment for 12,000 people
32The Great Depression
- many productions were co-opted by Hollywood
directly from the stage - Â
- in the thirties the Theater Guild realized itself
as a commercial production company
33World War II
- When the United States declared war on Germany
and Japan in 1941, Broadway demonstrated that it
was conservative in its loyalty to the nation.
34World War II
- The American Theatre Wing entertained and
provided food for servicemen. - In 1940 the USO offered Camp Shows to alleviate
some of the boredom of the military life.
35Broadway in the 1940s
- During the 1940s, Broadway began to lose its
originality and drive. - Some theatres were pulled down and from then on
theatre no longer dominated Broadway. The theatre
business was declining all over the city.
36Broadway in the 1940s
- In comparison to the 264 productions in
1927-1928, the number dropped to 187 in
1930-1931, and only 72 in 1940-1941. - The Republic Theatre became Billy Minskys
burlesque house. - -gtTheatres all over the area were being torn down
or turned into slums.
37Broadway in the 1940s
- The result of all these pressures on Broadway
theatre was a shocking 80 unemployment rate for
Broadway actors in 1948. - Although Broadway theatre had lost some of its
scope, it still retained its liveliness and
joyfulness in an increasingly corporate
environment.
38Broadway 1950-1970
- After 1950, Broadway and the theatre business
continued their decline that began in the
thirties. - However, Broadway was still attracting audiences
from other parts of the country. - At this time when New Yorkers were beginning to
drift away from theatre, the Louisville
Courier-Journal and the Columbus (Ohio) Citizen
organized "show trains."
39Broadway 1950-1970
- Broadway theatre was also being affected by the
politics of the time. - -gt People were negatively influenced by the
Vietnam and Korean wars, the assassinations of
John F. Kennedy and Martin Luther King and the
cold war in general.
40Broadway 1950-1970
- Despite the fact that Broadway at this time was
depressed, there were many memorable musicals
that emerged in 1950-1970. - Some of these shows included West Side Story, My
Fair Lady, The Sound of Music, Fidler on the
Roof, Man of La Mancha and Hair.
41Broadway Today
42The Lyceum Theatre and the Empire Theatre
43The Lyceum Theatre
- Opened November 2nd, 1903
- Built by producer-manager Daniel Frohman
- It originally was called New Lyceum Theatre
- Seating capacity 922 (divided in orchestra,
mezzanine and balcony) - The first theatre with electrical light
44The Lyceum Theatre History
- New York's oldest surviving theatre in continuous
legitimate use - Playwrights George S. Kaufman, Moss Hart and
their team of theatre folk bought the theatre in
1939 - The Shuberts took ownership of the theatre (1950)
and have operated it ever since. - the first Broadway theatre to be assigned
landmark status (interior and exterior) in 1974.
45The Lyceum Theatre Productions
- the Lyceum has housed many new plays, revivals,
and repertory companies - The inaugural production The Proud Prince (1903)
- stars who graced the stage of the Lyceum in its
early years Billie Burke, Humphrey Bogart,
Leslie Howard, Bette Davis
46The Lyceum Theatre Productions
- the Lyceum's biggest hit Born Yesterday (1946),
1642 performances, the theatre's longest run - one person shows like Whoopi Goldberg (1984,
2004), the Pulitzer Prize- and Tony Award-winning
I Am My Own Wife (2003)
47The Lyceum Theatre Architecture
- Designed by architects Herts and Tallant
- handsome gray limestone façade with six ornate
Corinthian columns - In the foyer two grand staircases lead to the
mezzanine - Above the theatre, Frohman built an apartment for
himself
48The Lyceum Theatre
49Empire Theatre
- The first theatre on Broadway
- Seating capacity 1100
- Built 1893 by Charles Frohmann
- The theatre moved from Herald Square to the Time
Square - In 1948 the Astor estate purchased the theatre
50Empire Theatre
- They announced, that it would be torn down to
make way for an office tower - Demolished 1953
- Productions Twelfth Night, Romeo and Juliet,
Sherlock Holmes,
51Empire Theatre
52The Off-Broadway
- Developed since 1950
- The theatres of the Off-Broadway were aloof of
the main Broadway - Seating capacities between 99 and 500
- The productions are smaller and less expensive
- Plays which were successful in an
Off-Broadway-theatre often moved to Broadway
stages (e.g. Hair)
53The Off-Broadway
- Today the classification and attitude towards
these stages have changed - A theatre, which is aloof, is classified as
Broadway theatre if it has at least 500 seats - Productions designed for smaller theatres
- An Off-Broadway theatre has 100-500 seats
- Less than this Off-Off-Broadway
54The Off-Off-Broadway
- First mentioned 1958-1960, mainly developed since
1985 - Reaction to Off-Broadway
- Rejection of commercial theatre
- Smaller theatres than Broadway and Off-Broadway
productions - The theatres usually have less than 100 seats
55The Off-Off-Broadway
- They are not located around the Broadway, but all
over New York City - Professional, semi-professional and amateur
productions
56Broadway theatres
57Off- and Off-Off-Broadway theatres
58How a Broadway Show is produced
59Idea
- Producers idea ? creative teams idea
- Established talents ?
- New unknown writers ?
- One has to get the producers attention
60Workshops
61Raising Money
- Costs of a musical
- 4 6 millions
- Producer teams
- A brochure that has to be approved of by
government offices - Limited partnerships
62Raising Money
- well-known sponsors
- newspaper advertisements
- Hollywood
- Backers Auditions
63Raising Money
- Broadway is a brutal business and a risk !
64Finding the Cast Actors Auditions
- Open Call Auditions
- Actors Equity Association
- Callbacks
-
65Rehearsals
- 8 10 weeks
- rehearsal studios in New York
- Sitzprobe (first time full orchestration)
- move to actual Broadway theatre
- gypsy run through
66Tryouts and Previews
- the show is staged in another town
- songs or technical pieces are refined or changed
67Rehearsals, Tryouts, Previews...
68Opening Night
- a glamour event
- Gypsy Robe Ritual
69After the Opening...
- reviews
- the challenge of keeping a successful musical
vital and fresh - TV appearances etc.
70The Tony Awards
- Antoinette Perry Awards
- 27 categories
- Most important Best Musical
71Fame and Fortune...
- ...in the Musical business are rare
- only 2000 of 20.000 Equity members make a living
with it
72Sources
- Books
- Marx, Henry, Die Broadway Story, Düsseldorf Econ
1986. - Taymor, Julie, Der König der Löwen. Das Broadway
Musical The Lion King - Pride Rock on Broadway,
German, translated by Rheinhard Thiel, Berlin
Ehapa 2001. - Internet
- Kenrick, John, How Broadway Musicals are made,
http//www.musicals101.com/makemusi.htm
(22/12/2008). - http//www.tonyawards.com (22/12/2008)
- http//www.shubertorganization.com/theatres/lyceum
.asp (28.12.08) - Internet Broadway Database (28.12.08)
- http//www.ibdb.com/venue.php?id1245
- http//www.newyorktheatreguide.com/broadwayTheatre
s/lyceum.jpg (28.12.08) - http//www.mapsites.net/gotham01/webpages/alisonha
nnah/Broadway/Broadway2.JPG (28.12.08)
73Sources
- http//mapsites.net/gotham01/webpages/alisonhannah
/broad1900to1918.html - http//www.musicals101.com/1900to10.htm
- http//www.nyc.gov/html/film/html/theatre/theatre_
history.shtml - http//www.pbs.org/wnet/broadway/hello/operetta.ht
ml - http//www.talkinbroadway.com/bway101/2.html
- Film
- Show Business. The Road to Broadway, DVD, Dir.
Dori Berinstein, Liberation Entertainment 2003.